Night Gallery – The Doll (S1E5)

ngdoll03Night Gallery has a thing about Colonels lately.  First in Clean Kills, and now in The Doll where Col. Masters has arrived home from his assignment in India.  He is greeted by his homely niece and her comely nanny, Mrs. Danton.

He notices that his niece is holding a really unattractive doll; and next to this homely girl, that is saying something. The nanny assumed Masters had sent it to his niece due to the India return address; and smell of curry.  He did not, and is concerned over the source.  He promises to get her a replacement, but she likes this one.

Masters gets his niece a new doll, but his niece refuses it saying that the other doll hates it and that it has to go back.  Masters says she must take the doll, and assures his niece that the other one can’t really speak.

That night, he hears crying in his niece’s room.  He enters with Miss Danton and sees that the new doll has been torn to pieces.  The first doll now has a toothy evil smile.

Masters is having a drink when a man wearing a turban enters.  Just as in Make Me Laugh, the ethnicity does not seem to fit the turban.  His brother was executed in India by British soldiers after leading raids against the outposts.  He sent the doll to avenge his brother’s execution.

ngdoll07Masters goes upstairs to destroy the doll and sees it sitting at the top of the stairs.  Off-screen, he takes a fall down the stairs and gets a nasty gash on his arm.  I suppose we are to believe it is a bite.  He has the nanny bring the the doll into the study and  he tosses it in the fire.  It had been indestructible up to this point, but now its mission has been fulfilled.

Massaging his wound, Masters says the doll has done its job and he will be dead soon.  Although since he is about 1,000 years old and just fell down a flight of stairs, this doesn’t make him Nostradamus.

He is prepared, though, and tells the nanny of a package in his bedroom.  It must be sent to the Indian man it is addressed to.

ngdoll08The turbaned man receives the box which contains a doll that looks like the Colonel.

This was a highly regarded episode — maybe because it was a few years before the modern standard was set in evil jagged-toothed dolls.

Sadly, this episode did not age well.  John Williams is always reliable, but the attack occurring off-screen is just unforgivable.  And the ending lacks a certain symmetry — it’s great that the doll resembles the Colonel, but the first doll did not resemble the Indian so the edge is taken off the punchline.

Bottom Line: Talky Tina was more menacing.

Post-Post:

Night Gallery – Lone Survivor (S1E5)

The bridge crew of this White Star Line ship sees a small boat in the middle of the ocean with a single passenger.  I don’t know if the White Line caps were just an error, or if Serling was trying to lead viewers to believe this was the Titanic.

As they move closer, the Captain spots the name Titanic on the bow of the small boat, so the cap ruse wouldn’t have lasted long anyway.  The survivor, who the Captain thought to be a woman, is brought on board and taken to the infirmary.  It actually turns out to be a man who put on women’s clothing to escape the sinking ship.

Or . . . maybe it was a dude who thought, “Gee, I don’t know anyone on the ship, we’re 1,000 miles from land, my parents are dead, I’m alone in my cabin, and I like to wear women’s clothes.  So dammit, I’m putting on this dress and parading around my stateroom singing showtunes.”  Then, BAM!  They hit the iceberg and he is stuck in the dress until he is rescued.  Curse the luck!

Another officer comments that the boat was all barnacled up to the waterline as if it had been in the water for 3 years — the time since the Titanic sank.  The Captain’s theory is that this is some sort of wartime deception.  It’s only then that we learn this ship is the Lusitania.  Of course, if this were remade today, no one would have any idea what the Lusitania was, or what her fate was.

The survivor describes how he put on the dress, put a muffler over his face and knocked people aside to board a lifeboat with the women and children; completely foregoing the less embarrassing scenario I conjectured.  John Calicos chews the bulkheads describing the sound of the collision, the sinking, the tilted decks, the water rushing in, the screams.  In a nice touch, he is in the dress for the whole episode — however, to be fair, it is a simple, understated number.

He describes himself as a Flying Dutchman fated to be picked up by doomed ships.  He tells the doctor the Lusitania will be hit by a torpedo and sink in 18 minutes.

The doctor therefore concludes that the crew must all be phantoms just playing roles in the survivor’s never-ending damnation.  The Captain protests that he is not a ghost, but the Doctor and the rest of the crew disappear. Fittingly, the Captain disappears last; even fate adheres to maritime tradition.  The survivor runs on deck and sees a periscope.  Then a torpedo.

Image 002Another ship spots the survivor in a small boat with Lusitania painted on the bow.  A crewman helpfully turns to the camera sporting a cap that says Andrea Doria.  Again meaning nothing to most people today.

All of the casualties on the Andrea Doria were killed upon impact, and it took 11 hours to sink.  Passengers were soon rescued by lifeboat and helicopter.  If the survivor was in women’s clothing for that one, he’s got some explaining to do.

