Alfred Hitchcock Presents – The Morning of the Bride (02/15/59)

Newlywed Helen wakes up and reaches over for her new husband Phil.  He is not in bed, which I guess accounts for them sharing a bed. On 1950’s TV, if he were still in bed, they would have had twin beds. That’s some catch, that Catch-22. She leaves her room, stares at the bedroom door of her mother-in-law who she has somehow never met.

Helen thinks back to five years ago when she had dinner with her mother-in-law — well, almost.  As she is preparing, she gets a visit from her roommate Pat [1].  And, thank God too, because Helen had neglected to put her shoes on yet.  This is treated as catastrophic, “To meet Mrs. Pryor without my shoes on?  I would have just died.”  Pat says she will slip out the back door.

Phil arrives without his mother.  It just so happened that he got his orders to ship out to Korea that night, so the little hootenanny was cancelled.  With Helen’s roommate gone, Phil’s mother absent, candles lit, his gal dolled up with shoes and everything, him shipping out to Korea . . . he gives her a kiss on the forehead and leaves.

ahpmorningbride04Seconds after the door shuts — there is not even an edit — Pat returns and says, “Helen, I’m sorry.”  There is just no way she could have known what just happened unless she was spying on them, hoping to witness some hot shipping-out-tomorrow sex.

Helen flashforwards, but not yet to present day.  She recalls when Phil returned after the Korean War was cancelled [2].  They meet on a park bench and Studly asks if she is proud of him, “I feel like a kid with a good report card.  I want my head patted.”  He talks about his job and his mother.  He still hasn’t gotten around to telling Mom that he and Helen are a couple, though.  He has to run back to work, but promises to inform his mother in a month or two.

Flashing a little further forward, Helen decides to go see Phil’s mother on her own.  As she approaches the house, she sees a woman rushing away.  She calls out to her, but the woman shouts back, “There’s no one here!  No one at all!”

Later, at a restaurant, Phil gives Helen a present from his mother — David Copperfield by Charles Dickens.  Psycho by Robert Bloch would have been a better choice, and was published the same year this episode aired.  He tells Helen that the woman at the house couldn’t have been his mother because she is practically bed-ridden.  He suggests that it must have been Mrs. Beasely, the cleaning woman — a yuge flaw in the screenplay. [3]

Helen tells Phil that she is dumping him.  He asks her to marry him immediately, so all is peachy again.  They get hitched that night and return to the house he shares with his mother.

Back in the present, Helen goes to Mrs. Pryor’s room.  In the empty room, she finds an obituary for Mrs. Pryor which is ten years old.  Phil appears in the doorway and Helen says, “I don’t understand.  She’s been dead for seven years.”  So I guess reports of her death were widely exaggerated for 3 years.  Phil gets a shawl from the closet and says, “You never remember to keep warm, mother.  You’ll get another chill if I don’t watch over you every minute.”  Yuge flaw #2. [4]

ahpmorningbride18Helen, horrified:  “Oh, no no no.”

Post-Post:

  • [1] Pat Hitchcock, making her 8th appearance on the show.  In a departure, her average looks are not used against her.  Despite being the boss’s daughter, she is usually cast as the schoolmarm, a maid, or as the office nottie for a cheap joke.  I do find it amusing that a review at IMDb still refers to her as a maid even though she is clearly a roommate.  But who says maids can’t be hot?
  • [2] Which lasted 11 years as we public school graduates know.
  • [3] Not so much a flaw as a missed opportunity.  I would rather it had been Phil in his mother’s clothes being caught.  I guess that would have been a little crazy for TV in 1959.
  • [4] The direction here — by a good director — baffles me.  Phil gets a shawl from the closet, then drapes it over . . . what?  The camera never drops below his chest.  Did it fall to the floor?  Was there an empty chair that Mom used to sit in?
  • Then Phil bizarrely bugs his eyes out as he looks where his imaginary mother is imaginarily sitting.  Then he scans across, directly into the camera for just a second.  Then his eyes meet Helen’s.  He raises his eyebrows slightly as if to say, “Well, what do you think?”  I am baffled.  If he knows this is a sham, why the funny faces.  Or if he truly believes his mother is sitting there, why the funny faces?
  • Barbara Bel Geddes (Helen) is best remembered as Miss Ellie on Dallas.
  • AHP Deathwatch:  Pat Hitchcock still hanging in there.
  • Hulu still sucks.

