In complete contrast to The Wind, this short story is really just a sketch, a thumbnail, and not even the thumbnail.  It is the RBT episode that fleshes out the character and concept.  I’m not sure who to credit for the improvement.  This is the only directing credit for Alun Bollinger, so probably not much attributable to him.  Certainly Bradbury expanded the story for his screenplay.  I think, though, it is David Ogden Stiers who really sells it.  I normally don’t care for him without the Boston accent (like in that really mediocre Star Trek TNG episode), but he is great here.

He has walked to the house of his friend Stockwell.  This is risky and unusual because in the year 2053, street-walking is against the law — I mean literally walking down the streets, not the kind of street-walking that is still prosecuted by fascists in 2014 .

He is dressed all in black and has brought similar clothing to Stockwell.  Stiers reels off Bradbury’s flowery dialogue, and it is the rare occasion that it actually works.  They are giddy as they set out.  Stockwell has never seen dew on the grass, or the over-grown sidewalks.  This despite the fact that the houses do have windows.  Bradbury even gets a laugh out of Stockwell taking a header over a root.

They are soon spotted by a drone Helicopter.  The rest of the episode is basically an interrogation by the drone.  This tracks with the short story except that it is a drone Police Car.

Stiers is grilled on why he is outside.  The drone can’t understand the concept of going for a walk, seeing the sites, or getting some fresh air.  The drone orders Stiers to get in, finally showing that it is not a small drone but was supposed to be a full size helicopter.

The helicopter lifts off and shines a spotlight on Stockwell telling him to  disperse, which unless he is dismembered, I’m not sure is strictly possible.  I think he probably takes the long way home.

Post-Post:

• I really did think it was a mini-copter drone.  Just turned out to be a sketchy special effect.
• Hmmm, didn’t realize Michelle Forbes was in that ST:TNG episode in a pre-Ro role.  The presence of Lwaxana Troi is enough to stop me from revisiting it, though.
• NZ-LOTR Connection: Director was 2^nd Unit DP on all 3 movies.
• Next week: A Sound of Thunder.  If they manage to screw that up . . .

The wind is a perfect subject for this series.  Many of the episodes just have some movement, some rustling around, but there is nothing solid at the heart of them.

For some reason Michael Sarrazin just makes me think of the 70’s.  Not sure if it is his face, or just because that was really his heyday (1969-1975), and he never really seemed to live up to his promising start.

Here he is playing a weather nerd, which in the days before the internet or even the Weather Channel must have been a pretty frustrating hobby.  He is flipping through a book of maps with page headings like Cloudiness, Visibility, Gale Persistence when suddenly a persistent mini-gale blows through his living room and flips the pages.

He recognizes the wind as a presence immediately and greets it.  I’m trying to outline the episode, but it gives me nothing.  What can I say?  He calls his friend Herb, but Herb is busy.  He opens his front door.  He lights a cigarette which the wind blows out the first try. The wind blows his door shut.  He looks for batteries for his flashlight.

He says to himself, “My God, it’s like a great big shuffling hound, it’s trying to smell me out.”  He begins making a tape for Herb.  He describes climbing a mountain in Tibet to see what he should never have seen — hundreds of winds.  OK, so the wind has come after him.  I can totally buy into that — we’ve seen all kinds of voodoo follow people back to “civilization” for revenge.  Crikey, TZ even put a lion in a dude’s Park Avenue bedroom.  I can imagine this story being the basis for a great episode, but this ain’t it.

“Note to self: I’ll do one more episode in 3 years, but that’s it!”

In the limited “killer wind” genre, this makes The Happening look like Citizen Hurrikane.

I give it an F1 on the Fujita Scale (F5, of course, being Finger of God).  And that’s being generous, because the Fujita Scale actually starts at F0.

The short story is actually pretty good and if I had read it before seeing the episode, I would have looked forward to an adaptation — on Outer Limits or TZ, maybe.

