Alfred Hitchcock Presents – The Legacy (S1E35)

ahbabysitter03The episode opens with a voice-over describing “Palm Beach, where the sun spends the winter, and people spend fortunes to be in it.”  I guess sun is the “it” of that sentence, but it took a couple of rewinds for me to make sense of it.

We are introduced to what I can only assume is known as the “old money” crowd.  Or the old “money crowd”.  The “nonagenarian money crowd”, to be more accurate.

Writer Randall Burnside is in town to gather info on his next subject, Prince Burhan.  He is introduced by the geezers to Irene Cole, wife of oilman Howard Cole.  As is common with Hitchcock, this marriage is a little off.  Mr. Cole is hanging out with a floozy starlet, playing tennis, boating, while ordering his wife around.  Burnside is surprised to hear that Irene has the money in the family, yet tolerates this behavior.

The famous Prince Burhan arrives, either having spent too much time in the Florida sun, or having been made up just a few coats short of Al Jolson to represent some indeterminate Arab / Indian country.  He seems to be quite taken with Irene, asking her dance, then out to lunch the next day, and for a walk.  To be fair, her husband apparently believes what’s good for the gander is good for the goose.

We flash a few days forward and learn that the Prince is still spending a lot of time with Irene, sending her a bouquet of roses every morning, and wanting to party like its 1959.

Hanging out in a cabana, Prince Burhan makes clear his feelings for her, and Irene makes clear her belief in old wives’ tales.

legacy01The next day, Burhan kisses Irene and says he will kill himself if she doesn’t marry him; thus proving that he is not only a famous prince, but a drama queen.  She refuses and sends him packing.  Burhan dies the next day in a car accident, leaving Irene distraught with guilt.

Three months later, Burnside returns to Palm Beach.  The resort manager informs him that the Prince was after Irene’s millions, that he was bankrupt.  Somehow this is news to Burnside who has just finished writing a biography of Burhan.  This is why you never hear about the investigative team of Woodward & Burnside.  The manager, however, says it was an accident rather than suicide because the Prince’s mechanic had been in the middle of working on the brakes; also news to our intrepid reporter.

Burnside goes to New York to let Irene know it wasn’t her fault.  However, he sees the positive effect Burhan’s death had on them.  Thinking that the Prince killed himself over her, Irene has gained new self-confidence (and her own young actor boy-toy).  Her husband has become much more attentive seeing that another man could desire her (and no sign of his floozy).  Burnside says he doesn’t want to rob them of the Prince’s precious legacy to them and breaks the 4th wall: “Would you have?”

Post-Post Leftovers:

  • In a headline about his death, Burhan is described as Oriental.  In common parlance, that would exclude India.
  • According to Wikipedia, ”Oriental” is banned from legislation in Washington state due to being raaaaaaacist.
  • Once again in a Hitchcock joint, we have a woman disparaging herself and criticized by others for being “plain”, “ordinary”, “not amusing”, and (gasp) “over 30”.  At least this time, he did not cast his daughter.
  • Another unexpected 4th-wall breakage, just 2 days after Tales from the Crypt.  More jarring than effective this time, though.
  • Bess Flowers appears uncredited as an extra.  She might have been the most prolific actress in history.  She appeared in over 700 films, including 23 that were nominated for Best Picture.
  • Oh, Hitchcock, you so crazy . . .

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    Actual Closed Caption

Prom Night (1980)

promnightcover0220 horror movies for $5; what could possibly go wrong?  Part II.

This movie was one of the reasons I bought this set.  Not that I had any love for it, but I had at least heard of this title; and of course Jamie Lee Curtis gave it some gravitas.

Like every horror movie made in the 80s, this one starts in the 70s.  A pack of brats is bullying one of their schoolmates, Robin, in an abandoned school.  What starts as a hide & seek game devolves into them chasing her yelling, “kill, kill!” like those punks on Triacus.  As always, it’s fun and games until someone puts an eye out.  In this case, the eye and the rest of the body are put out of a 2nd story window.  The kids, wise beyond their years, react just like adults — by fleeing the scene and not telling anyone.