Twilight Zone – A Message from Charity (11/01/85)

tzmessagecharity1There are multiple reasons for me to not like this.  1) After getting off easy with a 10-minute segment yesterday, I’m left with a 37-minute chore. 2) It stars an uninteresting actor from a so-so Star Trek series . . . as a kid. 3) It is the kindler / gentler Twilight Zone as seen in If She Dies and Ye Gods.  And yet . . .

In 1700, Farmer Hoggett is worried about his daughter Charity who is sick with fever.  The doctor in this small Pilgrim community seems to double as the veterinarian.  Hoggett says, “Master Towbridge is more experienced at delivering lambs and foals than treating human maladies.”

In her fever, Charity hears the roar of some great beast which turns out to be a car — even worse, it is a car on a TV.  In the present, teenager Peter Wood [1] is also laid up with a fever, watching TV.  He is getting chilled orange juice and Advil, not so much with the bark and leaches.

He too gets a glimpse across time as he sees a pilgrim woman in his bedroom.  As the woman puts a damp cloth on Charity’s forehead, Peter feels the relief.  As Charity brushes her hand across a burlap blanket, she says it feels like a soft quilt.  There is a strange close up shot of Peter’s hand brushing over his soft quilt.  It is just a couple of seconds and too close to see the context — but was he copping a feel?

tzmessagecharity2The next day as Charity and Peter are each outdoors recuperating, they are able to communicate.  They learn that they both live close to Bear Rock near Harmon Brook in Massachusetts.  However, one lives there in a dark time when there is a dull uniformity of thought, great oppression, taxation without representation, and a ruling puritanical elite which gets the vapors if thou expresseth any perceived heresy; and Charity lives in 1700.   Heyooooo!

They are also able to see through each other’s eyes.  Peter looks at an airplane flying above to prove he is in the future.  She is still skeptical until Peter takes a drink of orange juice, now with 90% less scurvy.  He begins chowing down on all kinds of junk food to show her you how modern Americans eat.  Sadly, we do not get to see him vicariously enjoying Charity’s dinner of souse, scrapple and fetid water.

She asks him to look in a mirror so she can see what he looks like.  He asks her to look look into the brook so he can see her reflection.  It is love at second-sight.  Charity tells her friend Ursula of the miraculous things she has seen through Peter’s eyes — horseless carriages, boxes with likenesses of people many leagues [2] distant, men walking on the moon, and cheese in aerosol cans.

He shows her a library, takes a trip on an airplane, gives her a tour of Washington DC, and tells her of the Revolution (the one in her future, not the inevitable one in his future). For some reason, Peter’s father gives him a glass of wine, so Charity gets her first taste of alcohol.  Hoggett doesn’t cotton to her jocularity and thinks she is still not over her fever.  Ursula attributes Charity’s recent shenanigans to her being a witch.

tzmessagecharity5This is scientifically confirmed when one of the neighbors has a calf born with “a pinched up face and a third eye.”  Squire Hacker tells her he must search her whole teenage body for witchmarks, and “the search must be thorough for the devil’s ways are cunning.”  Charity belts him and runs as fast as her little buckled shoes will carry her.

She asks Peter to research whatever became of her.  He finds nothing about Charity being on trial for witchcraft, but does dig up some dirt on Squire Hacker.  She is able to leverage this into a not-guilty verdict. Charity ends their communication but leaves him a message which he finds 285 years later — their initials carved into a rock which miraculously is not underneath an 7-11.

For a not-your-father’s-Twilight Zone [3], this was a pretty great segment.  I completely bought into the design which felt like 1700.  The performances seemed perfectly suited to the era.  James Cromwell (Hoggett — OK, Obediah) only had a few scenes, but was convincing.  However, the episode was really carried by Kelly Noonan (Charity).  She seemed perfectly of that era in her accent and movement.  Robert Duncan McNeill (Peter) had a thankless job of having no one to play off of in almost every scene; also wearing giant 1980s glasses.  He did it about as well as possible, though.

I give it 1600 out of 1700.

