Army engineers are using a chainsaw to cut something from the ice in the Arctic, and that always turns out well.  They teletype their findings to the Institute of Scientific Research in DC, apparently a competitor to the United States Scientific Research Commission in DC mentioned in an earlier episode.  The narrator tells us they found something frozen in the ice, “a weird, frightening relic belonging to the very dawn of time,” just like this series.

Dr. Robinson tears the report from the teletype.  He is adamant that the object be preserved.  Dr. Avery says, “All those specimens found in Siberia were completely ruined in the excavating.”  This is as close as they get to divulging that it is a mammoth that has been found.  Whether this is an effort to build suspense or a flaw in the script, I do not know; but I have a hunch.  Because the object has been exposed to the sun, Robinson wires them back to pack it in ice and fly it back to DC.  Strangely, he adds, “And club the sh*t out of some seals and toss them in the plane, too.  Mama needs a new pair of boots!”  Boy those were different times.

“Log entry #17 . . . hour 3: Still melting.”

Zoologist Dr. Myrna Griffen joins the team when the mammoth lands in DC.  Over her objections, reporter Warren Keath also joins the group.  They observe the block of ice through a window.  Steam is piped in to melt the ice, and it is about as exciting as watching ice melt.  Keath asks what Robinson expects to find.  He says, “even though he has been dead for half a million years, his organs might still contain living material such as bacteria.”  Dr. Griffen suggests that if the specimen was flash-frozen, they might even be able to briefly revive it.

Finally, by 5 am, all the ice has melted.  The group goes to see the specimen which is  — surprise! — a mammoth.  We are 10 minutes into the episode, and just learning this.  There is no big reveal — and God knows SFT loves them some crazy orchestral stingers — so, I think they really did just forget to script that fact earlier.

Despite the all-doctor cast (even the reporter has a PhD), this is not a bright bunch.  It is described as “larger than any animal we know now” totally dissing the blue whale.  The mammoth, maybe 5 feet tall, is described as being just a year old. ^[1] OK, but one of the doctors says it will grow to 10 times its current size.  Really, like the size of the Cloverfield monster?  They actually seemed to top out around 12 feet.

And I assume this brain-trust also designed the equipment.  While I appreciate that it is not just a bank of blinking lights, why would the gauges be 7 feet off the ground so you needed a step-ladder or, fortuitously, a mammoth to read them?

They apply a “galvanic shock” to revive the beast.  Dr. Griffen has said it could only revive it for a few heartbeats so I don’t know what the point is.  After the shock, Dr. Robinson says, “Apply the oxygen”.  This is to be done with a standard human-sized face-mask.  Which 10% of the beast’s mouth will it cover?  Or was it used on the end of its trunk?  Sadly, the picture is too dark to tell, because that would have been a hoot.  It’s all good, though, as the mammoth leaps to its feet.

30 minutes later, the group is observing the mammoth through a window.  Keath and Griffen want to go into the steam-room to take pictures and maybe have a schvitz.  Robinson reluctantly agrees.  They find the mammoth to be agitated.  Aside from being revived from the dead, being yanked from Mammoth-heaven, awakening 400,000 years later to the crushing loneliness of being the only mammoth on earth, and being enclosed in a strange wood-paneled room under florescent lights rarely, if ever, found in nature during the Pliocene epoch, they can find no reason.

Dr. Griffen suggests maybe it misses its mammy.  It could be Griffen’s own maternal instinct kicking in.  She reveals to Keath that her husband and son were killed in an accident five years earlier, although that might just have been her way of saying she is available.  Just to make the beast’s misery complete, they name him Toby.

Toby begins to eat and grow, however.  This, despite that fact that the doctors calling him a mammoth is really just fat-shaming.  The doctors agree Toby can be released to an open area to live in open air.  They hire a driver to take him to a compound where he can live to a ripe old age as long as it is not the Kennedy compound.  Dr. Griffen is quite the good sport.  Seeing Toby is scared of the trailer he is being hauled in, she rides with him in the tiny trailer.  Unfortunately, the truck jack-knifes on the way.  Dr. Griffen is found unconscious, but Toby has honorably stayed by her side, not galumphing his fat ass off to lawyer-up and fabricate a laughably transparent lie about the accident to preserve his political viability. ^[2]

The accident puts Myrna in the hospital, and Tobey is moping around too. Keath visits her in the hospital and sees a newspaper headline TOBY NEAR DEATH.  Against doctor’s orders, Myrna leaves the hospital with Keath to see if Tobey is OK.  Sadly, Tobey dies seconds after they arrive.  Keath suggests Tobey died because he was unloved by another mammoth and uses the opportunity to ask Myrna to dinner.

Meh, more of the same.

