Alfred Hitchcock Presents – The Belfry (S1E33)

A number of books and a couple of movies have made the assertion that Alfred Hitchcock had — shall we say — issues in dealing with women.  There is enough smoke to suspect a genuine fire of some sort.

pat01Some of that weirdness seemed to fester in his own family.  Hitchcock had a daughter Pat that appeared in several of his films and TV episodes.  She is not particularly attractive, certainly not anything like the cool blonde type that Hitchcock like to cast.  What is strange, is that he seems to go out of his way to point that out.

Here she is cast as a school marm (in the pre Hot for Teacher days).  Earlier in the season, she had played a maid, and then a woman traveling with her mother.  In his movie Stage Fright, he has her playing a character named Chubby.  Worst of all, he just uses her looks for a joke in Psycho.  After a client has been flirting with the uber-hot Janet Leigh, Pat says, “He was flirting with you.  He must have seen my wedding ring.”  I’ve seen Psycho a couple of times with crowds and it gets a good laugh. Maybe that’s the reason Psycho was her final big-screen appearance for Sir Alfred.

After the one-room schoolhouse lets out, teacher Ellie gets a visit from Clint.  He is too old to be a student and it is soon obvious that he is a little slow.  He invites Ellie to see the house he is building for them.  She reminds him that she is engaged to marry Walt, who just happens to walk around the corner at that very second.

In his brief screen time, Walt seems to be an OK guy.  The actor is none too bright, though, as he seems to think Ellie’s name is Ella.  Really, her father’s name is the title of the show; you couldn’t put a little effort into your 4-line part?  IMDb says the actor was born in Lynchburg, TN.  Home of Jack Daniels.  Just sayin’.

Clint is none too happy at this turn of events.  He and Walt have words; but no big ones. He tries to take the ring from Ellie, and Walt admirably comes to her defense.  Clint gives him a hatchet to the chest right in front of the school.  Clearly he was not aware this was a hatchet-free zone (no thanks to the NHA).

Clint has been carrying this hatchet for the entire episode.  Including in the schoolhouse when he asked Ellie if she was alone — some sort of bell should have gone off.  Luckily, this schoolhouse doubles as the town bell tower, so there was one available.

Clint goes on the lam, hiding out in the woods.  Being no steam-engine scientist, he figures this will blow over in a couple of days.  After eluding the search party which was so close that their lanterns illuminated his face, he returns to the scene of the crime. Literally, right back to the schoolhouse where he climbs into the belfry.

He spends the rest of the episode in the cramped belfry except for a brief trip downstairs into the classroom where he cryptically writes “Lee git you to” on the board.  The next 15 minutes are a series of near-discoveries, the bell CLANGING just inches from Clint’s noggin, and him eavesdropping on conversations below.

kid02I do appreciate that a couple of times when kids are attempting to retrieve a softball, they are shown climbing up onto the roof.  It appears to be the actual child actors.  Like the young smokers in The Incredible Melting Man, it just shows how far we’ve come as a society.  Or the growing power of the Midget Stuntman Union Local #302.

The next day, Clint hears a funeral service for Walt below, as the schoolhouse apparently also serves as a church.  No wonder Clint was so proud of the house he was building, it will apparently be only the second structure in town.

The ending is completely botched.  One of the search party, for no reason, goes to the schoolhouse and rings the bell, startling Clint.  He yelps, giving himself away.  A better ending would have been to give Walt the bell version of a 21-gun salute at his funeral service.  The constant CLANGING would have driven Clint mad.  In a way, it would have been Walt himself bringing him to justice.

Post-Post Leftovers:

  • “Our father which art in heaven . . . ” ?
  • I was sure posse member Elmer was played by Newt Kiley from Green Acres, but no.
  • OK, after reviewing, we see a book signed by Ella Marsh, so maybe Walt wasn’t Jack’d (as in Daniel’d) up after all.
  • C’mon, with that giant hole the the bell rope goes through, no one thought the baseball might have dropped to the ground floor?
  •  Where else has a bell tower figure prominently in a Hitchcock joint?  Vertigo!  Surely this episode and drawing were Easter Eggs, a callback to that film.  Oh, wait — Vertigo would not be released for another 2 years — never mind.  Orrrr,  maybe it gave Hitchcock the inspiration – yeah, I’m going with that.belltower01

The Incredible Melting Man (1977)

This movie has been on my radar for decades,  Somehow, and wisely, I had managed to miss it until now.  It is pretty much what you would expect – the story of the titular Melting Man, shot without artifice, though fairly credibly.

Astronaut Alex Rebar — OK, his character is named Steve King, but Alex Rebar is the kind of manly-man name I want my astronauts to have — is on a mission to Saturn.  We hear the lift-off and they get to Saturn in about the time it takes to get from Terminal A to Terminal C at the Atlanta Airport.

