Twilight Zone – Teacher’s Aide (11/08/85)

ears wings ears wings ears wings

One of those fabulous, inclusive, multi-cultural TV gangs — that is more diverse than actual TV — is walking across campus when they spot a member of the denim-wearing tribe that “has had it 2 good for 2 long.” 2 be 4gotten. Glamorously coiffed Wizard, of the bare-chest-covered-only-by-open-sleeveless-shirt-studded-clothes tribe looks into his handsome adversary’s dreamy eyes and unbuckles his belt. To the surprise of everyone, it is to use it as a weapon.

While my belt has certainly been choking the life out of me lately, a belt is no match for the switchblade held by Colfax.  Wizard, contrary to his name, has stupidly brought a belt to a knife fight.  It works out, though, as he is soon pummeling Colfax with his fists.  80’s babe Adrienne Barbeau jumps into the fray and roughly pushes Wizard off of Colfax.  All the while, the scene is being observed by a gargoyle with glowing red eyes.

The principal chastises her, calling the students “animals”.  She corrects him by pointing out they are “children” . . . 6-foot tall, muscular, violent children.  That night, Adrienne dreams of the gargoyle and claws the stuffing out of her mattress.

tzteachersaide20In class the next day, she says, “We will start by conjugating the verb to be.”  How remedial is this high-school class?  Wizard and Trojan walk in late and constantly disrupt class with their proud ignorance. Adrienne asks why they bother coming to school and Trojan says, “because I like your legs, baby.” This guy truly is an imbecile.  Adrienne Barbeau may indeed have a fine set of pins.  However, I have never once in my life heard anyone mention any body parts below her chest; or maybe now, her waist.

Adrienne picks Trojan up with one arm and slams him against the wall.  “You are an insect.  I’d like to break your wings, little bug.”  Nothing is scarier than a broken Trojan, but Wizard comes to his friend’s side, and both are saved by the bell.  Adrienne seems genuinely surprised at what she just did.

There is a good scene as she is walking to class with a fellow teacher who is frustrated by the criminals she has to teach.  Adrienne peels off and starts pounding a guy’s head against the lockers.  That’s the good part.

tzteachersaide31

No, that’s her foot.

The next day, she is reading to the class from The Wives of Brixham by Henry Wadsworth Longfellow. Hehe . . . Longfellow.  Wizard starts cranking some tunes. Adrienne quite reasonably smashes the noise-box, then throws him out of the classroom.

The guys are getting tired of Adrienne pushing them around. Trojan, looking fab in long dangling silver earrings, silver necklaces, a silver braided waist-necklace, white pants with sleeveless back shirt, one fingerless white glove, a three-inch belt, and a huge 10-years-too-late afro, tells his trilby-wearing mulletted gang-mate that they are tired of looking like fools.

Wizard grabs a Louisville Slugger and goes looking for Adrienne.  Unfortunately for him, he finds her looking more gargoyley than usual.  She attacks Wizard, then I start to lose track; and interest.  Clearly, with the sunken red eyes, sharp teeth, and unmanicured claws, she has been possessed by the gargoyle.  After beating Wizard even more senseless, she sees herself in the mirror and backs into an electrical panel which explodes; then the gargoyle on the roof is struck by lightning.  But which was the cause and which the effect?  Or was either either?  After several more lightning strikes, the gargoyle is completely destroyed and Adrienne collapses to the ground.

Wizard:     You could have killed me.

Adrienne: I couldn’t let that happen.

Me:           Hunh?

Wizard says “Thanks” and helps her up.  So maybe it was all worth it.

tzteachersaide40Closing narration:  We are told damned places exist — buildings where madness permeates the very bricks and mortar.  We are told sometimes dedication and kindness can purge the evil from those walls . . . a lesson to be learned in the study halls of The Twilight Zone.

It is never explained why the gargoyle chose her to enter (other than her being Adrienne Barbeau), or if she understood what was happening to her.  They only had 10 minutes to work with, though, so maybe I should grade on a curve.

On the other hand, the outro is not merely missing exposition, it is completely backwards.  Wizard’s kindness did not exorcise the demon from Adrienne or the school. He only turned from Goofus to Gallant after the gargoyle was destroyed.

