Mine Games (2012)

minegames01

Another contender for worst cover ever.

There is just something that works for me in underground movies.  Not underground movies, but movies that are actually set largely underground.

There is no need to justify loving a great film like The Descent; but liking The Descent 2 goes a long way toward proving my point.  It doesn’t matter why the people are underground.  It could be caves like The Cave or Sanctum.  Could be really deep like The Core or really shallow like Buried.  Could be subways like Creep or End of the Line.  Could be mines like My Bloody Valentine or today’s subject.  Like putting putting people in a spaceship, putting people in danger underground is always a great premise.

That said, the actual start to this film is not great.  It begins in a flash-forward with an annoying voice-over and a mine set which struck me as cheesy (although not so much when the action actually got there).  There is an effective quick scene where we hear a crying woman trapped behind a barred door trying to claw her way out, then we cut to Michael who lost me with his first line of dialogue.

There is just something not comfortable about him and I don’t think it is his character.  In his chat with girlfriend Briana Evigan, I sense zero relationship there.  She mentions his meds which we learn are to combat schizophrenia, but that doesn’t seem to be the problem either.  This is not a couple.

They are getting supplies at a convenience store.  Beside the door is strange item — some sort of board that advertises the Washington Tribune’s story of “Couple Found Murdered in RV.”  Has a newspaper gone to that much effort since the Titanic sank? This board should have been worn by a street-urchin hawking newspapers in 1912, I tells ya.  Second — caution, time loops ahead — I can’t decide whether it makes sense that the deaths are being referenced yet.

minegames09They arrive at the woodsy cabin of the soon-to-be dead Matt and Sarah which appears to be about 10,000 square feet.

The group consists of Lex, with the mug, disposition and wit of a soccer hooligan; Guy, the very stiff grand-son of Gregory Peck and amazing doppelganger of Benedict Cumberbatch; Michael, the wispy, solid-as-Jello schizophrenic; and TJ,  whose main characteristic is that he is not one of the other three guys.

With them are Rose, who has psychic flashes; Claire, the cute one; and Lyla, Michael’s unlikely girlfriend played by Briana Evigan.

The gang finds an abandoned mine near the cabin and ignores the warnings not to enter.  After doing a little exploration, they go back to the cabin.

minegames02The most odious member of the group, Lex, claims he dropped his wallet, so he and TJ take a 2nd trip to the mine.  There, they discover two dead corpses of themselves. They go back to the cabin and tell the group what they saw.

Guy doesn’t believe them, so they make a 3rd trip to the mine in the same day.  For a change in a horror movies, the bodies are still there, and everyone agrees they are in trouble.

Naturally, the solution is to take a 4th trip to the mine.  This time, behind the barred door seen in the opening, they find another body — this time alive, and more importantly, cute — Claire.  As they already have a Claire in the cabin, they leave her and return to the cabin.

minegames06Michael is acting very creepy, so they decide to exile him from the cabin. But where to go?  Hmmmmm . . . . so we get the 5th trip to the mine today where he is locked in a room, sadly for him not the same one as Claire.

After they return to the cabin, Rose has another psychic flash saying that Michael has escaped.  So they make the 6th trip to the mine that day.

There are time-loops, are-we-already-dead conversations, psychic flashes, nice callbacks to earlier events, people meeting themselves, and the very clever use of a particular note.

There are a couple of wildcards thrown in to provide alternative explanations, at least briefly, for the strange happenings.  The use of mushrooms to explain Rose’s psychic flashes is clever.  There is also an aurora borealis which is never really connected to the story, but does linger mysteriously over the proceedings.  However, I never got the sense that Michael’s illness was the root of his craziness, and I found it to be mostly a distraction.

This is in the same vein (ha, mining humor!) as Triangle and Timecrimes, an enjoyable time — and mind — bender.  The only weakness for me was the actor playing Michael, and unfortunately he is in far more scenes than the other actors.

