Alfred Hitchcock Presents – Tea Time (12/14/58)

Hat, hat.

Iris Teleton and Blanche Herbert meet in a tea room that has by far the largest number of extras ever seen in this series; or customers in a tea room.  I hope the guys over at bare bones take a look at this episode so I can find out what the hell was going on.  One possibility, judging from the head-wear, is that it was filmed during the Bad Hat Convention of 1958.

Blanch has asked Iris to meet her here.  Iris immediately tells Blanche that she knows she has been having an affair with her husband.  Iris doesn’t seem too upset by this — she orders tea and macaroons.  Iris says she is just surprised that her husband did not hook up with someone younger.  This is interesting as Blanche is five years older than Iris (at least in the actor’s ages).

Blanche tells Iris that Oliver is in love with her.  She suggests that Iris can’t want to stay in this loveless marriage.  She promises a quiet divorce and that she and Oliver would wait a respectable length of time before marrying so as to avoid any embarrassment. Iris takes this exceptionally well and says she is shocked at Oliver’s indiscretion.  She is willing to tolerate Oliver having an affair and even setting Blanche up in a little apartment; she even picks up the check.  She has no intention of divorcing Oliver, though.

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Maitre d’, hat.

As Iris is walking out, Blanche plays her trump card — Robert Cressant.  This finally gets Iris’s attention.  Blanche claims to have a letter that Iris wrote to Cressant.  This time they order a couple of scotches. [1]  Iris wrote to him the day before her wedding that she did not love Oliver but was marrying him for a fancy house and hat money.  She assured Cressant that they could go on seeing each other behind Oliver’s back.

Blanche is giving Iris a chance to divorce Oliver without her showing him the letter.  That way, she says Iris can get something out of the divorce.  Interesting that the fact that Oliver is also having an affair is irrelevant.

ahpteatime1

Hat, hat.

Iris goes home to Oliver.  She suggests they go away together.  He suggests that maybe she could go alone with friends.  The next morning, she surreptitiously cuts a button off of his coat sleeve.  After Oliver goes to work, she calls Blanche and they agree they will meet at Blanche’s apartment at 4 pm.

Iris offers to buy the letter.  Being pre-Xerox, this would prevent Blanche from showing Oliver the letter after they are married.  Blanche notes that this would cause any settlement with Iris to be set-aside.  So apparently this was pre-Lawyer also.  Iris produces several pieces of jewelry as payment.  Blanche demands another $26,000 and gives Iris half of the letter as security.  All this is pointless, though, as Iris shoots Blanche with Oliver’s gun and plants the button as evidence.

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Hat, hat, hat, hat.

Iris goes to Oliver’s office.  She overhears Oliver talking on the phone to a PI named Harper who saw her go to Blanche’s apartment.  She also hears that Oliver already knew about Cressant and has the original letter in his safe.  He hangs up with Harper and speaks to someone unseen in his office.  He tells her that he could never have married Blanche, but she was well-compensated to pull this ruse.  A blonde floozy comes out of Oliver’s office and Iris realizes it was all for nothing.

It was very clever to include the conversation with Harper in the script.  Otherwise, Iris would still be in good shape — Blanche dead and her husband in jail.

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Hat, hat, hat, hat, Maitre d’, hat.

Post-Post:

  • [1] The drinks brought to them must be Crystal Scotch as they are clear. Also, the drinks are served in tumblers.  I thought I was the only one to drink scotch like that.
  • AHP Deathwatch:  Marsha Hunt is still with us.
  • Fritz Feld was also credited as Maitre d’ in Amazing Stories, History of the World Part 1, Silent Movie, The Odd Couple, Way Way Out, Herbie Rides Again, The Patsy, Paris Playboys, and Skylark.  He also played an insanely long list of waiters.

The Moon God Takes – Robert Leslie Bellem (1936)

sascoverThis is the third story I’ve read by Bellem, and I’ve enjoyed all of them.  Even though the three are each very different, this one stands apart. Blood for the Vampire Dead was just as matter-of-fact as the title suggests.  The Shanghai Jester had the same stripped-down prose but with a noirish detective flavor to it.  The Moon God Takes is more romantic and has literary pretensions that the others don’t even hint at.  I was caught off-guard, but it hooked me.  The ending regresses to the mean, but it is still fun.