Post-Post:

  • [1] The previous segment had a kid named Dickie and this one has a kid named Peter from the Wood family.  What the hell?
  • [2] I did not realize a league was a unit of distance other than under the sea.  On land, it is the distance one can walk in an hour, which seems pretty subjective for a unit of measurement.
  • [3] Although airing in 1985, maybe now it is your father’s Twilight Zone.
  • Peter and Charity were 16 and 11 in the short story.  Good move, upping her age.
  • Cromwell and McNeill went on to be big shots in the Star Trek world.  Sadly, the best of the lot, Kerry Noonan seems to have given up acting.  Maybe some scuzzy producer wanted to search her for actressmarks.
  • Classic TZ Legacy:  Michael (not J.) Fox was in 3 episodes of the 1960s series.
  • Available on YouTube.

Twilight Zone – Examination Day (11/01/85)

tzexamination1Normally I don’t write about the 10-minute segments as they are filler between two longer-form segments.  In this case it is filler for only one longer-form segment, so I feel duty-bound to post (i.e. it is a chance to quickly burn off one day’s posting requirement).

Dickie Jordan is blowing out the twelve candles on his unappetizing gray birthday cake.  He foolishly squanders his birthday wish hoping that he scores well on the government examination.

His parents tell him not to worry about it.  Dickie informs them that everyone at at school has been talking about it and saying it was easy.  Besides, he gets good marks in school.

For his birthday, Dickie is thrilled to have received an Omni-Coder which seems to be a combination TV and Telephone.  C’mon, what is this, the year 3000?

Dickie goes to the testing facility.  His parents soon get a call — Dickie’s scores have exceeded the government standard. According to to law, he will be killed!  I hope they saved the receipt for that Omni-Coder.

tzexamination2I loves me a good twist, and I hates me some big government, but this is just crap.  Nothing here makes any sense.  It is a complete fabrication to set up the utterly predictable surprise ending.

The government kills anyone with an IQ over a given figure.  OK, I accept that as a premise.  But:

  1. Eleven year old kids never wonder what happened to all the bright twelve year olds they knew?  At least Logan’s Run came up with a cover story.
  2. Why does this society bother to even have schools?
  3. Are all parents as emotionless as these two at the prospect that their kid will likely be killed?  They cringe a couple of times, but their emotions are suppressed just to enable the twist.
  4. Dickie says everyone at school thought the test was easy.  So is the government killing off 99% of the population?  That matte painting above looks pretty spacious, not exactly Soylent Cabrini-Green.
  5. Dickie says the other kids thought the test was easy.  If they are so smart, why were they back in school?  Dickie didn’t even get to go home.
  6. tzexamination3His parents seem reasonably intelligent.  Were they ever tested? [1]
  7. Dad asks if Dickie would like to watch some TV before bed.  It is good foreshadowing to have Dickie prefer to read.  But why do they have him reading a comic book?  OK, if he were reading A Brief History of Time, I guess I would have questioned why it was still in print.
  8. Word never leaks out about this test?  News of this test would spread faster than that bullshit Kobayashi Maru test.  Actually, the concepts are very similar because both scenarios require the viewers to absolutely suspend any understanding of human nature. [2]
  9. If society is a bunch of dimwits, WTF built that Omni-Coder?  Do they not do that testing in South Korea?
  10. The government wouldn’t have to do this because, as usual, the private sector is doing it better.

I get that they were going for a Harrison Bergeron thing here, but the deck was just too stacked.  Maybe I’m expecting too much from what is essentially a one-act joke.

Post-Post:

  • If Donald Trump and Hillary Clinton had taken a test like this at 12, they would have both been safe.  Trump wouldn’t have known the answers, and Hillary would have lied to every question asked including name and date.
  • [1] In the short story by Henry Slesar, the parents are kind of dim, not knowing what makes grass green or how far away the sun is.  Uh, wait, I’m not sure on those.  I’m safe
  • [2] It still bugs me that this scene was so utterly botched in an otherwise very entertaining movie (the reboot, not Wrath of Khaaaan).
  • Directed by Paul Lynch.
  • Available on YouTube.

Fear Itself – The Circle (01/31/09)

Two little girls are trick-or-treating.  At their last house — although that might not have been the original plan — they are taken inside where they see a coven of women chanting and writing in a book using their own blood as ink.  The blonde says, “Tonight we settle the score . . . . he chose a life with her over life with me.” She puts a dot of blood on each little girl’s forehead, then hands them the book.  The girls are then engulfed in, what appears to be, swirling black liquorice. [1]  They scream in horror because what they really had a strange sudden craving for was curry.  Because of the dot.  See.  Hmmmm.  Moving on . . .