Post-Post:

  • It took 4 writers and 12 producers to make this.
  • “You brought a rolling suitcase on a camping trip”

Night Gallery – Class of ’99 (S2E2)

classof9903We pan across harsh concrete architecture which suggests correctly that it is a future college campus. The few students present and the shadows forming little cages suggest a totalitarian future (or perhaps the totalitarian mind-think of current college faculty).

Inside, students assemble in a classroom made of Krameresque levels, humanity having evolved out of the need for chairs.  Vincent Price enters and reminds the students that this is the day of their final oral exams.

classof9905He begins randomly selecting students and quizzing them on propulsion and behavioral sciences — what freakin’ class is this?  In his questions, be pits white against black, hottie against nottie, Caucasian against Chinese.

It plays out almost completely in that one classroom, and there is a lot of talking.  Never the less, this is one of the best so far.  The story is compelling, and Vincent Price is excellent as the professor.

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Of course there is a twist and the standard Serling hectoring about how awful humanity is; but really it is the story and the performances that make the episode — which is preferable to dumping all the weight on a twist ending.

 

 

Post-Post:

  • Twilight Zone Legacy:  None.
  • Strangely, this is the second segment in this episode which requires live actors to play corpses / frozen people.  It is similarly off-putting here (in a good way).
  • Skipped Segment 1:  The Merciful is a twist on The Cask of the Amontillado.  For a change, it is one of the short sketches that actually works.  The title is a mystery as it would have made more sense to somehow reference the original story title.  Once you see the bricks being laid in the first shot, either it’s spoiled or it’s not, anyway.
  • Skipped Segment 2:  Satisfaction Guaranteed also works better than most.  The payoff is a little strange, even pornographic if you’re of the mind.  But Victor Buono’s performance and a few cute 70’s babes save the day.  Due to a switcheroo by NBC, IMDb has this segment replaced with Witch’s Feast,
  • Hulu sucks.

Night Gallery – A Death in the Family (S2E2)

deathinthefamily07First off, out of the pilot + 8 episodes, this same house exterior is used in at least 3 episodes — not the same stock shot, but new filming at the same house.  Maybe four, but life is too short to go back and look for it. It’s too trivial a point to detract from the story; it’s just curious.  This time it is used as Soames Funeral Home.

A hearse pulls up in front of the funeral home and two men haul a casket inside.  E.G. Marshall (Creepshow) is doing an atrocious hand-job of playing the organ.  OK, it’s a TV episode, no one expects you to learn to play, but generally the notes change when the hands move.

deathinthefamily12He takes possession of a dead body from the county for $100.  The corpse is a pauper who will be put in the ground with a simple wooden marker.  No flowers, no mourners.  As the gravediggers lower the box into the hole, they comment how light it is. Hmmmmm, I wonder . . . .

On his way back to the funeral parlor, he is stopped by police to warn him of an escaped convict in the area.  Hmmmmm, I wonder . . . .

Sure enough, that night, a bleeding Desi Arnaz Jr. breaks into the funeral home (there must be synonym).  He has broken a window and climbed in despite hearing Marshall singing For He’s a Jolly Good Fellow, suggesting multiple people would be inside.

Arnaz peeks into the party room and sees that Marshall was singing to a corpse sitting straight up in a chair at the table.  Marshall is strangely accommodating, allowing Arnaz to lay on the couch and rest up.  Maybe he is confused and thinks he can get Arnaz to sing Babalu at the party.

Arnaz tells Marshall that he is facing jail for murder, and suddenly lapses into 1940’s film noir mode, “The only hand I ever got was the back of it, a kick in the pants, a taste of the sidewalk.”  Good stuff, but seems out of left field especially coming out of Arnaz’s baby face.  He finds it ironic that first warm, living person who cared in his life is in a funeral home.

Arnaz awakens to Marshall singing Jolly Good Fellow again.  He finds Marshall in the basement, in the middle of a party with his wife, mother, daughters, brother — all corpses propped up at the table, although looking very life-like.  He introduces the first corpse we saw as being his father.  This is the family he has constructed away from the competitive cruel world outside.