John Salvar is watching a woman dancing naked in the moonlight before a large grey rock. She reminds him of his late girlfriend Helen.  “Hungry he was for the lovely dancing girl . . . Strange, weird unearthly was the girl’s dance.”  If there is a deleted scene of Yoda at a titty-cantina, this would be his dialogue.

Salvar had lived in the cottage on the cliff for a year and had never noticed the big rock. Who is the woman who seems to him like a Moon-Goddess?  And not just when she has her back to him.

He watches her dancing naked before the stone for an hour before approaching her with some singles. He asks her name and she replies, “My name?  I have no name.  I dance in the moonlight. I belong to the Moon-God.”  Salvar says he is a sculptor.  She says she wishes she were a sculptor so she could carve the large stone to look like the Moon-God.

Salvar offers to sculpt the stone into the Moon-God for her if she will come live with him in his cottage.  Since Salvar has never seen the Moon-God, the girl directs his sculpting. Salvar begins chipping away the stone, but discovers it feels like he is carving flesh.  He is repulsed, but the girl strips naked and threatens to leave, so he continues.

Days later, when he finishes the sculpture, he steps back.  “My God!  It’s foul!  It’s monstrous!  It’s blasphemy!”   It sounds like a modern art masterpiece, but Salvar tries to destroy it.  The girl stops him.  When she tells him that the Moon-God is actually Satan, “maggots of horror ate into his heart.”  She strips naked again and he is suddenly cool with the devil-worshipping.  That’s her answer to everything — her excellent, excellent answer.

At midnight, Salvar awakens to see the girl in the scaly arms of the Moon-God.  She will be his mate unless Salvar confesses that he killed Helen five years earlier.  He agrees, writes a confession and flings himself off the cliff to save the girl.

The twist is that the girl is actually Helen’s sister.  She created this elaborate ruse so that Salvar would confess his crime and finally face punishment for murdering her sister. Her husband Ted was a good sport by pretending to be the Moon-God.  Also by allowing his wife to dance naked in the moonlight for hours, to strip naked repeatedly, and to bang Salvar. [1]

What baffles me is why the stone felt like flesh as he carved it.  Was it just his imagination?  Was he flashing back to carving Helen up like a roast when he disposed of the body?

Another fun story in this collection.

Post-Post:

  • [1] There is a similar scenario in Bellem’s Blood for the Vampire Dead where a man is pretty forgiving of his wife being abducted, stripped naked and used as bait.
  • First published in December 1936.
  • Also that month:  Mary Tyler Moore born.
  • Actually, in some alternate R-rated universe, this would have been a good role for MTM.

Twilight Zone S4 – The Incredible World of Horace Ford (04/18/63)

Horace Ford is sitting at his drafting table where a mouse is running in circles.  I’m not sure if we’re supposed to see the little string, but I love it.  Phillip Pine walks in and Horace shoots him with a cap pistol. Horace is a toy designer and seems never to have grown up.  It’s one thing to toss out great ideas like Tom Hanks in Big; it is another to actually have put together budgets, put them into production and hire union thugs to make them.

Horace’s boss brings in his design for a new robot (pronounce robe-it in 1963).  It is just too expensive with the eyes lighting up and other features.  Horace is irate, pouting, screaming, throwing a tantrum.  Grow up, for God’s sake!  You’re making toys, not running for President!

At home, he stomps around like a big baby with interminable stories about when he was 10 years old.  He goes back to see his old childhood home on Randolph Street.  Clothes seem to be sold on the sidewalk, the Dept of Sanitation hoses down the street, “Wienees” are $.03 each.  He sees some bullies stealing melons and recognizes them as kids from his childhood.  One of the urchins actually follows Horace home and hands over a watch that Horace dropped to his wife.

tzhoraceford07He tells a friend at work about the kids he saw and about a Mickey Mouse watch he had 20 years earlier.  It’s close, but damn if they weren’t introduced exactly 20 years before this aired. At dinner that night, he tries to tell the same old stories to his wife and mother.  He goes on and on about his childhood and a friend who used to say “Shakespeare, sock in the ear,” then tweaks his wife’s ear.  She is horrified, but not as much as if he had tried the old “Titty Twister.”  His wife and mother are aghast at his childish shenanigans.