Other Stuff:

• ^[1]  Nice oxymoron there:  the opposite of a jumbo shrimp = a tiny mammoth.
• ^[2] When is that freakin’ Chappaquiddick movie coming out?  I’ve been hearing about it for months.  IMDb says it is a 2017 movie, but it now has a 2018 release date.  I smell a conspiracy.  Roswell!  Roswell!  If this is my last post . . .

Son of a bitch!  Just one day after I complain about episodes that have a father and son with the same name, here come Jeff and Jeff, Jr.

We are told that Radar Operator Jeff Jamison — and we don’t know whether he is Jeff or Jeff Jr. — is an essential part of the Pecos Rocket Testing Ground.  He’s not such a big shot at home, though.  He can’t tell his wife Celia what he does at work, and he has two incredibly loud, obnoxious kids of the type I thought did not exist in the 1950s.  They want to know if the rockets he works on are as good as flying saucers.  As he is leaving for work, he meets a little girl at the door.

She is new in town and has come to meet the boys.  They should get along great because they something in common — an inability to believably deliver a single line of dialogue.  Jeff asks where she is from and she says “The 3rd planet from the sun, but as my father says, we’re all really from the same galaxy.”  Jeff retorts, “Yeah, sure,” ceding this round to the 8 year old.

At work, Jeff is tracking the “Big SAM” rocket (Surface-to-Air, although it is unclear which is big, the surface or the rocket).  He calls Dr. Conselman over to look at his radar scope.  Big SAM has been joined by two companion blips.  Conselman suggests they are cosmic clouds.  Jeff disagrees because 1) they are moving too fast, and 2) there is no such thing as a cosmic cloud. ^[1] He jumps to the next logical conclusion that they are flying saucers.

Back at the house, the kids are playing ball.  Jeff Jr. (I’ll assume, since there is no Jeff III in the cast) and Terry are using the standard tossing approach.  The new girl, Laurie Kern, has a better idea — use telekinesis.  She mangles the pronunciation, but she’s just a kid.  Then Celia also mangles it.

For his crazy flying saucer talk, Jeff is sent home.  While he and Celia are talking, they hear brakes squealing.  They run outside and see that Laurie has been hit by a car (driven by Green Acres’ Fred Ziffel).  Laurie wakes up on the Jamison’s couch and is ready to jump up.  They convince her to wait for the doctor.  Inexplicably, Jeff decides to treat her wound before the doctor arrives.  He warns her it will hurt when he pours iodine on her wound, but she doesn’t feel a thing. ^[2]  She has no pain at all from the accident, so gets off the sofa and goes home.  This is astounding to everyone; and Ziffel has seen a pig answer a telephone.

Jeff Jr. goes to Laurie’s house and eavesdrops on Mr. Kern recording a podcast (or maybe just recording on that big reel-to-reel).  He says, “The people of Earth can’t and won’t understand that our arrival from space could never be a hostile invasion.  We’re that far ahead of them.  In so many thousands of light years, we have learned to live at peace with ourselves and our neighbors in the universe.”  Yeah, but at least we know that light year is not a unit of time, brainiac.  Maybe he meant parsecs.  When Jeff Jr. sees Laurie and her father launch an anti-gravity toy, he writes “Martians Go Home” on their sidewalk and runs home.

Jeff Sr. goes to the sheriff to complain about this “Baby Einstein” who feels no pain.  He also tells about the recording Jeff Jr. heard Mr. Kern making.  Then . . . wait — why does the sheriff of Pecos County, New Mexico have a picture of J. Edgar Hoover on the wall behind his desk?  This might be the creepiest thing yet.

The sheriff says, “in this country, a man has the right to face his accusers” and suggests Jeff go see Mr. Kern.  Coincidentally, Mr. Kern then comes in to complain about the little shit who peeked in his window and vandalized his sidewalk.

Jeff accuses Kern and his daughter of being aliens.  Kern replies that he is a science-fiction writer, and they they moved to New Mexico from Chicago to help his daughter’s condition.  Brain damage has caused her nerve endings to malfunction so she feels no pain.  Jeff asks why he says they are from Chicago when his daughter says they are from the 3rd planet from the sun.  Kern tells him, “The 3rd planet from the sun is the Earth you’re standing on.”  That’s just embarrassing.  To make it worse, Jeff counts them out to himself, “Mercury, Venus . . . Earth.”

Back at home, the Jamison boys are bullying Laurie about being a Martian and having no feelings.  Jeff even throws her to the ground.  She runs home, hopefully to get a death ray.  Laurie is briefly reported missing, but is found in seconds.

Really, nothing is resolved.  I think we’re supposed to wonder whether the Kerns are aliens or just misunderstood, but that anti-gravity toy makes it pretty clear.  Also Kern tips his hand when he says advanced races would be more peaceful than savage humans.  That is straight out of the Star Trek snotty alien handbook.