Meh, just not much going on here.

Post-Post:

Science Fiction Theatre – Beyond (04/09/55)

This might not last long.  How do make science-fiction dull?  You have the entire known universe at your disposal.  If that isn’t quite enough, you can make a new universe designed to your specs.  You can people it with plants, you can plant it with monsters, you can faun over the flora, be floored by the fauna, you can have it be devoid of life or have snotty omniscient beings.  How do you take this canvas and come up with a Rothko painting? On the very first episode of a new series?

After the overbearing orchestral score dies down, the series opens with a shot of an empty leather office chair.

“How do you, do ladies and gentlemen?  My name is Truman Bradley.  At the moment you can’t see me.  Why?”

Interesting.  Is he invisible?  Is he dead?  Is he in another dimension?  Did he teleport? I bet he teleported!

“Very simple.  The camera is not pointed in my direction.”

Are you shitting me?

He walks into the shot and assures us that this is a work of fiction.  Wow, they must have a real mind-bender for us tonight!  “But the big question is, could it have happened?”  Truman tells us that somehow this misdirection is a metaphor for tonight’s story.  Actually, if that had been a director’s chair, I would have agreed.

sftbeyond15We open with shots of experimental aircraft and the voice-over tells us we are in the California Desert.  Hot damn — Edwards Air Force Base! This series immediately bought a ton of goodwill.

The FA-962 (code-named the XF because FA-962 is just too descriptive for a secret aircraft) is testing out a new fuel that should allow it to go unimaginably fast.  Major Fred Gunderman will be yeagering this test flight.  As Gunderman is flying a record-breaking 1,650 MPH, he sees another craft keeping pace with him. [1]  

Gunderman reports that it looks like a missile or torpedo.  As it draws closer to the XF, he launches his ejection seat and allows $750,000 of taxpayers’ cash to crash and burn. In the hospital, the other officers question his health, any double vision, nausea, anything that might have caused him to panic.  He is adamant that there was another craft.  He is not afraid to suggest, “it could have been a flying saucer.”  But one of them missile-shaped saucers, I guess, as he describes it as cylindrical, silver, and twice the length of his ship.  Sadly, it was not tracked on radar, but Gunderman is smart enough to suggest maybe it was invisible to radar, which might have sounded crazy at the time.

Just the kind of accurate, to-scale picture a professor of astronomy would have on their wall.

A board of inquiry is assembled to investigate the crash.  Men are subjected to the same stresses as Gunderman to see if they dream of long cylindrical objects.  Gunderman takes a polygraph.  After a week, and despite a fact-finding trip to Hawaii at taxpayer expense, the board comes up with nothing.

They finally allow his wife to visit and even she is skeptical at first. Gunderman sends her to Cal-Tech to talk to professor Samuel Carson about UFOs.  Luckily, she arrives during his 1:00 – 1:15 bi-weekly office hours.  He is mostly useless, but does give some exposition about the size of the universe and how many planets could be sending ships here.

The board’s final conclusion is that Gunderman saw his own fountain pen floating weightless in the cockpit.  They suggest he “assumed it was a large object outside the plane instead of a small object inside the plane.”  They all have a good laugh and the Gundermen go home.

Another officer comes in, though, and shoots holes through that theory like so much swamp gas.  First, radar determined the XF was never weightless.  Second, the XF’s debris is now magnetized after being close to “an airship flying on magnetic power.”

So Gunderman thought he saw something — which we didn’t see.  Then the government comes up with a ludicrous explanation — which was wrong.  Then Gunderman is vindicated because an officer knows the effects of a magnetic power source — which they have never heard of.

I’m a sucker for 1950s – 1960s air & space tales, so I will take this as an introductory episode; a pilot episode, if you will where they are working the kinks out.

