Sorry for the false alarm.
I created this as a placeholder a year ago for the impossibly futuristic date of 06/29/26.
Sorry for the false alarm.
I created this as a placeholder a year ago for the impossibly futuristic date of 06/29/26.
Taking the place of Science Fiction Theatre is a series that I do not remember at all despite it spanning 6 years. But then that is true of my college career also.
Famous scientist Dr. Lawson is alone in his bedroom, pumping away, when his housekeeper busts in.

Happily, we see that the cylindrical object in his hand is a tire pump. Mrs. Abernathy chastises him for blowing up an air mattress every night rather than an inflatable woman or, say, buying a mattress. He claims this is a time-saver. Note to self . . .
A young woman has come to visit him. Mrs. Abernathy says she arrived riding a strange four-legged animal with a sharp horn.
The woman suddenly appears in Lawson’s bedroom and introduces herself as Mercy Device. He replies, “Well, there’s not much I can do about that”. Her name and his reply already display more wit than most shows covered here. There might be some hope for this one.
She asks if he will spend the weekend with her at her house in Wakefield. She assures him there will be no shenanigans, although the O’Flanagans might drop by for some backyard Camogie [1]. No, her request is due to the intrusion of a poltergeist. Because who wants an uninvited guest suddenly appearing in their bedroom late at night, disturbing their routine?
Dr. Lawson seems to be unfamiliar with the term, or maybe he just put it out of his mind after seeing the godawful 2015 remake. She describes it as an imp, a ghost which has fastened itself to her and gives her no peace. Kudos for him amusingly looking her over before she tells him it is invisible.
As a man of science, he suggests that she take her story to the “fakers” at the Psychical Research Trust (PRT). Shockingly, they only wanted to exploit her story in the media for big bucks. After hearing their bullshit, she is appealing as a last resort to legitimate scientists for accurate, non-biased information, like the media did 5 years after COVID. Some of the media.
He agrees to spend the weekend at her place. She says her car is right outside, although Mrs. Abernathy still insists she arrived on some sort of horned beast.

No, it doesn’t
Upon Lawson arriving at Mercy’s place, the poltergeist immediately begins showing off. He is subjected to flying papers, books, and dishes. It even speaks — in a man’s voice even though Mercy had named it Caprice [insert trans reference here] [3]. After witnessing all of this evidence, Dr. Lawson breaks with his life-long distinguished academic and scientific experience and kisses a girl.
However, she has already called the “fakers” from MSNBC PRT for an alt-reality opinion. Dr. Lawson invites an actual scientist — Dr. Pearly — to consult. After seeing some witch-like symptoms in Mercy and learning she comes from Salem, Pearly and Lawson take a roadtrip.
Consulting the Salem County Clerk, they learn that a witch named Mercy Device was hung in 1682. She actually still has a debt on the books. In a law that we should revive, Mercy Device was billed for “the cost of the hanging, a new gallows, and food for the magistrate.” Although, under the new law, I propose that we require payment in advance.

I’d like to think that bandage placed right in the middle of his forehead was an intentional bit of whimsy. It’s the first episode — a fella can dream . . .
Lawson magnanimously pays the debt, so “Caprice” disappears back to the lady poltergeists’ locker-room. This also “cures” Mercy of being a witch, although I’m still not clear why that was such a burden on her other than riding a horned beast. [2]
Lawson asks Mercy to marry him, and there is some 4th wall breakage: Dr. Lawson literally closes a tiny curtain on the scene and, presumably, Mercy test-drives her new horned beast.
This series predates the antediluvian Suspense by 3 years, yet somehow seems a little fresher. There is less of the intrusive organ. The dialogue is snappier. The actors are not hamming it up like they are playing to the back row of a theater.
Ironically, though, I felt like I was watching a stage production. Like a few episodes before it, it is OK for the time, but even that is grading on one big-ass curve.
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