Meanwhile, at a cabin in the woods, writer Brian and Lisa are looking to spend a little quality time together. As they start making out, there is a knock at the door.  Brian opens it, and his agent Anita walks in.  She says his publisher George Clayton [2] and Kate are on the way also.  In a typically underwritten female role, I have no idea why Kate is there.  Is she George’s wife?  Business associate?

This seems to be an intervention for Brian who’s first book Blood Thirsty sold 5,000,000 copies in a year [3]. His agent and publisher want to know when the next book will be ready. They are interrupted by another knock at the door.  It is the newly-dotted little girls who hand over the book from the coven and disappear.

Anita is thrilled to see the first page says The Circle by Robert Collins (Brian’s nom de plume).  She believes Brian set up this elaborate hoax to give them his new manuscript.  Everyone selflessly congratulates him for overcoming his writer’s block — the three guests who live on commissions from his work and his wife who benefits also.

Anita begins reading aloud from the book which seems to be autobiographical.  The book describes a man bringing together a circle of friends and Kate says to Lisa, “I knew you couldn’t keep a secret!”  So she is suggesting the group planned this get-together as Brian was writing the first paragraph of his book that no one knew existed?  That’s some good planning there.

Brian accuses them of creating this book to coax him into writing again.  Anita continues reading that “a suffocating darkness settled around the cabin, trapping them inside, and sealing their fate forever.”  George looks out the window and sees a tangible darkness forming just as the book described.  It’s all fun and games until George is yanked into the darkness and killed, leaving Kate without a ride home.

To find out what will happen next, Lisa continues reading.  The book predicted that “the editor” would be the first to die, although George was his publisher, not editor.  Confusing matters, Brian says this killer darkness was a character in his first novel Blood Thirsty.  It attacked a small town in Maine, kind of a more opaque mist.  Anita picks up The Circle to see what will happen next, but Brian said it is the plot from Blood Thirsty playing out. So which book is it?

Kate starts yopping up black vomit, so they lock her in the bathroom.  This is pretty classic as they maneuver her into the bathroom, then use the old chair-jammed-under-the-door-knob security measure.  That is a clever, efficient, time-honored, make-shift way to secure a door.  But ya really need it on the side that the door opens into.  These chowder-heads put it outside the door which opens into the bathroom.

So, they kill Kate.  Anita gets infected and they kill her too.  Brian starts showing symptoms, so Lisa ties him to a chair.  The blonde from the coven breaks in and holds a knife to Lisa’s neck.  She says her name is  Robbie Collins — Brian must have chosen his alias in honor of her — way to keep the affair under the radar, genius!

As they fight, Brian writes a new ending while still strapped to a chair.  Lisa prevails and reads from the book, “And everything returned to the way it had been at 9:45 that Halloween night.”  That passage appears over and over.

Time unwinds so that we are back at the point where the girls knock on the door.  Brian is cursed to relive this night for eternity.  Is that a reasonable punishment for dumping that psycho witch?  And why did Robbie choose a punishment doomed other innocent people, including the two little girls, to the same purgatory?

And did she really choose it?  Brian scribbled the ending to the book.  Resetting to 9:45 makes sense, but he didn’t have the time or reason to write it over and over like Jack Nicholson in The Shining.

Overall, another fine episode which never even aired (despite having an air date on IMDb).  Fear Itself ends leaving with the same impression I got from Night Visions.  A few clunkers, but overall, a good series well worth watching.  Sadly, the fact that both of these got canceled after one season just tells me there is no place for anthology horror on broadcast TV.

Post-Post:

  • [1] Dictionary.com says this is the British spelling.  Spellcheck seems to prefer licorice.
  • [2] I assumed this was a reference to George Clayton Johnson, but seems it pretty alone and random.  None of the other Southern California Sorcerers seem to rate a shout-out.
  • [3] By comparison, Stephen King’s Carrie only sold 1 million in its first year.

Tales of Tomorrow – The Duplicates (07/04/52)

Calvin Bruce Bruce Calvin is sitting at home wearing a necktie as unemployed men are wont to do. He is checking the want-ads when he sees this item.  He calls and is offered an interview that same day even though it is already 7:30 pm.