There are a lot of shenanigans pulled in the depiction of Saturn.  Released in 1977, IMM had the luxury of being released long after anyone was excited by NASA, but long before the internet was available for for the checking of facts, the picking of nits and the downloading of porn.  Also, Neil Degrasse Tyson would have only been about 19.  Surely, he could have pointed out the problems, but who would have listened?

mmtp01Despite being almost a billion miles from the sun, Astronaut Rebar & Co. witness solar storms that look like they were filmed from Mercury — at the top of a tall ladder.  As we now know, solar flares viewed through Saturn’s rings = melty melty (man, is there anything Einstein didn’t predict?).

Luckily, NASA had a plan to recover astronauts in 1977 (sadly, by 2001, cost-cutting led to the abandonment of Dave Bowman, Frank Poole & crew).  In a jump cut which compresses time only slightly less than the famous edit in 2001, Rebar is back in a NASA hospital.

The effects of the solar flares are seen for the first time as Rebar reveals his hands which not only show the titular melting, but seem to have gotten 50% larger – why, it almost looks like some sort of prosthetic!  He begins unwrapping his bandages, although inexplicably leaves a piece attached to his face.  OK, toilet paper on one’s shoe is merely a faux pas – this is a real pas.

mmtp02

 

Even after taking the time to wreck the hospital room, it is still attached to his face.  I have got to get this on DVD – surely the commentary will explain this artistic choice.

 

Rebar kills his nurse (after an extended slow-mo shot (although it might have just been the tubby nurse running at top speed)), including a POV where she is seemingly chased by a disembodied hand), and blows the hospital. His first stop is at the world’s worst fishin’ hole — basically some wet mud — where he encounters a guy drinking Coors, wearing a Coors hat.  I can only assume this is product placement by the Budweiser people.

mmriver01This must be the Big Two-Quarted River Hemingway wrote about.

Rebar summarily removes the fisherman’s head like a Coors pop-top and continues on his way.  Said fisherman must have been no brainiac as his head floats some ways downstream, before going over a waterfall similar to one found in your finer Koi ponds.

Rebar continues his excellent adventure, throwing a scare into some kids.  It is worth noting that the kids — not over 10 years old — are introduced in a scene sharing a smoke.  This is why the 70’s were the golden age of cinema.  Sadly, these bad seeds are spared and no doubt grew up to be a burden on society.

Finally, after 25 minutes, we get to the highpoint of the movie.  70’s icon Cheryl “Rainbeaux” Smith is playing her breakout role as “Model.”  This follows years of honing her craft portraying such characters as Girl Buying Ticket, Groupie, Twinkle Twat Girl, Cheerleader Heather, Pom Pom Girl Roxanne, Model in Yellow Negligee, and Naked Hippie Girl on Motorcycle.[1]  Amazingly, she still does not seem to understand her role in the industry:

Actual Closed-Caption

Actual Closed-Caption

After several more bodies and beaucoups of goo, Rebar goes up against someone who fights back.  Locals Matt & Nell get back from the movies to discover their kitchen ransacked.  Matt (future Silence of the Lambs director Jonathan Demme) buys it almost immediately, but Nell plays defense, pushing a refrigerator in front of the kitchen door.  Not just a refrigerator, but one of the killer old ones with a latch that kids died in before dry-cleaning bags became much more convenient.  As Rebar tries to cop a feel through the window, Nell switches to offense and effortlessly hacks off his arm like a warm axe through Ned Stark’s neck.  Even though she hacks it off just above the elbow, later in the film, it seems to be gone at the shoulder.  Maybe he just met another feisty chick in a deleted scene; certainly the men-folk aren’t doing much damage.

The sheriff and Rebar’s doctor track him to a power plant (or is it supposed to be NASA?) for a final showdown.  The sheriff ends up being tossed off a platform and frying on some electrical wires.  This is actually a pretty impressive light show, and I’m glad they spent the money here rather than on Saturn’s rings.

mmfinal01Eventually, Rebar just poops out and collapses into Final Goo.  He is unceremoniously shoveled into a 55 gallon drum.  Sadly, this is done off-screen, squandering the potential of a great scene.  Why didn’t Jonathan Demme speak up?