Just as the ending resolves nothing, the introduction also sets up a plot-point that is dropped.  Host Truman Bradley gives a demonstration (that they admirably admit is trick photography) of teleporting a weight from one bell jar to another like Brundlefly.  He then says, “Teleportation is an important word in the story we are about to tell.”  Yeah, there is not one word about teleporting in the episode. ^[3]

Despite abysmal performances from all 3 kids, it is OK.  The premise is good, if underdeveloped and the adult actors are solid.  Commenters at IMDb are probably right that Rod Serling would have beat this story like a drum.  Sure, the cold war, xenophobia, and racism angles could have been emphasized more, but we’re just trying to have fun here.

Other Stuff:

• ^[1] Hmmm, I guess there is such a thing.  But that kind of makes Conselman’s remark even dopier.
• ^[2] I didn’t even know you could put iodine on a wound.  My parents put some orange stuff on a cut when I was a kid and the sound I made has traveled farther than Voyager.
• ^[3] You’re saying maybe Laurie teleported into the path of the car that hit her.  No, Fred Ziffel specifically said she ran in front of the car; not that she suddenly appeared.  Besides, she was playing with the boys and they would have ratted her out.
• Hair Commentary:  Celia Jamison’s hairdo was fabulous!  Laurie Kern grew up to play a one-shot character on Star Trek.  I think I only remember her because of her hair in the episode.
• Non-Hair Commentary:  Mr. Kern could easily have been a young Johnny Sac from The Sopranos.

The episode begins in the fictional town of Killbrook, PA so as to not embarrass any any real Pennsylvanians; although the citizens of Millbrook, PA might be getting some calls.  Two men go to Mrs. Peterson’s Boarding House near the Institute of Advanced Astrophysics. ^[1]  The sign outside advertises “Board and Room” so maybe some reality-warping shenanigans have already taken place.

Pliny the Elder The elderly Pliny takes a look around Mrs. Peterson’s living room.  He seems to not initially recognize a TV; but he then refers to it as “a conglomeration of mistakes” so I guess it came back to him.  He is also a little fuzzy on the concept of money when Mrs. Peterson offers them a room at “$15 a week for two, in advance.”

She is ready to throw these two oddballs out.  They ask to just stay the night so they can peruse her late-husband’s library as he had been a scientist at the Institute, and must have had many technical journals and old nudist magazines.  As they are checking out the stacks, Pliny drops what appears and feels to be a solid gold comb.  He admits it isn’t gold, and offers it to Mrs. Peterson as payment for the room and a Snickers from the mini-bar.

The next morning, Pliny and his assistant Mr. Thomas barge in Dr. Brewster’s lab.  Pliny insults their primitive equipment and says he is old enough to remember such pieces, but his assistant would know them only from books.  He admits his doctorate is honorary, but says he has information that can change the world.  He wants to give Brewster the secret of free, limitless energy.

Brewster turns them loose in the lab and they build some contraption that stuns Brewster.  Pliny says, “It’s only a model but it will actually work” so I don’t know what distinguishes this model from a real whatever-it-is.

Mrs. Henderson comes to the Institute.  She is outraged that the comb Pliny said was not gold is not gold.  She is looking for Pliny and Thomas because they owe her $3 for the room — although, at $15/week, I’m not sure of her math.  Are guests not allowed to stay for the weekend?  Dr. Brewster settles the debt by buying the comb from her.  This is really quite generous as the folically-challenged Brewster has about as much use for a comb as I do.

On the other hand, he suspects the comb is actually made of a new element which enables the infinite energy machine to operate and is potentially worth trillions of dollars.  So, way to con the widow Henderson, big shot!  Got news for you, trillionaire: to the girls, you’re still the bald guy.

They melt the comb down and fabricate the part needed for the device.  Brewster is unsure what calamity might occur when he turns it on, as it will release massive, never-before seen levels of energy.  He asks Ruth if she would like to leave, but she gamely say she will stay.  Then he tells her to turn the device on.  Rrrrright, as long as you’re here.  Brewster watches a couple of vacuum tubes light up and says “Dr. Pliny was right.  We’ve just seen the end of the Atomic Age.”

Next we see Pliny and Thomas at the Royal Scientific Academy in London.  The secretary tries to stop him from barging into the lab, but Thomas stops her saying, “Nor rain, nor hail, nor you, nor outer space can stop Dr. Pliny.”  Kinda nit-picky, but ya really need a neither before the nors.

Damn it, SFT roped me in again!  Of course, objectively, it is just awful.  The music is still riotously overwrought, and the story is as thin as Brewster’s hair.  However, every second Pliny and Thomas are on the screen, it is great fun.  The gnome-like Edmund Gwynn is marvelously odd, and thoroughly believable as a time-traveler or alien (depending on your interpretation).  Gwynn got a late start in movies, at age 43.  To be fair, that’s mostly because they were not invented — he was born just 12 years after the Civil War.  Eight years before this episode, he won an Oscar for playing Santa Claus in Miracle on 34th Street.  He is still the only actor to win an Oscar for playing Santa Claus after the Academy’s shameful snubbing of Billy Bob Thornton.

