My Bloody Valentine (1981)

mybloodyvalcover01Within the first 2 minutes, the film presents us with an ghastly image so repulsive as to churn the stomach of any normal human being.  Or maybe it’s just me — tattoo’s are generally not a good idea, but especially not on the breast of a young blonde.

I have to credit the writer, though, it is there for a reason; actually he milks it for two points.  In some bizarrely fetishistic role-play, a couple has gone down into  coal mine wearing coveralls and gas masks.  Long story short, the heart-shaped tattoo 1) drives the man into a rage, and 2) provides a nice target for the pick-axe.

After a nice opening, the main story begins at the mouth of the mine during the shift change.  A wee little train brings the miners to the surface and takes the next shift down.  The guys are a little too over-the-top friendly in a 1980’s beer commercial kind of way.  Especially in the shower.

It is nice for a change, however, not to watch a bunch of 30 year olds playing high school students.  Although basically they still act like high school kids, just ones who work in a mine.

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Ya might immediately think this guy was the killer since he clearly has a screw loose, picking his girlfriend up by the head!

After the gang-shower, the guys head over to the union hall which has been decorated for the prom, er Valentine’s Dance.  The girls also act like high-schoolers. Apparently not having jobs, they are making banners and paper hearts as their boyfriends come in.

A local geezer objects to all this jocularity, recounting the story of why there has not been a Valentine’s Dance in 20 years.

During the last dance, 7 men remained in the mine.  The 2 supervisors bailed for the party without checking the methane levels.  A huge explosion killed the 5 in the mine.  After several days, however, one survivor was found — Harry Warden, insane and chomping on a co-worker’s arm.  One year later, Harry returned to kill the 2 supervisors.  He cut out their hearts and left a note warning that if another dance was ever held on the 14th, there would be more murders.

And what kind of name for a slasher is Harry Warden?  Voorhees and Krueger have some pizzazz.  Although Michael Myers is also pretty boring, sounding more like a slip-and-fall lawyer.

The sheriff receives a box of candy which turns out to contain the heart from the girl killed in the first scene.  He also finds the owner of the laundromat stuffed into one of her dryers.  Like the tanning booth in Trancers, it apparently had a “cremate” setting.  Of course, the de-hearting would have killed her anyway; but at least left the open-casket option available.

Convinced that Harry Warden as returned, the sheriff cancels the Valentine’s Dance.  Displaying the cunning of a slip-and-fall lawyer, the kids, er miners decide they won’t have a dance . . . they’ll have a party!  Totally different.  Surely Harry Warden would not hold them responsible for the difference.

And where better to have a party than at the mine?  Won’t the gang at the sewage treatment plant be jealous!  To their credit, the party is kept above ground in the rec room.  Not that this prevents several of them from being killed.

Inevitably one of them gets the idea to take the party down into the mine.  One character points out that it is against the rules for women to go into the mine.  Thank God we no longer live in the dark ages where women do not have the same opportunity for pneumoconiosis and being trapped in cave-ins as men.  You’ve come a long way, baby.

Going subterranean was not the brightest idea. After several more kills, the culprit is revealed to be one of the partiers.  Turns out Harry Warden has been dead for years.  The killer’s name is Axel, which could be a great name for a franchise killer if matched with an appropriate last name.

It was clear from the editing that many scenes had been trimmed for gore.  A director’s cut has been released restoring at least some of the cuts.  MBV was good enough that I now want to see it intact.

I rate it a 12 out of 14.

Post-Post Leftovers:

  • I thought “slip-and-fall lawyer” was a pejorative.  After Googling, I now see that many attorneys proudly advertise using just that phrase.
  • How can “Googling” not be in spell-check?
  • Strangely Don Francks gets a “Special Guest Appearance By” credit despite being in several scenes, and arguably being the lead in the movie.
  • Nice to see a pick-axe actually used as opposed to some films I could mention.
  • According to IMDb, when the town in Nova Scotia found out they were going to shoot a movie there, they spent $50k to clean up the mine. The producers then had to spend $75k to dirty it up again.  I suspect this is, like most wacky production anecdotes you hear, a complete lie.