I think Arnaz can see the writing on the wall.  When the doorbell rings, he is ready to bail, even if it is police.  Marshall stops him on the stairs.  The police bust in when they hear gunshots.  They see blood on the floor, despite the fact Arnaz did not make it that far, and follow it to the basement — where Marshall has managed, within seconds, to drag the literal dead weight of Arnaz back to the celebration and prop him up in the role of his son.

The cops arrive at the party just in time to see Marshall join the guests by plopping down dead in his chair from a gunshot wound.  So Marshall did that dragging and propping up all after being shot?  Presumably Arnaz died of his previous wound, but the timing is pretty unlikely.  The policemen slowly back out of the room.

Arnaz is the weak point here, just not selling his character as a convicted murderer. That isn’t enough to ruin the episode, though.  Marshall’s performance, the scenes of the corpses sitting around the table, and the episode direction in general make this a good one.

Post-Post:

  • Twilight Zone Legacy: None.
  • I’m sure E.G. Marshall — from 12 Angry Men, The Caine Mutiny, The Defenders, and other classics — would have enjoyed having his legacy reduced to “the bug guy from Creepshow.”
  • Desi Arnaz Sr. was a very smart guy by all accounts, but he and wife Lucille Ball didn’t have much imagination, naming their kids Desi and Lucie.
  • The corpses sitting around the table are live actors — uncredited, so I wonder what they got paid.  Being so lifelike makes the scene even creepier. I’m not sure I noticed them barely moving, or was anticipating it because I had read that they were real people — either way, that just added to the creepiness.
  • Hulu sucks

Return of the Ape Man (1944)

returnapeman01Only the knowledge that this was not truly a sequel to The Ape Man gave me the strength to watch.  Even at a mere 59:45, nothing could make me watch Ape Man II: Electric Boogaloo.

According to the newspaper headline, local tramp Willie “the Weasel” is reported missing. The newspaper continues in the article sensitively referring to him as “the weasel” rather than as Willie. He was last seen talking to 2 “distinguished gentlemen”; although in relative terms to a tramp named weasel, that doesn’t narrow it down much.

Professor Dexter (Bela Lugosi) and Professor Gilmore (John Carradine) are raising the temperature in a special, presumably insulated, chamber in their lab from 100 below zero to room temperature.  They wheel out a gurney with a man — we have to assume it is Willie — and inject him with a serum and are able to revive him after four months of being frozen solid. They slip him a fiver and send him happily on his way.

returnapeman03Lugosi wants to test his theory for four years, or four hundred years.  Obviously, he wouldn’t be around to collect his Nobel Prize, so he cleverly decides to finds an ancient dead body and re-animate it.  He goes on an expedition to “Seek Prehistoric Men Embedded in Glacier.”  We get some nice jaunty music and footage culled from Alaskan Adventures (1926) showing his trip to the North Pole.  Even though obviously inserted into the movie, it is a nice change from the low-budget feel of Ape Man I.  After 10 months of back-breaking digging — by some grunts, not the Professors — they find a man.

returnapeman02After melting the block of ice that they shipped back to the states, the inject him with the serum which brings him back to life.  He attacks the Professors, but they are able to maneuver him in to a cell conveniently located in the lab.  Lugosi’s plan is to transplant a portion of a modern brain into the Ape Man, giving him powers of speech and reasoning, but leaving his memories of the good old days.

Carradine naively asks where he will get the donor brain, and Lugosi looks at him like he has USDA stamped across his forehead.  Surprisingly, Lugosi lures Carradine’s future son-in-law back to the lab and drugs him.  Carradine walks in and pulls a gun on Lugosi.  The future in-law is revived and remembers nothing of the incident.

The Ape Man breaks out of his cell, and shows a disconcerting amount of butt-crack as he wriggles out the window.  Lugosi manages to track him down — while wearing a tuxedo and carrying a blow-torch.  Sadly, the Ape Man was loose long enough to kill a policeman.

returnapeman04Carradine comes to the lab when he sees the murder reported in the newspaper.  Lugosi stuns him with electricity, ties him up and puts him in the deep freeze.  The operation is a success as the Ape Man gains the power of speech.  He then bolts out of the lab again.  Possessing part of Gilmore’s brain, he goes to Gilmore house and breaks in.  And inexplicably strangles Mrs. Gilmore.