 

Post-Post Leftovers:

  • The sun viewed from Saturn would be about 1/10th of its size to us.
  • DeForest Covan — the janitor at the end — is the history of Hollywood personified.  He was in a Marx Brothers movie, Mr. Smith Goes to Washington, Rocky and Russ Meyer’s Beneath the Valley of the Ultra-Vixens.  Also proof that Dr. McCoy’s parents weren’t weren’t insane, just cruel.
  • [1] While Cheryl Smith’s role as Naked Hippie Chick on Motorcycle in Boogievision might have been great (I haven’t had the pleasure), the definitive NHCM must remain Gilda Texter in Vanishing Point.  Her snubbing by the Academy remains shameful.
  • Covered by MST3K, available on You Tube.

Forgot this:  Nice forced-perspective shot of a wee little man dancing on a branch.  Unfortunately it was intended to be a long shot of a normal-sized man.mmforcedperspective02

 

All 3 of These Things Are Not Like the Others

Trolling for movies at Walmart this morning, and I came across this 3-pack in the $5 bin.  What could possibly be the theme tying these DVDs together?  And cellophane is not a theme.

  • The Producers – Musical Comedy
  • Lincoln – Not Spielberg’s Lincoln, because Spielberg
  • White Noise – I assume the Michael Keaton horror joint, because Michael Keaton

walmart02a

Another 3-pack had a different Civil War title on the bottom, so clearly it is  the designated historical slot for this cinema lunchable.

Lousy picture as I didn’t want to be accused of show-rooming. For $5 DVDs.

Axed (2012)

axed00

 

I had seen this title in stores several times but was turned off by the cartoony cover art.  Eventually, I stumbled across it on NetFlix and decided to give a chance because 1) the cover, though still cartoony, at least lacked the Fangoria banner which makes it look even more cartoonier, and 2) free streaming!

I’m glad I did as this turned out to be a lot of fun, and I can easily recommend it.

 

It starts off with a title card that is completely unnecessary in retrospect.  It seems to be setting us up for a dystopian tale like Escape From New York or Soylent Green.

axed01In fact, dude (or should I say bloke since it turns out he is British) loses his job — that’s all that matters.  Just an aside — how is dystopian not in spell-check?  Hunger Games has been out for 6 years.

Director Ryan Lee Driscoll gets things moving immediately.  After a quick breakfast where the father Kurt goes Santini on the kids, berating his son for not being manly enough and his daughter for dressing like a tramp – they’re off!  Kurt seems to loosen up as drives the family out for a nice day in the country.

pick07After some car trouble, he leads them to a nearby farmhouse.  If you look closely, there is a pickaxe leaning against the wall.  And remember the principle of Chekhov’s Pickaxe – if there is a pickaxe in the first scene, by the end, it must be buried in someone’s skull (translations vary on this interpretation).

Once inside, Dad turns out to be positively chirpy.  Clearly this can’t last.  At times, he sounds a lot like John Cleese doing his Basil Fawlty slow-burn.  He then commences his breakdown which I will try to keep somewhat spoiler free.

Secrets are revealed, blood is drawn, fortunes are reversed, yada-yada.  Opportunities to put an end to Dad’s shenanigans are repeatedly squandered, another character shows up against all odds.  Standard horror movie fare.

But it is constantly entertaining, and moves along at a good pace.  It’s just – I can’t stop thinking about that bloody (well, not yet) pickaxe.

Much later, Driscoll pulls off a nice bit of business as Dad is in full meltdown mode (and never sounding more like John Cleese), strangling Mom.  Daughter Megan is in the bathroom, and hears screams.  She tries to get out, but Dad has rigged up a rope system that prevents the door from opening.  The cutting between the ropes on the door versus the necktie Dad is using to strangle Mom is Hitchcockian in its execution.

 

Son Jay finally grows a pair, and runs to get the pickaxe.

 

 

 

But wait – no, he has run past the pickaxe, into the house to get a regular axe.  Dude, your mother is dying – there’s a gardening weapon of individual destruction RIGHT THERE!  You passed it twice!

pick12I could nitpick a few other things:  A spare cellphone?  Who was that blue-sleeved man?  When Jay returns with chopped wood, it has clearly been sawed, not chopped.  The lighting in the woods is freakishly spotty.  I just can’t figure out what is going on with the lawn mower – do mowers not have wheels in England?  Are they hover mowers?  And I have hats with propellers bigger than that blade.  But none of that matters – it is a fun ride and well worth your time.

Post-Post Leftovers:

  • I was ready to mock Jay for his grip on the axe – choking way up, and probably looking pretty girly to his old man.  But as I thought about it, an axe is a pretty unwieldy weapon in a hostage situation.  Any dwarf with a dream can flail away while being attacked by a horde of Orcs.  But when your Dad is strangling your Mom, the wide swing is just asking for trouble.
  • That weird lighting prompted me to look up phases of the moon.  This moon had an illuminated right half, known as a 1st Quarter.  Half & half, so why is it called a Quarter?
  • No, the pickaxe was never used.  Suck it, Chekov.