Alfred Hitchcock Presents – Decoy (S1E37)

ahbabysitter03Oddball show-tune composer Gil Larkin is working with singer Mona Cameron and falling for her despite her being married; and despite him being a show-tune composer.  When Gil discovers bruises on Mona’s shoulder, he decides to pay her husband a visit.

Apparently, wife-beating is no longer the hoot that it was in the dark ages . . . you know, a week ago . . . in the previous AHP episode Mink.  It truly was a different time.

Gil goes to confront Mr. Cameron, who is on the phone wheeling and / or dealing.  Cameron shouts, “Richie, don’t!” as a man knocks Gil out from behind.  Richie, still unseen, then shoots Cameron.  Gil wakes up with a gun in his hand, Mr. Cameron dead, and the phone blaring out public domain pop music.

ahdecoygil02Gil realizes he is being set up, but has two clues — the name “Richie” and the caller who might have heard what happened.  The caller has hung up, but he finds a note listing two clients who were scheduled to talk to Cameron that night.

This really isn’t much of a frame-up as no one saw Larkin go to Cameron’s office and he had no appointment.  He could have just quietly slipped away after regaining consciousness.  And it was risky of Richie to knock him out.  Had Gil been unconscious when the cleaning lady came, that would have actually exonerated him.

Gil goes to see the first person on the schedule, a Japanese dancer.  This was pretty progressive casting in the 1950’s — there was no reason to make the dancer Japanese; unless she was the murderer, and that was somehow relevant.  I’m not sure whether this was a progressive casting choice or a yellow herring (I know, I know). [1]

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Classic “exposition delivered with your back to the room” stance

The next person on the list is a wacky DJ.  It is hard to tell whether this giggling beatnik doofus is high, hyperactive, ADD, drunk or all of the above.  He inexplicably hums the tune that was playing through the phone.  In this case, it is a pickled herring.

He joins the ranks of Hollywood DJs that you could not pay people to listen to (Stevie Wayne, Dave Garver, Johnny Fever, etc).  I would include Wolfman Jack in that list, except he actually was inexplicably successful.[2]

Gil returns to Mona’s apartment where the police are waiting for him.  They take him downtown to give a statement.  Returning to Mona’s place, he discovers an album of the tune that was playing through the phone.  It is an LP, but luckily he chooses exactly the right track.  When he accuses Mona of framing him, she calls Richie out of the bedroom.

When they say they can’t allow Gil to live, effectively confessing, the police barge back in.  Mona tries to pull a switcheroo on the cops, acting as if Richie had just barged in on she and Gil.  She gives a pretty great O-face (as in “O, Crap!“) as she realizes in about 3 seconds that there is no point to even trying this.

Post-Post Leftovers:

  • [1] Re-reading this after someone linked to it, I did cringe.
  • [2] Trivia: George Lucas gave Wolfman Jack a “piece” of American Graffiti to appear it.  It wasn’t Star Wars, but it was huge and set him for life.
  • AHP Deathwatch:  Gil and Mona are still alive, but that’s it.
  • AHP Proximity Alert: Harry Taylor was in 6 episodes this season.  Jack Mullaney just appeared 4 weeks ago.  Give someone else a chance!
  • Frank Gorshin, in his first role, has a bit part.  He would go on to at least two iconic roles: The Riddler on TV’s Batman, and Bele the black & white dude on Star Trek (not to be confused with the white & black dude).
  • There must be some weird Alfred Hitchcock / Ten Commandments connection.  In the first season, AHP used eighteen actors from that movie.  And nine more in season two.  Of course, it was a cast of thousands.

Fantastic Voyage (1966)

fantasticintro01So here we are almost 50 years later.  We abandoned the moon, no flying cars, and no Combined Miniature Defense Force (CMDF).

In a brief, mostly dialog-free opening, cold war scientist Jan Benes gets off a plane and is met by an escort of G-Men.  For you youngsters, this is back when the bad guys were Russkis; not Brits and American white guys as Hollywood now educates us that all terrorists are.  They did not seem to be military as they were not wearing uniforms, but were wearing swell fedoras.