His wife tells him that it is impossible that he saw his old friends on Randolph street, but he bellows on and on about these goddamn kids.  Christ what a blowhard!  He runs out again to see his little pals on Randolph Street.  He sees exactly the same people and events that he saw on that street earlier.  Again that night, one of the kids brings a a watch to Horace’s wife.

tzhoraceford09Horace gets fired for neglecting his job.  His mother reacts by yelling at him about her needs.  At least his wife tells her to beat it.  Jesus Christ, he just won’t stop his infantile whining about having to go to work to support his wife and mother while his little friends are playing.

He goes back to Randolph Street. He sees the same water truck and hot dog vendor.  His little friends are still stealing melons off the cart.  He follows the boys, but unlike the other people on Randolph Street, they don’t seem to see him.  Then he transforms into his 10 year old self, and there is something about a birthday party.  Little Horace seems like a bit of a dandy as he is wearing a tie (not even the same one he was wearing as an adult), and suddenly has long blonde hair while his friends are dressed in ragged t-shirts and sweatshirts.  So his “pals” kick his ass.

The kid brings back his watch again, but this time it is a Mickey Mouse watch.  His wife goes to Randolph Street to find him.  When she gets there, it is a vacant city street. She finds 10-year old Horace in an alley.  She looks away, and he becomes overgrown baby Horace again.  She tells him that we all block out bad memories and just remember the good times.

Really, they couldn’t find one kid with black hair to cast?

This is easily the worst episode of season 4, and a low-point of the series.  Not only has the past-is-better thing been done to death on TZ, Pat Hingle’s performance is just unbearable. The sole redeeming bit of the episode is that as Horace and his wife walk away, one of the kids is straddling a street lamp watching them.  It makes no sense in the context of the episode, but it is a fun visual.

Post-Post:

  • This turd just won’t flush.  It aired in 1955 as part of Studio One, in 1960 as part of Encounter, in 1963 as part of The Twilight Zone and in 1969 as Cudesan Svet Horasa.  For the viewers’ sake, I can only hope that Art Carney, Alan Young or Pavle Bogatincevic was not as awful as Pat Hingle.
  • Nan Martin (Laura) is almost Zelig-like in how she shows up in small but memorable roles.  She was Freddy Krueger’s mother, the owner of Drew Carey’s store, Tom Hanks’ almost-mother-in-law in Cast Away, Deanna Troi’s almost-mother-in-law in Star Trek TNG, and the hot nurse’s evil doppelganger in Shallow Hal.  To be fair, she was pretty great here.
  • Vaughn Taylor (Judson) was in 5 episodes of TZ — no credited actor had more.  Sadly he had none in season 2 and doubled up in season 3, so did not act for the cycle.  He was just in Tales of Tomorrow yesterday.
  • Pat Hingle (Horace) was Commissioner Gordon in the 1980’s Batman movies.
  • Written by Reginald Rose, author of the revered 12 Angry Men where Henry Fonda convinces 11 other jurors to allow a murderer to go free to terrorize his neighborhood and those who testified against him.

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Hot Blood – Arthur Wallace (1935)

sascoverI like how we get the authentic flavor of the location by Wallace dropping isolated spanish words into the first few paragraphs — mantillas, senoritas, pica, picador, banderilleros, matador. I could have done without horse being gored by the bull.  But I guess, if you’re going to root for anyone at a bullfight, it’s going to be the bull. The horse is kind of an innocent bystander, though.

A bugle sounded from the president’s box and four banderilleros moved out to place the gaily colored darts between the bull’s shoulder-blades.  It was short and graceful work and when they were done, the beast stood in the center of the ring, four barbed poles, festooned with bright ribbons, dangling from his withers. The crowd applauded as another bugle call rang out.  It was the signal for Diego, the matador, to make his entrance for the kill.

What a bunch of assholes.  If Wallace wants to drop in some Spanish lingo, how about pendejo.

Manuel Rivero is understandably pissed at his fiancee Alicia’s admiration of Diego.

Her hands were cupped about her breasts, fingers digging into resilient flesh with inordinate passion.  As the matador’s sword flashed in the sun, only to be buried hilt deep in the hump of muscle behind the beast’s neck, a long sigh escaped her lips and electric shocks of delirious intensity whipped through her body, shaking her to the very core of all sensation.