Post-Post:

  • [1] This would indeed have been a record in 1955.  A faster speed was not achieved until 1962.  Kudos to the show for getting this right.  It is hard to believe the silly Tales of Tomorrow aired only 3 years earlier.
  • Later in the episode, we are shown mice on a rocket floating weightless.  An officer says this is due to the thrust of the rocket.  Unless the rocket was thrusting back toward earth, I’m going to have to deduct a kudo.
  • Title Analysis:  Didn’t work for Star Trek Beyond [2] and doesn’t work here.  Again, I will charitably take it as a gateway to the series.
  • [2] And beyond what, BTW.  Same for Star Trek Into Darkness — what darkness? Isn’t 99.999999% of space dark?  Lets go back to Roman numerals and colons in titles; you’re not fooling anyone!
  • Available on YouTube.  Kind of fishy that a 1955 TV show is letter-boxed, though. However, they were an early adopter of color.

Tales of Tomorrow – Ahead of His Time (07/18/52)

ttdestinationnightmare07Sam Whipple is reading a newspaper with the headlines KOREAN TRUCE NEGOTIATIONS STALLED and LIVING COSTS ZOOM UP.  He comments that things are a mess, then turns to the camera and breaks the 4th cardboard wall.

He tells us he is just a regular Joe, other than inventing a time machine. He starts the story off on June 30, 2052 in the New York office of scientist Dr. Jarvis.  Jarvis and his hot daughter are hard at work to find a solution to the rising radioactivity that will destroy the world.  And since they are working on Sunday, we can conclude 1) the end of the world is imminent, and 2) this is not a government project.

For some reason, it is Jarvis who has to break this news to the people of earth.  He addresses the world, “In a few hours, you and I, all our loved ones, the whole earth will be dead.”  He tells them that 100 years ago, a scientist named Thorne placed an element into a cyclotron causing a chain reaction.  An error in his calculation caused radiation to increase constantly for a century until it was just now noticed, hours before destroying humanity.

ttdestinationnightmare17Jarvis and his daughter Mary are able to observe the past on a TV screen.  They actually witness the scientist making the faux pas that doomed the earth.  Mary suggests time-traveling back to 1952 to stop this catastrophe, but Jarvis says that is impossible. Only someone from that prehistoric era can affect the past.

Jarvis remembers amusing himself by watching Mr. Whipple on the magic TV.  They tune in and catch Whipple working on his time machine.  Amazingly, at just that second, Whipple perfects his time-travel vest.  Even more amazing, it transports him to the very second Jarvis is watching him.  Most amazingestly, it brings him into Jarvis’s living room.

Whipple mentions needing money for tuition.  Jarvis says, “That is not necessary.  The government takes care of everyone’s tuition.”  There is no war, and cancer has been cured.  He wants to stay in this time, but Jarvis explains the facts of half-life to him.

ttdestinationnightmare23Whipple agrees to go back to 1952 and stop Dr. Thorne from making his fatal mistake.  In the past, Whipple is able to burn Thorne’s notes which apparently contained directions and all known copies of plans for the cyclotron.  He goes back home and straps on the time-vest. Unfortunately his sister has smashed the machine so he will stop acting like a kid.

Whipple gives a firehose of exposition as he explains what would have happened if this episode were an hour long. First, I would have jumped off a bridge.  Second, he describes how he changed after this adventure.  He did not rebuild the time-vest, he became more outgoing, and probably left his sister in a shallow grave.

He even met a girl named Ruth, who bore an uncanny resemblance to Mary Jarvis.  I guess it is supposed to be Mary who has come back in time to be with the irresistible Whipple.  As they each drink a soda-pop, I think she is trying to give us a wink, but can’t quiet pull it off.

ttdestinationnightmare28Paul Tripp, who appeared as Whipple also wrote the script.  Even aside from the 4th-wall bits, the episode gets a little meta.  Mary Jarvis is played by Ruth Enders, who was married to Tripp for 53 years. When he introduces his new girlfriend at the end, he says her name is Ruth.

Objectively, the episode is terrible. Within the context of the era and other episodes of the series, though, it stands out.  Whipple certainly is a chirpy fellow but, surprisingly, is not grating.  The science and logic is ludicrous, but Tripp is so likable that it doesn’t even matter.  It is just a fun little romp.

This is the end of Volume 2.  The prices for these DVDs has skyrocketed.  The Tale of my Tomorrows does not include a $43.90 Volume 3.