Mr. Thomas is played subtly by William Schallert.  By shrewdly waiting for movies to be invented before he was born, he wracked up an astounding 385 credits on IMDb.  He both predates and outdoes Seneca’s beard in The Hunger Games.  His Van Dyke consists of long sideburns and a pointy satanic beard, but also features free-floating hair on the cheek, not connected to either.  His slight frame towering over Pliny while being subservient make them a great pairing.

The fun of watching these two, and a better than usual transfer on You Tube makes this . . . well, I didn’t hate it.

Other Stuff:

• ^[1] As opposed to Elementary Astrophysics.
• This was the first IMDb credit for Victoria Fox (secretary at the London office).  Her second credit was 30 years later.  Way to persevere!
• What I learned:  Edmund Gwynn and Ed Wynn, not the same guy.

After the completion of the 3rd DVD set of what appeared to be random (rather than chronological or, God knows, the best of) episodes of The Hitchhiker, I had a dilemma: Fill in The Hitchhiker gaps with episodes from You Tube, finish Science Fiction Theatre, poke self in eye with stick. ^[1]

I fear there is no right answer here.  As soon as I heard the comically overwrought orchestral music of SFT, the stick started sounding pretty good (honestly, it was never going to be lower than 2nd place).  On the other hand, this appears to be a much better transfer than the episodes I watched earlier, and host Truman Bradley starts playing with magnets.  You can’t go wrong with magnets.

A volcano erupts on an island in the Arctic Circle.  Before they decide whether to evacuate the island’s military personnel, the government decades to fly in a geo-physicist from 7,000 miles away.  A nameless commanding officer summons four soldiers to his office.  He tells them their top secret mission is to fly Dr. Lewis Townsend to Dorian Air Force Base in the Arctic Ocean.  As in every 1950s SF episode I’ve watched, he will be accompanied by a young hottie.^[2]

Once the plane is airborne, the pilot goes back to check on his passengers.  He sees Evelyn Raleigh is reading one of those, whattaya call ’em, books.  He asks what it is, and she says, “This is a book on aerodynamics”.  Then she proceeds to tell him how airplanes work.  After he leaves, Dr. Townsend tells her, “As a scholar, you are brilliant.  As a woman, tsk tsk . . . didn’t you ever notice that only single women are smarter than men?”

During some turbulence, their altimeter is busted.  This is important as the approach to the island runway requires a specific path to avoid cross-winds and mountain goats.  Even worse, the other instruments start acting screwy due to a magnetic storm.  Maybe my senses have been dulled by weeks of The Hitchhiker and years of drinking, but this episode is actually pretty good.

As always, that is a relative assessment.  It is impossibly dated, the acting is that stilted early TV style, and the sets are cheap.  It is easy to say the treatment of the woman is sexist, but consider this: there is a woman there at all.  Also, she is a scientist.  Certainly, she would be treated with more respect today.  Like when I called her a hottie above.

After losing other instruments in a magnetic storm, the crew begins searching for alternative methods of navigation.  They can’t guide by the planets and steer by the stars because of the fog.  After 3 hours of flying blind, a hole in the fog allows them to see they are 500 miles off course.  Finally, Dr. Townsend says, oh by the way, I can make a compass and an altimeter.  Oddly, he also has the formula for the polio vaccine in his wallet, just waiting for the right time to spring it. ^[3]

The doctor rigs up a thermometer and boiling water to create a make-shift altimeter.  By noting the boiling point, he an calculate the air pressure and altitude.  Of course, conducting this procedure in a pressurized cabin, he would have ended up flying them into the side of a mountain.  But that’s just being churlish; this is good stuff.

The plane climbs and successfully clears the mountains.  Townsend starts talking about how wondrous the earth is.  As he drones on, Evelyn gives the pilot a lascivious look like she is ready to join the 202-degree boiling point club.  Dr. Townsend pronounces the volcano safe, but says Evelyn is ready to blow.

Not a bad 30 minutes of TV.

Other Stuff:

• ^[1] Other options:  I watched the first episodes of Friday the 13th and Tales From the Dark Side.  Both were dreadful.
• ^[2] Arleen Whelan was also in something called The Women of Pitcairn Island.  The mutineers from The Bounty have all died and the tropical island is now populated by their widows.  Now, there’s an idea with potential!  Someone should have sent that to Russ Meyer.
• ^[3] OK, the polio vaccine was discovered by Jonas Salk two years earlier, so this doesn’t quite work.

Just the excuse I was looking for!