The motorcade is ambushed like every prisoner transport in the history of 24.  The G-Men are able to get Benes away, but he lies in a coma after taking a slug to the noggin.  This being the era of magic bullets, it seems to have left no blood or scar.

Stephen Boyd’s presence is “requested” by the government and he is taken to the least efficiently designed building on earth.  He is told to remain in the car as it is lowered on a hydraulic platform to an underground facility.  There is nowhere to drive the car down below, so it is pretty pointless to have this huge device.  They couldn’t just have Otis install a normal people-elevator?  Clearly Harry Reid Sr. had a relative in the lift business.

The building is so large that Boyd and most others take golf carts to their destinations.  We see almost no one walking, although we see an escalator in the background.  Maybe there is a fleet of golf carts at the bottom.  At one point, there is even an MP directing golf cart traffic.  Hey, CMDF, miniaturize this!

fantasticproteus04After Boyd is dropped off at the general’s office, they hop back into another cart driven by the general.  He explains what CMDF is — they can shrink an army to fit in a bottle cap, is his helpful example.  The problem is that there is a 1 hour time limit before they return to full size, ruining the bottle cap.  Benes had figured out how to control it, and the “other side” wanted to be sure he could not tell us.  The general parks the cart at the base on an escalator which they ride up.  Don’t these people walk anywhere?  And, hey general, way to block the escalator for everyone else!  No handicap spaces available?

The general further explains that CMDF’s plan is to shrink a submarine and inject it into Benes’ bloodstream.  The crew will then navigate to the brain where they can carry out delicate repairs which could not be done by normal-sized surgeons, or even a dwarf.   And, oh yeah Boyd, you’re going with them.

Boyd is not thrilled at this.  I appreciated that he even had a fun Indiana Jones sort of fear at the idea.  He is being sent along as security because Chief Surgeon Duval is suspected of being a spy.  We know that Dr. Duval is innocent the minute Dr. Michaels comes on-screen because he is played very creepily by Donald Pleasence.   To be fair, Pleasence was equally creepy in Escape from New York and Halloween, and didn’t kill anyone.  Well, except The Duke, but he had it coming.  And an multiple attempts on Michael Myers.  Wait, holy crap, this guy is a killing machine.

There is also the captain of the sub, who has never done this before.  Rounding out the crew — heh heh — is 60’s bombshell Racquel Welch as Duval’s assistant.  Who built and tested this ship?  Kinda scarey – is there no one left alive who has ever done this before?

fantasticproteus03The sub, Proteus, looks great and must have been truly impressive 50 years ago.  Most of all, it feels real.  Obviously, this is pre-CGI but they didn’t just rely on crappy models and cardboard sets.  The set is also interesting with its upper floor control room allowing the cigar-chomping generals to look down on the operating theater.

Once they have been injected into Benes, they journey toward the injured areas of his brain.  It could have been boring — there is a sameness to a lot of the footage.  However, unlike the psychedelic trip at the end of 2001, this one kept me riveted.

Along the way, there are acts of sabotage; Boyd plays the MacGyver role coming up with solutions to enable the mission to continue.  At the end, it is unclear whether the mission is a success, but Benes was such a non-entity in the scheme of things, that it doesn’t really matter.  What you really care about is whether the crew survives.  If a movie can make you care about the characters, especially the conscious ones,  and throw in some cool visuals, you have a winner.

I rate it a .00000000000000000000008, de-miniaturized to an 8.

fantasticwelch04Post-Post Leftovers:

  • Why didn’t they just go in through the eye to start with?
  • Isaac Asimov wrote the novelization, but not the source material.  In the book, he addresses some of the crazy science, such as why the mass of the ship and crew did not remain the same when shrunk.
  • Since this exploration of inner space was clearly inspired by NASA’s exploration of outer space, it is strange that Boyd communicates with the outside by using the decidedly low-tech Morse Code.  I suspect this is addressed in the book.
  • Jean Duval as Benes has an even more lifeless role than Michael Fairman in The Nurse.  Strange, because like Fairman, he has an extensive resume including a role in Casablanca, and films with Laurel & Hardy and Abbott & Costello.  Most of the time he is uncredited, however.
  • Boyd and the captain (William Redfield) both died in their 40’s.  Note to self: start working on that Bucket List.
  • Eyes front, mister!