At this point, we can already predict who the killer is going to be, even though he was barely seen.  Of course Alex, the brother of the dead girl, can be expected to have a motive.  But when you are trying to predict who is going to grow up to be the serial killer, a stronger indicator might be the kid who dresses like his sister.  promnightstripes02Cut to 6 years later.  A mysterious caller — OK, it’s Alex —  starts calling the posse from 6 years ago.  But we still have to go through the usual suspects:

  • The groundskeeper – Why are groundskeepers always the first red herring?  The sharp implements?  If this took place today, we would know it isn’t the groundskeeper because the killer speaks English.
  • The Child Molester – Leonard Murch is only seen in bandages, and doesn’t even get a screen credit.  Despite the Lieutenant going all Sam Loomis, he is a no-go; the Screen Actors Guild would never allow it.
  • Lou, the boorish 25-year old high school student in the black ski mask?  Ninja, please!

Finally at the 1 hour mark, we get another kill.  As I am a firm believer in Survival of the Cutest, it is disappointing that it is Mary Beth Rubens.  It takes a mere 7 minutes to get the next kill, so we’re off!  We get a fun pursuit in a van (leading to a great fiery crash), and another good chase with an axe.

Clearly being Advanced Placement students, these prom-goers deduce there might be a problem after seeing a decapitated head on the dance floor.  As usual, JLC comes through, and unmasks the killer.  Surprise, it is Alex!

It was never boring, but the pressure was really on the last 30 minutes to redeem the first 60 minutes.  Overall, it worked for me.  On the Pass / Fail scale: Pass.

Post-Post Leftovers:

  • Released the same year Leslie Nielsen starred in Airplane; and in between Jamie Lee Curtis’ 2 Halloweens.
  • Michelle Scarabelli is here somewhere uncredited.  Sadly I did not see her.
  • Screenwriter William Gray wrote the classic The Changeling starring George C. Scott, also released in 1980.
  • I was stumped as to whether the van crash was an excellent model or a fake looking real van.  No matter, it was a great crash, great shot and great fireball.
  • Actually the opening is pretty effective as the kids really do seem menacing, and the old building is used well.
  • Its sequel title Prom Night II: Hello Mary Lou is right up there with Breakin’ 2: Electric Boogaloo.  Who is naming these things, Jesse Jackson?  Sadly, I know of no rhyming 3rd installments.  Star Wars III: Return of the Jediii?, Back to the Future III: Cowboy Marty?, Godfather III: WTF Sofi . . . uh?
  • Really, this is all we get for our R-rated 90 minute investment?promnightshower01

 

Tales from the Crypt – The Man Who Was Death (S1E1)

tftccover01This is almost a William Sadler twin spin as he starred in The Outer Limits’ Valerie 23 just yesterday.  Here, he is playing a completely different character, and pulling it off magnificently.  I have been aware of who he was for a long time, but it is finally sinking in what a major talent this guy is.

The episode — the premiere of the series — starts off with with a great score by Ry Cooder who you will know by his work with, oh, everybody.  It reminds me of a carnival,  a calliope.  I have read some complaints about the score, but maybe it is appropriate as this whole episode is a merry-go-round.

Sadler has been the state executioner for 12 years until liberal pantywaists get the death penalty overturned in his state.  Sadly the Executioners Local 101 is unable to save his job.

mansadler04aSadler foresees the Reality TV genre 10 years before Survivor by envisioning a show featuring death row inmates.  Rather than taking that winning idea to Hollywood, he decides to become a vigilante, killing off those who the justice system has let slip through its fingers.

The first recipient of this frontier justice was instantly recognizable as one of Ahnold’s first victims in T2 — the cigar smoking dude in the bar.  You see this guy in a movie, don’t expect an arc.

The great Gerrit Graham (from the classic Used Cars) is the 2nd victim.  They were really bringing out the big guns of character actors for this first episode.

Naturally, the episode comes full-circle just like the merry-go-round whose theme started the episode.  Sadler’s vigilantism is not appreciated by “the man” who has just re-instituted the death penalty.

mansadler07aNot a lot of subtext here, but it is well produced and very well acted.  A great start to a series I don’t really have many fond memories of.