Strangely, the short story centers on his friend Herb.  Sarrazin’s character Allin (renamed the manlier John Colt for TV) literally phones it in, never physically appearing in the scenes.   I’m not sure what is the benefit of this choice, but it worked for me.

Naturally, the short story form has the advantage of being able to deliver more pure exposition.  We are given a lot more information about the wind, how it has absorbed the souls of those killed in hurricanes, cyclones and typhoons; how it has pursued Allin across the globe.

Another wasted opportunity.

Post-Post:

• Sarrazin’s character mentions that they are in New Zealand, so my hunch about The Lake was correct.  This episode was all shot indoors, so the NZ location was not exploited at all.
• Like everything filmed in New Zealand in the last 50 years, The Wind has an actor that appeared in one of the Lord of The Ring movies.  OK, The Lake didn’t; well, that theory didn’t last long.

I was really torn whether to invest the time in a 3rd season of RBT.  At least they seem to be filming in the USA again, and they are doing A Sound of Thunder this season — so, one more chance.  Although I’ll miss bitching about Europe.

Ralph the bald carny man at the Mirror Maze drags his co-worker Aimee to his place to see Mr. Big.  She is clearly out of his league in looks and also because she has the more manly concession — the pellet guns.  He tells her to hide, for reasons I can’t figure, because Mr. Big is coming.  Turns out that Mr. Big is a midget.  His name is actually revealed later to be Bigalow, but I don’t think Mirror-boy know that.

As he does every night, he has come to the Mirror Maze and bought a ticket.  Ralph tells Aimee she ain’t seen nothing yet.  He leads her to spy on Mr. Big checking himself out in the mirror, admiring his tall thin reflection.  Ralph thinks this is quite a hoot.  Maybe if there was a mirror that showed him with hair, he would understand his cruelty.

Mr. Big hears them hiding behind a wall and bolts.  Aimee worries that they have humiliated him and that he might never come back.  But the next night he is there again.  Aimee follows him to a newsstand and discovers he’s a writer of . . . er, short stories.  No, really.  He sees her following him and takes her home with him.  She sees that he lives in a tiny little scaled down house in a warehouse.

Attack of the 5’3″ Woman.

She returns to the Mirror Maze and admires herself in the same stretchy mirror, which makes no sense.  It’s not like she is a dwarf or even fat.  The stretchy mirror just makes her look anorexic.  Aimee catches Ralph staring at her.

Ralph goes in to break the mirror, but has a better idea.  He replaces the stretchy mirror with one that scrunches the midget down even more.  Ralph gets a laugh out of the midget’s anguish.  Aimee smacks him up side his bald noggin.

From somewhere, the midget has gotten a gun and starts deliberately shooting Ralph’s reflections one by one.  When only the real Ralph is left, Aimee stops him, saying Ralph has been dead for years.

I really wanted to like it.  The girl was cute.  The midget being a writer reminded me of The Smoking Man’s literary aspirations.  And quite the snappy dresser.  His tiny house and her peeking in were intriguing.  It just didn’t come together.

As usual, the short story was better especially if you grade it on a 60 year old curve.  The Dwarf was a little more fleshed out on TV, and the ending was more clearly presented.  In the short story, Ralph and Aimee both see Ralph as a small dark monster in one of the mirrors.  There is a gunshot, but whether it is Ralph or the Dwarf being shot is left to the reader.

Post-Post:

• Megan Follows was previously seen in The Outer Limits, and Miguel Fernandes was in Trancers.
• Really misnamed episode as it features a midget not a dwarf.
• I’m sure it was some 6 foot tall douche-bag who came up with “Little Person” as the PC word.  Midget was a perfectly respectable word.  Why replace it with a word that specifically points out the person is not a person, he is a little person?
• Same thing with cripple which was eventually deemed offensive, replaced by handicapped which was also eventually deemed offensive.  Then disabled.  Now I guess it is the absurd handicapable or even worse, differently-abled.  Gee, it’s almost like it isn’t the words that bothers these do-gooders.