    Eyes front, mister!

 

Alfred Hitchcock Presents – Mink (S1E36)

More komedy from Alfred Hitchcock, this time explaining that he has given up on his diet and is trying sports.

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Actual Closed Caption

That hilarity comes at the end of the episode, but it is kind of a slog to get there.  Woman buys fur on the cheap.  She is later busted as it had been stolen.  She pleads her innocence, but the conspirators deny ever having met her.  As always on AHP, justice prevails.  For a complicated episode, it is pretty easy to summarize.

Normally I like these kinds of mysteries where someone just seems to have disappeared and only one person remembers them.  Hitchcock did this earlier and better in his film, The Lady Vanishes; and in an earlier AHP episode, Into Thin Air.

ahminkdawn01But on to more important matters.  The women in this episode were annoying and er, not attractive to men.  With the exception of Eugenia Paul.

Holy crap, this woman must be a time traveler.  She does not look like anyone else I’ve seen in this series so far.

She has a few credits every year in the mid to late 1950’s then nothing.  According to IMDb, she married the heir to the Pep Boys Auto Shops fortune.  I find that hilarious, but I’m not sure why.

She is also in an episode in Season 2, so I have that to look forward to.

Aside from Eugenia, I rate this episode wet dog fur.

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Post-Post Leftovers:

  • Watching this episode, something made me think, “every one of these people is dead.”  I checked IMDb and sure enough every actor, actress, the writers, the director — all dead.
  • And that wasn’t necessarily the case.  Gone With the Wind is almost 20 years older and the last performer just died this year.
  • Sadly, that includes Eugenia Paul who was only 20 in this episode.

 

How to be a Serial Killer (2008)

howtocover01This one sat in the streaming queue for a while.  First, I’m not usually that fond of horror comedy (although Tucker & Dale has warmed me up to it).  Second, I expected it to be another Behind the Mask: The Rise of Leslie Vernon.

BtM:TRoLV was good, but it always nagged at me that everyone did not take it seriously from the start that he was a serial killer.  I got that same vibe in the beginning here from the titular infomercial on how to be a serial killer.

It quickly won me over due to the great production of the infomercial, the strength of Dameon Clarke’s performance as Mike Wilson, and me realizing that the infomercial was just a Rupert Pupkin type fantasy playing out in his mind.

It starts off in a Rocket Video store where a rude customer is hassling the clerk.  Wilson spots the dweeby put-upon clerk as a potential protege.  Mullet – check, baseball cap – check, shirt buttoned to the very top – check, and his name is Bart.   Plus, working in a video rental store, he’s about to have a lot of free time.

They follow the customer to the back of the store and Mike kills him. A strong relationship is forged quickly as Bart immediately bonds with Wilson as the Yoda to his Luke Skywalker — if Yoda were a serial killer, and bore a close resemblance to John Cusack.

howtorules01Wilson shows him the ropes of the serial killing game (literally and figuratively), careful not to move too fast with his student.  He gives him weapons training, tells him who makes a good victim, etc.

This is interspersed with bullet points from Wilson’s fantasy infomercial on how to be a serial killer.  Don’t steal, don’t rape, respect women, don’t kill animals or children, help the homeless.  This guy is actually a better citizen than me; except for, you know, the murders.  He even suggests that SKs benefit society, and that maybe he would have even killed Hitler if he was around back then.

A pivotal event sends Wilson and Bart on the run for the last half of the movie.  This is a great turn as it prevents the infomercial / mentoring material from wearing out its welcome.  I appreciated the new direction and situations they got into.

I rate this a Season 4 of Dexter.

Post-Post Leftovers:

  • Just to be clear: you must respect women, but that doesn’t mean you can’t kill them.
  • The score is great, but you might want to turn down that sub-woofer; the bass is brutal.
  • Strange that Yoda passed the spell-check, but Skywalker did not.
  • I will assume it was intentional disrespect and not an error that the picture of Hitler was reversed in this shot.  That’ll teach’m!howtoswastika01