Post-Post Leftovers:

  • Breaking the 4th wall does not always work, but Sadler pulls it off here, and also gives the episode a real noir vibe.
  • Again, I am baffled by the screenwriter’s lot in Hollywood.  Robert Reneau is co-credited as writer of this episode.  He had 2 screenplays produced 20 years ago, then nothing.  WTF?  OK, they were Action Jackson and Demolition Man, but at least I have heard of them.
  •  Who exactly is the Crypt-Keeper for?  Seems more of a kiddie thing, but then there was nudity in the episode, too.  That’s what killed Sears — you can’t please everybody; pick a niche.
  • Pretty shrewd of Warner Brothers to put this out as “Season 1” and mention nowhere on the box that it is only 6 episodes.  This is why you have no friends, Warner Brothers.
  • Directed by Robert Zemeckis, of the aforementioned Used Cars and Back to the Future.
  • A close-up of the hot-line to the Governor reveals that this takes place in Arkansas (Area Code 501).  As this episode aired in 1989, that Governor would have been one Mr. William Jefferson Clinton.

 

Godzilla (2013)

godzillacover02What is wrong with you people?  By “you people”, I mean the 72% of critics and 77% of normal people on Rotten Tomatoes who liked this.

I actually dozed off more than once during this fiasco.  Does that disqualify me from giving a review?  Or is that the review?  And this was after starting off with a 128 ounce Coke.

It starts out great — the montage under the opening credits is fascinating.  Then people start talking.  No movie I have covered on this site has had more lackluster dialogue than Godzilla (the movie, not the monster).

OK, no one went to this expecting My Dinner with Andre.  But just compare scenes from Jaws or Close Encounters or Independence Day to similar scenes in this movie.  The dialog  is constantly clunky or too wordy, never artful, and rarely effective.

I first noticed this when Bryan Cranston was being detained.  It instantly reminded me of Richard Dreyfuss being held in a small trailer by the Army in CE3K.  That short non-action scene in Close Encounters was made interesting and suspenseful in just a few sentences.  Even an actor as good as Cranston could not sell the terrible words he was given in his comparable scene.  I wish I could find the script online to give many more examples.

And thank God I did not find a bootleg DVD in the street, so I am not tempted to even just skim this movie again to make notes.  I will never watch this movie again.  I wasn’t even planning on writing about it, but the spent time and money are buggin’ me, man!  Where to start?  How much time is worth wasting on this movie?

  • It is kind of a bait & switch to show Bryan Cranston so prominently in the ads.  He really is killed off pretty early.  And maybe I was already getting drowsy, but somehow I missed him dying.  I saw him strapped to gurney with a neck support.  Was he already dead?  Was that even him?
  • I always like Elizabeth Olson, but she is completely wasted in this film (and not in the good way).
  • Kick-Ass, where art thou?  Aaron Taylor-Johnson is a colossal bore as Cranston’s son.  A problem since he is arguably the lead character.  He reminds me of Bruce Willis’ son in Die Hard 5 — the movie is already crap, and one of the leads is an absolute non-entity.  I would have paid an extra buck to see Jesse Pinkman as his son.
  • David Strathaim — another good actor totally wasted.  And what is this obsession with shooting the back of his head?  Marcellus Wallace got more face-time.
  • When Cranston removes his haz-mat helmet and takes a breath, are they suggesting that he can smell that there is no radiation?
  • Another CE3K comparison: the discovery of the ship in the desert vs the discovery of the Russian sub in the forest in Godzilla.  Fun, mysterious, beautiful vs zzzzzzzz.
  • When Cranston was ranting, “that was no earthquake, that was no typhoon . . .” I expected him to continue, “this is not a boat accident, and it wasn’t any propeller!”
  • And if that Hiroshima story was supposed to be as effective as the USS Indianapolis story in Jaws.  Just no.
  • Add Aliens to the homage list for the burning of the egg-sac.
  • I remember Roger Ebert saying one time that Heaven’s Gate was so poorly filmed that even the primary act of looking at the screen was a chore.  Same here.  In most of the scenes, it is either night, or there is a nuclear winter sized dust cloud which grays out the entire shot.  Some shots were so washed out, that they would have actually been more colorful in black & white.
  • The bit with the lost little boy on the train was so quickly contrived, then immediately resolved in an absurd coincidence that it is laughable in its attempt to manipulate the audience.
  • The design of the MUTOs was distracting.  For a while, I thought they were mechanical due to the shape of the head, and the red lights.  I liked them more when I initially thought they were named MOTOs.
  • Didn’t understand the thing with the bus on the bridge, and the dog scene was just weird.  Again, maybe I was resting my eyes.  Something was off about that opening birthday riff also.
  • How do these 300 foot monsters so often manage to sneak up on people?
  • And why was Godzilla fighting for humans anyway?  Didn’t we nuke him 60 years ago?