Post-Post:

  • Unfortunately, most of the time, Whipple’s time-vest looks like he is wearing  toilet seat around his neck.
  • Available on YouTube.

The Veil – Destination Nightmare (1958)

vdestination02“Our story begins in Europe where Peter Wade has established a thriving air service.” It would have been nice for Karloff to tell us whether he meant Peter Jr or Sr. And just why would you write a screenplay and give two of the characters exactly the same name? “Hi, I’m Henry Jones, Sr. — they call me Indiana too!”

One of the flying Petes is co-pilot on a cargo run when he sees a ghostly disembodied head outside his cockpit window.  Until we see the other Pete, there is no way to know if he is Jr or Sr.  The head tells him, “Look at me.  Follow me.  1-3-5, 1-3-5, 1-3-5.”  When he makes a sudden course correction, the pilot comes back into the cockpit and wrestles the controls from him.

Back on the ground, Pete Sr. (played by Boris Karloff, so I think it is safe to say that just-plain-Pete is dead) asks Pete Jr why he deliberately headed for a crash.  Jr. says he is a wash-out as a flyer and probably can’t run the company either.  What he really wants to do is dance design planes.  Sr immediately strokes him a check to complete the last 2 years of graduate school to become an engineer.  But he puts it under a paperweight [1] until such time that “you feel you really earned the right to go to graduate school.”  Jr takes the check and heads to New York.

vdestination06That night, Sr is having nightmares about the war and a B-17 crash that killed his friend Wally Huffner.  Jr comes in to wake him up.  Sr says they were in a plane that was hit by the Jerrys in WWII.  Sr gave Wally his parachute and was able to pilot the damaged plane to the ground.  Sadly, Wally croaked, or more accurately splatted as the chute didn’t open; or maybe it had been replaced by a share of M&M Enterprises.[2]

Looking around the office, Jr finds a picture on the wall of Sr and the man whose head was hovering outside his cockpit window.  Jr takes a plane up on the same route they flew earlier.  He sees nothing until the pilot goes into the back to get a cup of coffee.  Jr locks the pilot out and tells him to bail out if anything goes wrong — because that worked so well for Wally.  Jr once again sees the giant floating head, and it repeats the same message, “Look at me.  Follow me.  1-3-5, 1-3-5, 1-3-5.”  Jr follows that heading and the plane soars around more erratically than Tyler Fitzgerald’s.  After nearly plowing into a mountain ridge, the head then tells him, “Bail out, bail out, bail out.”  Jr lets the pilot back into the cockpit, then grabs a parachute and jumps out of the plane.

Jr finds debris from a B-17 crash in the same area his father’s plane went down in WWII.  When he brushes the branches away from the fuselage, he sees a drawing of the same gremlin that is weighting down paper on his father’s desk.  Jr brings some of the pieces back.

Jr tells Sr that he saw Wally’s ghostly face and his voice.  He shows Sr a parachute with the serial number 0-1636184.  Jr uses this evidence to tell his father that another man died in that crashed plane — Wally Huffner.  Sr took Wally’s parachute back in the war and Wally died in the crash.  Well, at least, not long before the crash — Wally could not be captured by the Germans so he insisted Sr give him his cyanide tablet.

Jr explains to his father that Wally was wounded and could not have pulled the rip cord on the parachute anyway.  So it is not his fault that Wally had to stay on the plane and die in the crash.

These are some pretty thin stories.  It is no shock that they were shelved.  They look great and the performances are fine.  However, the scripts and the concept are just too simple.  The bombastic title Destination Nightmare was just setting the audience up for a disappointment.

I rate it a 1 . . . 3 . . . no, a 5.

Post-Post:

  • [1] The paperweight is a gremlin with 0-1636184 on the base.  It is explained later in the episode.
  • [2] For the love of God, why are you still here?  Go read something that’s actually funny.
  • The most impressive thing about this series so far is the picture on Amazon.  How the hell do they get that thing to look so 3D?

Alfred Hitchcock Presents – The Morning of the Bride (02/15/59)

Newlywed Helen wakes up and reaches over for her new husband Phil.  He is not in bed, which I guess accounts for them sharing a bed. On 1950’s TV, if he were still in bed, they would have had twin beds. That’s some catch, that Catch-22. She leaves her room, stares at the bedroom door of her mother-in-law who she has somehow never met.