Post-Post:

  • Twilight Zone Legacy:  Judgment Night, where a U-boat commander is doomed to experience the fate of his victims.
  • The survivor is played by John Colicos, the Baltar of the 1970’s Battlestar Gallactica.  However, he was known as Count Baltar, and did not have the ironic name Gaius.
  • Andrea Doria was a man, man!  The Italian Navy has commissioned 2 ships named Andrea Doria after the passenger liner sank in 1956.  Typical government thinking — I doubt you will see the Carnival Cruise Line christening a new Titanic.
  • There actually was one non-impact death, but it is too sad to mention in a cesspool like this.
  • The Andrea Doria sank off the coast of Nantucket.  Shockingly, no Kennedys were at fault.
  • That permanent cigarette holder in Serling’s teeth is getting on my nerves:

rodserling02

Tales from the Crypt – Four-Sided Triangle (S2E9)

tftcfoursided01The haggard Luisa Yates comes down looking for her coffee and finds servant girl Mary Jo still in bed. Luisa whacks her with her cane and chases her out to get the eggs.

Luisa’s husband farmer George, working on the truck, watches her go into the barn.  He continues watching through a knothole in the wall.  Not condoning his voyeurism, but it is understandable as Mary Jo is young, cute, and not a fan of the bra.  She is coquettishly played by 22-year old Patricia Arquette, 3 years before her breakout in True Romance (back when she was Rosanna’s sister, not the other way around).

When she comes out with the eggs, he sends her back in to milk the cow.  George and Luisa figure they got themselves some free help as they hold Mary Jo hostage on the farm threatening to tell the police that she robbed the Stop & Go.

When George begins awkwardly hitting on her, she tosses a bucket of milk at him. Luisa hears a commotion in the barn, so George whacks Mary Jo in the head with a bottle to shut her up.  Whiskey bottles have the same effect on her noggin as on mine and she staggers out of the barn.

Mary Jo manages to escape into the cornfield, but leaves a trail of blood.  She collapses in front of a scarecrow with a clown mask and hallucinates him reaching down for her.  She passes out and the Yates find her.

tftcfoursided03The blow to the head seems to have knocked about 50 IQ points out of her as she suddenly seems two cans short of a six-pack, and still two cups short of a bra.  She keeps talking worshipfully about her man who is so big and strong and will make love to her.

That night, George dreams of her, wakes up to hear her laughing and dancing outside.  He sneaks out and follows her into the cornfield.  She starts flirting with the scarecrow.  George again tries to make his move, but she brushes him off.

The next day, she is dressed more girlishly and says she has a date with her fella that night.  That night she goes to the scarecrow again.  This time, his eyes open and he really does respond to her caresses.

tftcfoursided05

He who boinks behind the rows.

Luisa catches Mary Jo making out with the scarecrow, who has returned to his pole.  Luisa repeatedly runs him through with a pitchfork to prove to Mary Jo that he is made of straw.  She is surprised to see real blood pouring out of his chest.  Then she is surprised to see real blood pouring out of her own chest as Mary Jo impales her on the pitchfork.

Mary Jo runs off into the cornfield singing.

The actors all pull off their parts very well, but the writing was a little off.  For example, it is never clear if Mary Jo became so child-like after the bottle to the head, or was she always like that?  It would have been interesting if that was an act to lure George & Luisa to their deaths, but there is no sign of that as she skips into the cornfield still acting like a 9 year old girl.  A hot, hot . . . no, I can’t even finish it.

Post-Post:

  • This is James Tugend’s only writing credit.  He had some producing credits 25 years before.  So what was he doing for the time in between?
  • Tom Holland also directed the dreadful Lover Come Hack to Me.  He both wrote and directed the major guilty pleasure The Langoliers.

Outer Limits – The Voyage Home (S1E15)

Sci-Fi stories are like westerns.  Put a wagon out in the desert and you are half way to a decent western.  Put some people on a spaceship, and you’re halfway home with me.

olvoyagehome01It is day 315 of the Mars III Mission.  The math suggests that they have been on the surface for about 100 days.  Thanks to some brilliant scheduling, they are exploring a cave a few hours before liftoff rather than say, going over the pre-launch checklist, resting up for the most important procedure of the flight, or spelling their names in the regolith.

Their dedication pays off, at least in the short run, as they find some writing in the cave.  Nearby, they discover a pod.  Following in the tradition of brainiacs from Alien to Prometheus, their first instinct is to take the pod back on the ship.  Short of putting their lips on it, there could be no worse idea.  Nothing good ever comes in pods —  it’s always evil murderous aliens; or peas.

The pod emits a burst of light and gas, knocking the 3 astronauts unconscious.  They wake up an hour later but are due to lift off in a few hours so can’t explore or document the find.

