Ray Bradbury Theater – The Dwarf (S3E1)

bradbury02I was really torn whether to invest the time in a 3rd season of RBT.  At least they seem to be filming in the USA again, and they are doing A Sound of Thunder this season — so, one more chance.  Although I’ll miss bitching about Europe.

Ralph the bald carny man at the Mirror Maze drags his co-worker Aimee to his place to see Mr. Big.  She is clearly out of his league in looks and also because she has the more manly concession — the pellet guns.  He tells her to hide, for reasons I can’t figure, because Mr. Big is coming.  Turns out that Mr. Big is a midget.  His name is actually revealed later to be Bigalow, but I don’t think Mirror-boy know that.

rbtdwarf02As he does every night, he has come to the Mirror Maze and bought a ticket.  Ralph tells Aimee she ain’t seen nothing yet.  He leads her to spy on Mr. Big checking himself out in the mirror, admiring his tall thin reflection.  Ralph thinks this is quite a hoot.  Maybe if there was a mirror that showed him with hair, he would understand his cruelty.

Mr. Big hears them hiding behind a wall and bolts.  Aimee worries that they have humiliated him and that he might never come back.  But the next night he is there again.  Aimee follows him to a newsstand and discovers he’s a writer of . . . er, short stories.  No, really.  He sees her following him and takes her home with him.  She sees that he lives in a tiny little scaled down house in a warehouse.

rbtdwarf04

Attack of the 5’3″ Woman.

She returns to the Mirror Maze and admires herself in the same stretchy mirror, which makes no sense.  It’s not like she is a dwarf or even fat.  The stretchy mirror just makes her look anorexic.  Aimee catches Ralph staring at her.

Ralph goes in to break the mirror, but has a better idea.  He replaces the stretchy mirror with one that scrunches the midget down even more.  Ralph gets a laugh out of the midget’s anguish.  Aimee smacks him up side his bald noggin.

From somewhere, the midget has gotten a gun and starts deliberately shooting Ralph’s reflections one by one.  When only the real Ralph is left, Aimee stops him, saying Ralph has been dead for years.

I really wanted to like it.  The girl was cute.  The midget being a writer reminded me of The Smoking Man’s literary aspirations.  And quite the snappy dresser.  His tiny house and her peeking in were intriguing.  It just didn’t come together.

As usual, the short story was better especially if you grade it on a 60 year old curve.  The Dwarf was a little more fleshed out on TV, and the ending was more clearly presented.  In the short story, Ralph and Aimee both see Ralph as a small dark monster in one of the mirrors.  There is a gunshot, but whether it is Ralph or the Dwarf being shot is left to the reader.

Post-Post:

  • Megan Follows was previously seen in The Outer Limits, and Miguel Fernandes was in Trancers.
  • Really misnamed episode as it features a midget not a dwarf.
  • I’m sure it was some 6 foot tall douche-bag who came up with “Little Person” as the PC word.  Midget was a perfectly respectable word.  Why replace it with a word that specifically points out the person is not a person, he is a little person?
  • Same thing with cripple which was eventually deemed offensive, replaced by handicapped which was also eventually deemed offensive.  Then disabled.  Now I guess it is the absurd handicapable or even worse, differently-abled.  Gee, it’s almost like it isn’t the words that bothers these do-gooders.

4 thoughts on “Ray Bradbury Theater – The Dwarf (S3E1)

  1. Too bad more what not made out of Aimee’s friendship with Mr. Bigelow, the dwarf/writer. There could have been a lot more to explore, as it inferred (though not explicitly) that Aimee is wrestling with some shortcomings of her own.

    There is a general melancholy that permeates this episode, but in a substantive way: a carnival being the home where outcasts and misfits (some with physical abnormalities) are admired (read: gawked at) by so-called normal human beings.

    Ralph’s cruelty toward the dwarf is definitely borne of some undisclosed trauma – thus, he is reduced to little more than a sadistic bully. His longing for Aimee is certainly a source of his personal anguish – as even he must realize she is utterly unobtainable. But since the story introduces us to both Ralph and Aimee (even if not as friends), we still have no idea of when they met, or how long they’ve known one another. A more thoughtful writer would’ve given us more in the way of exposition. But the underlying emotional gravitas of “The Dwarf” causes me to give it a B.

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