Helen thinks back to five years ago when she had dinner with her mother-in-law — well, almost.  As she is preparing, she gets a visit from her roommate Pat [1].  And, thank God too, because Helen had neglected to put her shoes on yet.  This is treated as catastrophic, “To meet Mrs. Pryor without my shoes on?  I would have just died.”  Pat says she will slip out the back door.

Phil arrives without his mother.  It just so happened that he got his orders to ship out to Korea that night, so the little hootenanny was cancelled.  With Helen’s roommate gone, Phil’s mother absent, candles lit, his gal dolled up with shoes and everything, him shipping out to Korea . . . he gives her a kiss on the forehead and leaves.

ahpmorningbride04Seconds after the door shuts — there is not even an edit — Pat returns and says, “Helen, I’m sorry.”  There is just no way she could have known what just happened unless she was spying on them, hoping to witness some hot shipping-out-tomorrow sex.

Helen flashforwards, but not yet to present day.  She recalls when Phil returned after the Korean War was cancelled [2].  They meet on a park bench and Studly asks if she is proud of him, “I feel like a kid with a good report card.  I want my head patted.”  He talks about his job and his mother.  He still hasn’t gotten around to telling Mom that he and Helen are a couple, though.  He has to run back to work, but promises to inform his mother in a month or two.

Flashing a little further forward, Helen decides to go see Phil’s mother on her own.  As she approaches the house, she sees a woman rushing away.  She calls out to her, but the woman shouts back, “There’s no one here!  No one at all!”

Later, at a restaurant, Phil gives Helen a present from his mother — David Copperfield by Charles Dickens.  Psycho by Robert Bloch would have been a better choice, and was published the same year this episode aired.  He tells Helen that the woman at the house couldn’t have been his mother because she is practically bed-ridden.  He suggests that it must have been Mrs. Beasely, the cleaning woman — a yuge flaw in the screenplay. [3]

Helen tells Phil that she is dumping him.  He asks her to marry him immediately, so all is peachy again.  They get hitched that night and return to the house he shares with his mother.

Back in the present, Helen goes to Mrs. Pryor’s room.  In the empty room, she finds an obituary for Mrs. Pryor which is ten years old.  Phil appears in the doorway and Helen says, “I don’t understand.  She’s been dead for seven years.”  So I guess reports of her death were widely exaggerated for 3 years.  Phil gets a shawl from the closet and says, “You never remember to keep warm, mother.  You’ll get another chill if I don’t watch over you every minute.”  Yuge flaw #2. [4]

ahpmorningbride18Helen, horrified:  “Oh, no no no.”

Post-Post:

  • [1] Pat Hitchcock, making her 8th appearance on the show.  In a departure, her average looks are not used against her.  Despite being the boss’s daughter, she is usually cast as the schoolmarm, a maid, or as the office nottie for a cheap joke.  I do find it amusing that a review at IMDb still refers to her as a maid even though she is clearly a roommate.  But who says maids can’t be hot?
  • [2] Which lasted 11 years as we public school graduates know.
  • [3] Not so much a flaw as a missed opportunity.  I would rather it had been Phil in his mother’s clothes being caught.  I guess that would have been a little crazy for TV in 1959.
  • [4] The direction here — by a good director — baffles me.  Phil gets a shawl from the closet, then drapes it over . . . what?  The camera never drops below his chest.  Did it fall to the floor?  Was there an empty chair that Mom used to sit in?
  • Then Phil bizarrely bugs his eyes out as he looks where his imaginary mother is imaginarily sitting.  Then he scans across, directly into the camera for just a second.  Then his eyes meet Helen’s.  He raises his eyebrows slightly as if to say, “Well, what do you think?”  I am baffled.  If he knows this is a sham, why the funny faces.  Or if he truly believes his mother is sitting there, why the funny faces?
  • Barbara Bel Geddes (Helen) is best remembered as Miss Ellie on Dallas.
  • AHP Deathwatch:  Pat Hitchcock still hanging in there.
  • Hulu still sucks.