Memories were fading before leaving the parking lot.  I need to start taking a notepad to the theater.  And a good pillow.

Lastly.  When buying tickets online, I was very surprised that the 3D show starting in an hour had sold out, but the 2D show starting in 30 minutes was only 1/3 full.  This movie is already so dark, it seems like it would be disastrous for the always-too-dark 3D option.

The Outer Limits – Valerie 23 (S1E2)

valerie2301OK, Outer Limits gets another chance after my ordeal with the commercials last time.  I noticed that this episode was written by Jonathan Glassner who directed my favorite episode of this series; one of my top 5 favorites of any series, ever.  I remember Trial by Fire from its original airing, and have watched it many times since.  It is consistently intelligent, suspenseful, surprising, just outstandingly executed in every way.

However, we are here to discuss Valerie 23.

Uber-that-guy William Sadler is Frank Hellner, a wheelchair-bound engineer working on a synthetic skin project.  His friend / boss Charlie wants to set him up with a new employee.  He assures Frank that she knows about his condition and it isn’t a problem.  Frank, but not the audience, is shocked when she turns out to be incredibly hot.

valerie2304aWhen he finds out she is a robot, he is furious that Charlie thinks he needs a mechanical device to help him live his life — you know, other than the chair . . . and the special van.  After a swing and a miss at his physical therapist, Frank grudgingly agrees to give Valerie 23 a test drive.

The engineering team (which includes Byers from The Lone Gunmen) tells him he will have to keep a log (heh, heh), and that there will be a daily de-briefing (heh, heh).

Things start off awkwardly as Frank compares her to a dishwasher.  He is surprised that she is hurt by this.  He comforts her as she begins to cry.  Clearly Innobotics has a gender-based division of labor — programming handled by the women, hardware was handled by the men.

At the next debriefing, the team tells Frank that he needs to make more of an effort with Valerie, to actually treat her like a human.  Also that he needs to try out some of her other documented features as a — ahem — companion; the word being used in the same sense as on Firefly 7 years later.

valerie2308aAfter a little snuggling on the sofa, Frank freaks out and bolts to a bar.  Seeing another couple there, he realizes his loneliness.  Back at the house, he finds that Valerie now has a 2nd outfit.  Then no outfit.  Finally Frank wises up and puts Valerie to the work for which she was designed.

Showing that his accident also left him brain-damaged, he is wracked with guilt and / or self-loathing the next day.

His therapist has suddenly become available, so Frank meets her at the bar.  Valerie follows him and reads their lips through the window like HAL in 2001.  With pretty much the same results.  The next day, she follows them on a date rappelling (again,  I am apparently the last person on earth who can’t rappel) and confronts them.  Frank is able to put her in sleep mode before she throws his date off a cliff.  There is another confrontation and ultimate resolution that I will not describe.

valerie2310

I could just post pictures of her all day

Overall, a very well produced episode.  In fact, my memory is that this was a very good series.  I also see that they are commercial free on You Tube, so there  will be more to come; just with crappier screen-caps.

Post-Post Leftovers:

  • It is an insult to give William Sadler that-guy status.  He has had a huge career and is recognizable from many roles.  Looking over his IMDb page reminded me of a great offbeat movie of his that not many people have seen.  Some rainy afternoon catch up with Freaked.  If it isn’t a cult classic, it ought to be.
  • Sofia Shinas does a great job as Valerie.  She has an almost too-perfect face, and looks great in that white jumpsuit.  She also excels in making sure we remember she is not quite human — the head tilts, the wide-eyes, the inflections.  For my money, her performance is equal to Brent Spiner’s as Data; and with contractions!  She should have been a bigger star.
  • A year before this episode, she witnessed Brandon Lee’s death on the set of The Crow.
  • BTW, the therapist was genre perennial Nancy Allen.