Bruce still can’t figure out why he was let go from his previous employer after eight years.  His wife is about as sympathetic as an Alfred Hitchcock Presents spouse (and by spouse, I mean wife).  She nags him for not having a job, having to scrimp on paying bills, and having a conspiracy theory on why he was terminated.  Maybe he took her to the office Christmas Party — that would be my guess why they canned him.  She continues berating him for falling behind their friends, and calls him a failure.  And that is just the abuse in the living room!

He storms out to meet Mr. J in Room 34.  He is actually Dr. Johnson from the Atomic Energy Control, so it should have been Dr. J.  He asks Bruce to volunteer for an experiment.  It will cause him no harm, take about 3 weeks, and is worth $250,000. Bruce figures it is worth paying that much to get away from his awful wife for 3 weeks so will rob a bank and — oh wait, they’re paying him — maybe he can get away from her forever!

ttduplicates18Bruce recognizes that this is too good to be true.  After all, this is $2.2M in 2016 dollars and $5B in 2017 dollars.  He is also concerned that Johnson seems to have a zuckerbergian knowledge of every detail of his life, and was even expecting his application for the job.  Somehow, they even got a blood sample and determined he was perfect for this project.  They even had him fired from his old job just so he would be available.

Johnson expects earth to be in contact with another planet soon.  The life there closely parallels earth:

  1. “There is another planet where human life functions as it does here.  So closely parallel that for every living thing existing here there is an exact duplicate on this other planet.”
  2. “For every particle of life — animal, bird, flower, tree — living here, there is an identical creature living on this other planet.”
  3. “At this moment on another planet, there are people who think and talk exactly as we do.  Every creature is in direct rhythm with us.”

OK, we get it.

Johnson shows him pictures of their ships speeding through our atmosphere — UFOs to us.  We have also sent ships to investigate their world.  Johnson’s agency has built a ship to go to their world.  They want him to go to this planet and “arrive in a city just like this.  Your home would be there.  A woman who would seem in every respect to be your wife will be waiting.”  That’s reason enough to refuse right there.

ttduplicates25The agency wants Bruce to go to this planet and destroy it before they can destroy us.  Can anyone see the problem here?  Anyone?  Hands? Bueller?  They theorize that all it will take is for Bruce to poison his duplicate, then the two planets will go off on alternate timelines like the new Star Trek.

Later at home, he tells his wife about the job and says, “The future of life here on Jupiter depends on the success of my mission.”  ZING!  I can’t believe this primitive TV show suckered me in.  Especially having seen the same twist on Twilight Zone’s Third Planet from the Sun.[1]

Bruce flies to Earth and finds his duplicate house.  For some reason, he climbs in the window rather than going in the door.  He slips a vial of poison into his duplicate’s scotch bottle, gets a clean shirt from his wife, and returns home to Jupiter.  Back at his Jupiter house, he enters through the window again — I guess that’s how he always enters.  He shows his wife the $250,000 paycheck and she is all smiles for the first time.  His wife mentions giving him the shirt and Einstein suddenly realizes his duplicate was in his house.

ttduplicates16He realizes that he just drank the scotch which his duplicate poisoned. He freaks out and tears up the checks.  That’s not too nice for his wife, but she wasn’t worthy anyway. In a nicely symbolic but meaningless gesture, he breaks a mirror.  Now he will have 7 seconds of bad luck before croaking.

Probably the best episode of this primitive, low-budget series.  Of course the science is ludicrous — did it really have to be Jupiter, the ending is telegraphed, and the wife is stereotypical.  On the other hand, it did trick me and had a stinger at the end of both act breaks.  Darrin McGavin was excellent as Bruce. Patricia Ferris was given a thankless role as his wife.  Because of the sexist way she was written, it is hard to judge her performance.  However, she was attractive in a modern-era way that many of ToT’s actresses were not, so she gets a pass.  So, she’s still being objectified 64 years later.

Post-Post:

  • [1] I might have suspected Serling of a little cryptomnesia, but his screenplay was based on a short story by Richard Matheson.
  • The room where Bruce meets Dr. Johnson has a hanging lamp with a shade clearly made from newspapers.  WTH?
  • For a better parallel Earth story, see Another Earth starring Brit Marling.  Actually see anything she is in.
  • Parallel Earth theory from Star Trek.
  • Available on YouTube.