After Manuel goes to bed that night, Alicia calls Diego and invites herself to his hotel room. As his current squeeze Josita is “getting fat and disgusting” he agrees.  Diego treats women like he treats bulls — when Alicia arrives, he smacks Josita, calls her a whore and throws her out of his room.

Josita is not thrilled with this treatment.  She recognizes the socialite Alicia, so she runs to inform her fiance Manuel of her booty call.  Manuel and Josita return to Diego’s room where Manuel plans to kill Diego with his bare hands.

Manuel and Diego begin fighting.  Josita is rooting for Manuel because of the way Diego treated her.  Alicia is ready to stick a blade in Diego for the way he treats the bulls. Unfortunately the house staff is on team-Diego and overcomes Manuel.  Josita says the men have taken Alicia to the home of Don Miguel so they hit the road in pursuit.

At casa de Miguel, Diego puts Josita in the bull ring where she is killed.  Manuel is to be killed next, but Alicia jumps into the ring.  She tears off her red dress, exposing her “naked figure” shakes it to distract the bull — the dress, not her figure.  The bull runs by her and spots Diego and his men.  Sensing that Diego ain’t no PETA member, the bull gores Diego and his men.

Manuel grabs Alicia and puts her in a carriage to go back to Madrid, presumably still naked. Well good luck on that relationship.  First Alicia is drooling over the matador, and goes to his hotel room. Then she is so fickle that she sides with Manuel in a fight because the bullfighter is cruel to bulls.

Another Spanish word Wallace might have chosen to drop in: Loco.

Post-Post:

  • First published in Spicy Adventures, April 1935.  This is the third story from that issue.  It must have been realllly good.  Or in the public domain.  Yeah, that second thing, I think.
  • Fifth consecutive story to mention step-ins.

Fear Itself – In Sickness and in Health (06/26/08)

fiinsickness0103bThe opening shots of this episode made me think of Trading Places — the orchestral score, the static shots of landmarks and objets d’art.  Sure enough, the episode was directed by John Landis.  After being hooked immediately by this, the camera settle on two insanely cute little kids.  In a scene almost never seen in movies, they are just cute, having fun and running around screaming like kids — not smarter than the adults, not sexualized, not robotic quipsters.

The adults are both occupied and pre-occupied preparing for the wedding of Samantha and Carlos that day.  Carlos is running late, but as the lovely Samantha is waiting around in her slip, I’m in no hurry for him to show up.  She is given a letter which she hopes contains money.  It contains an item not even on her registry — a note reading “The person you are marrying is a serial killer.”

She feels better after going to the groom’s dressing room and not being killed.  She does, however, ask that the “death do us part” section be removed from the vows.  No, seriously she does.

fiinsickness0107She asks her bridesmaid to point out the woman — described as tall with a red scarf on her head —  who gave her the note.  They actually see the woman outside the church, but she gets in a cab before they can catch her.  Samantha and Carlos get hitched without a hitch.  Well, until a guy starts hacking up phlegm during the always-suspenseful “if anyone objects” section.  False alarm, but well played!

After the ceremony, Samantha goes back to the dressing room to get into something a little more comfortable.  Her bridesmaids badger her about what was in the note.  After all, she has not known Carlos very long and they are worried.  Samantha shows her appreciation by throwing them out and slamming the door in their faces.

fiinsickness0108She regrets that when she starts hearing strange noises.  She ventures out in the hall which is now dark thanks to a gloved hand turning off the lights.  She runs into the preacher and he tells her that he had performed the wedding of Carlos parents.  It was memorable for reasons he won’t divulge.

At the after-party, Carlos’ uncle tells the story of Carlos’ parents.  His parents disappeared when he was 16, but we again get no details.  Samantha finally confronts Carlos and he does kind of act like an asshole.  He storms off and Samantha finds him in the church.  Turns out he thinks the note was just ratting him out about a dinner he had with another woman.  There is, however, another revelation that is well worth sticking around for.

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I hate it when people hide behind Jesus.

I am kind of baffled by the beating this episode takes in the IMDb reviews.  OK, a few of the herrings are a little too red.  And, to be honest, there is about 5-10 minutes that just don’t need to be there.  However, the performances are great, and Landis’ direction makes this into something special.

fiinsickness0119Post-Post:

  • Written by Victor Salva which puts a creepy spin on the opening scene with the kids.
  • Both Maggie Lawson (Samantha) and James Roday (Carlos) were regulars on Psych.