Finally, I just noticed the license.  That is not going to help his innocent plea against premeditated murder.

Ryan Lee Driscoll is clearly an ax-man

 

 

 

 

 

 

 

Alfred Hitchcock Presents – The Baby Sitter (S1E32)

ahbabysitter00Alfred Hitchcock Presents seems to have been almost completely, but unfairly, overshadowed by The Twilight Zone.  I think I will always prefer TZ, but AHP was an impressive body of work, and deserves more recognition.

First of all, look at the sheer numbers – AHP (followed by The Alfred Hitchcock Hour) ran for 10 years, and produced more than twice as many episodes as TZ.  And this was back in the days when a season could run up to 39 episodes.  Granted, Hitchcock was not scripting almost a third of his series like Rod Serling, but he did appear on screen in every episode and directed 18 of them.  Plus, had a day-job.

Having watched much of the first season pre-blog, I am starting here with Episode 1-32 The Baby Sitter.  Two things struck me almost immediately in this episode. First, I don’t know how to spell baby sitter.  I would have thought it was one word, but Dictionary.com does not even list it as a noun; neither does Merriam Webster;  my Kindle’s dictionary grudgingly calls it a derivative, but clearly is not happy about it.  Next week on Grammar-Talk: Can you have 2 semi-colons in one sentence (and is there such a thing as an Oxford semi-colon?)?  Second, there is no intro by Hitchcock – a rarity as far as I can tell.ahbabysitter03

Lottie Slocum is a widow who works as a baby sitter, despite being overqualified to the tune of 40 years (suffice it to say, no websites are being devoted to her).  She is played by Thelma Ritter who, 2 years before, had been the comic relief in Hitchcock’s Rear Window (not Raymond Burr, as you might have expected).

The story opens with her being questioned by a detective as she is one of the last people to have seen Clara Nash alive.  The detective is clearly frustrated that Lottie seems to be carefully doling out info, relishing the attention gained from from her role in this tragedy.  Said role being that she babysat for the victim’s son – she is not a witness, not a suspect, didn’t narrowly escape the murderer, wasn’t caught wearing the victim’s jewelry, etc.  Yeah, she saw the victim, but she wasn’t Abraham Zapruder.

Lottie’s even less attractive friend Blanche (Mary Wickes) shows up apparently for the sole purpose of cruelly mocking Lottie’s crush on the late Clara’s husband, soon suspecting that Lottie killed Clara out of jealousy.

Lottie gets a visit from DeMario, the man Clara was cheating on her husband with.  A tough guy with dark features, I assume he was intended to be one of them menacing eye-talians.  IMDb says the actor Michael Ansara was born in Syria.  But I’m not sure anyone in 1956 knew what an Assyrian was as Catch-22 wouldn’t be published for another 5 years.  BTW, he went on to play Kang in Star Trek and married Barbara Eden, so he was a hero to American males of all ages even if we didn’t know his name.

DeMario serves a dual purpose.  He credibly proclaims his innocence, and Lottie does not seem to suspect him.  So, when he warns Lottie not to further embellish her stories, it forcefully emphasizes the fact that she is a nut whose attention-whoring could do some real damage to an innocent man.  Secondly, his fling with Clara gives at least 2 people a motive for Clara’s murder.  OK, innocent of murder, but not a good egg.

Lottie writes a love letter to Mr. Nash – ya know, the guy whose wife was just murdered – prompting a flashback.

ahbabysitter01

Actual Closed-Caption

And this unfortunate bit of closed-captioning.

I’ll leave the context to your imagination.

Jeez, it only took one blog post to descend to this level.

Still in the flashback, Lottie is at the Nash home with Mr. Nash when DeMario brings Clara back home after a date.  Hunh?  Bizarrely, Mr. Nash calmly goes to hide in the bedroom, and Lottie seems to think this is a reasonable reaction for a husband.  It doesn’t seem to be fear of DeMario – Lottie writes, “It was nice of you not to want to be present when she came in with that boyfriend of hers.”  Hunh?  Mr. Nash does not seem to have a full name in the episode.  Might I suggest Tobias Fünke Nash.

Back in the present, Mr. Nash shows up.  Lottie reveals that she had promised to protect him, by omitting certain facts, such as whether he was there the night of the murder.  He burns the letter, then kills Lottie.  Not a moment too soon, although I would have burned the letter second.

Not positive about this, but despite a fair amount of screen time, I’m not sure Mr. Nash spoke a single word.

Comeuppance: In Hitchcock’s epilogue, he assures the audience that Mr. Nash got his due as he was killed by a train.

Sadly, not a great episode to start with if my thesis is that the show is under-appreciated.