All is well for the next seven months as they are en route to earth, only 3 days from home.  As they are watching football, there is an Apollo 13-esque explosion.  They lose communications with NASA (which is now apparently fully staffed by one oriental woman), and also lose half the oxygen.  Pete Claridge (Michael Dorn) finds some goo on a bulkhead and takes a sample.  It turns out to organic and multiplying.

Ed Barkley goes below to check on the equipment as the temperature soars to the 120’s.  Claridge says he is looking forward to getting back to his lakeside cabin, and gets a skeptical look from Al Wells, which plot-wise makes no sense.  We find out later that Claridge is an alien — why would the alien know everything about his host, but make up a cabin?

As the temperature gets unbearable, Wells goes nuts from the heat and turns the cooling back on almost killing Barkley.  Claridge — the crew doctor — decides to draw some blood from Wells to be sure he is OK.  And by “draw” I mean “inject” and by “blood” I mean “alien juice.”  When Barkley comes back up to the cabin, Wells is hiding a wound on his arm that is oozing green slime.

olvoyagehome02When Barkley spots this, Wells transforms into an alien.  Barkley forces him  into the airlock with a fire extinguisher. When Claridge re-enters the cabin, Wells has transformed into a human again and pleads with him to stop Barkley from opening the hatch.  Before Claridge can stop him, he blasts alien Al Wells out into space.

After they lose another power cell, Barkley goes below deck where he finds a space suit with Claridge’s body in it.  The alien Claridge catches him and fesses up saying they didn’t have time to eject that body.

His species is from far away and went to Mars hoping to be discovered. Barkley makes it clear he does not intend to allow that ship to return to earth.  Claridge seems like a pretty benevolent alient, and dangles the cure for cancer in front of Barkley.

They begin working together to save the ship, but when they get communications back, Claridge’s family is on-screen to greet him.  He pulls off his act very well, but Barkley can’t allow him back on earth.

Once alien Claridge sees what Barkley intends to do, he gets very self-righteous.  He says their species is millions of years old, therefore it is their right to take puny human lives to ensure their survival.  Barkley alters the angle of re-entry and they explode.

They get a  little too cute building paranoia at the expense of logic, but it ends up being another good episode.

Post-Post:

  • Director Tibor Tobaks’ work was last seen in Blood Brothers.  Other credits include Mansquito, Ice Spiders and Mega Snake.
  • Grant Rosenberg also wrote the previous episode.
  • Claridge is played by Worf from Star Trek TNG.  He does a great job here and I was surprised he had never done anything outside of Star Trek.  Until I checked his IMDb page and saw he has a huge resume; even including the original Rocky where he played Apollo Creed’s bodyguard.
  • OK, whales also come in pods, and they’re cool.  But they also come in gams, which are hot.
  • They are returning to Earth from Mars.  It is hard for me to envision a route wherein the sun would be at their backs:

olvoyagehome03

Ray Bradbury Theater – The Lake (S3E3)

Oh, bloody hell.  I was pretty generous with the previous episode.  But how much can a man take?  And WTH — I though they were back filming in the USA!  That ain’t no American car.

Douglas is taking his fiancee back to the lake where he spent his summers as a boy.  He flashes back to the sand castle he built that attracted the attention of his first crush, Tally.  After it is knocked down by a bully, they rebuild it together.

Tally runs to the lake for a swim, but Douglas is afraid of the water.  This goes on for the entire summer until the day Tally is to leave the lake.

rbtlake03In the present, Douglas sees a sand castle on the beach.

In the past, Tally has disappeared in the water.  The lifeguard and other swimmers are unable to find her as Douglas waits scared on the beach.  Douglas wipes away half the castle, awaiting Tally to come back and rebuild it.  Eventually the rain and tide take it away.

In the present, as he approaches, Douglas sees it is really half of a sandcastle, just as he had left years ago.  He begins building the other half.  Out on the lake, a man in a rowboat is coming in.  He has found a girl in the water.

The girl is wrapped in a tarp and seems to be dead.  So what is the point?

And how is finishing the sand castle the catalyst to bring her back?  It would have made more sense for the sand castle to appear fully formed, and have him destroy half of it to lure her back to this world.  As a corpse.  Hunh?

The last shot is the tide coming in to wash away the sand castle.  Pretty much like this episode . . . a day later it will have left no trace in my memory.

Post-Post:

  • This is the Pat Robins’ only directing credit.  He (?) did go on to be Script Supervisor on two of the Lord of the Rings movies.  As his few credits were New Zealand productions, I’m assuming this episode was filmed there.
  • Exactly how big is this lake that has the tide rolling in and out?  I’m surprised there were no surfers.  The largest lake in NZ is 238 square miles.  By comparison, the smallest Great Lake is 7,500 square miles.
  • This was the story that impressed Bradbury’s future wife enough to go out with him.