The Ape Man returns to the lab and confesses to killing Hilda.  The cops show up and just start blasting away at the Ape Man, but not before he kills Lugosi.  Despite having more bullets in him than Michael Myers, he again flees the lab.

He returns to the Gilmore house, throws his niece over his shoulder and carries her off. He returns to the lab and puts her in the deep freeze room, ironically starting a fire so she is nearly killed by the heat and smoke.

Her fiance is able to save her at the last minute, but the Ape Man dies in the fire.  Although we don’t see the body, so the way is clear for The Ape Man Bounces Back, Beach Blanket Ape Man and I was a Teenage Ape man.

Post-Post:

  • John Carradine is the father of David, Robert and Keith Carradine.
  • Throughout the whole film, I kept thinking of Phil Hartman.

Tales from the Crypt – Mute Witness to Murder (S2E15)

tftcmutewitness03Suzy and Paul are celebrating their anniversary with friends in their penthouse apartment.  Their guests must not have read the anniversary invitation because they are dressed in Halloween costumes — a viking, a convict; even Suzy has little bunny ears.  Paul’s suspenders are not wide enough to be Gordon Gecko and he’s not wearing glasses, so he’s not Larry King.

After the guests leave, Paul goes inside to get Suzy’s present.  She notices their neighbors come home and their terrace has a perfect view into their apartment.  After short argument, the man picks up a lamp and really nails his wife.  The motion and sound are brutal.

Amazingly she gets back up and continues running her yap.  Then he rips out the curtain cord and strangles her.

tftcmutewitness04Suzy witnesses this, but is unable to tell Paul as the trauma has left her with hysterical muteness.  And maybe also hysterical writer’s cramp as she doesn’t bother to just jot down that a woman was just murdered.

Paul runs out to get a doctor, which turns out to be the murderous neighbor (Richard Thomas, last seen in The Outer Limits).  Sadly, the director totally botches the reveal of Thomas as the doctor.

Only when Paul tells him that this happened on the terrace does he realize that Suzy witnessed the murder.  When she tries to attack the doctor, he shoots her with a gigantic syringe, and takes her to the sanitarium that he runs.

tftcmutewitness13He installs her in a straitjacket and checks her into a padded room.  The doctor has his own medical problem, a heart condition which requires medication in times of stress.  Murdering your wife is not enough to bring it on, but being witnessed murdering your wife can set it off.

On Paul’s next visit, Suzy is in her straitjacket, and strapped to a gurney in her padded cell.  Despite this, she is able to communicate with Paul as he tries to guess what happened on the terrace.  When he guesses she saw the doctor do something bad, he gets a syringe in the neck from the doctor.  As Suzy watches helplessly, the doctor breaks her husband’s neck.

When the doctor enters her room to prepare her for a lobotomy, she attacks him, trying to gouge out his eyes.  He regains control and begins choking her, but he starts having the problem with his heart.  He begs Suzy to call the nurse for his pills, then remembers, “but you can’t speak.”

Seeing a little bit of justice being served, Suzy says, “Oh yes I can,” and let’s him die.

Like the reveal of the doctor, this is played very matter-of-factly.  It is a great twist that she has regained her voice but purposely remains mute in order to let the him die.  The irony could have been emphasized more, especially in a TFTC episode.

Richard Thomas can always be counted on to deliver.  Patricia Clarkson gives a great performance on top of her great offbeat beauty.  The direction — or maybe it is just the set design — stands out with the use of levels and windows.  There are several nicely composed shots, but there are some directorial problems.

As mentioned, the reveals are not handled well.  Also, Richard Thomas’ performance is at a different tone the rest of the cast.  I enjoyed the episode, but it would have been even better had the director followed Thomas’ lead.

tftcmutewitness09a

Nice composition!

Post-Post:

  • The only TV directing credit for Jim Simpson.
  • One of three writing credits for Nancy Doyne.