Devil’s Due (2014)

devilsduecover01There sure is a lot of hate for a pretty good movie.  Maybe I am just too forgiving.  Of course, it has its flaws, but it also has some great scenes, things I had never seen before, and even it gave me a legitimate chill at one point.  What more can you ask from a movie?

The biggest gripe seems to be with the found-footage format, and it is sometimes pretty goofy.  Mostly it is being shot by husband Zach McCall, but there are also inserts from a police station camera, a supermarket security camera, rogue cameras installed by Satan worshipers, and the craziest — a trio of teenagers who also just happen to film everything.  There is no pretense that this footage was ever actually found and edited into what we are watching.  This is not found-footage, this is unfound-footage.  You can bitch about the presentation, or you can roll with it.  Ich bin ein roller.

In brief scenes of the wedding and the night before we meet Zach and the very cute Samantha McCall (Allison Miller).  If there is anything important here, I missed it.  We do briefly see a preacher — Bernard from Lost — who shows up later, and get the couple’s names, but otherwise, not much.  Minutes later, they are winging it to the Dominican Republic for the honeymoon.

devilsduesam02Sam has her palm read, and it goes about as well as it goes in every movie.  The reader tells her she’s had hard times, but now is happy — oh, that’s sweet; that she has no family, no past — that’s, er, harsh but factual; and, oh yeah, she is born from death!  This last bit is literally true as her pregnant mother was killed in a car crash, and Sam was cut out of her belly.  The palm reader flips out, repeating, “They’ve been waiting”, prompting the McCalls to run from the shop.

They immediately become lost after dark in the Dominican Republic which is basis enough for a horror movie.  They flag down a taxi and the driver offers to take them to a club for a drink.  Despite flying out the next morning, being tired, lost, nervous about their surroundings and freaked out by the palm reader — sure, let’s have a drink!  He takes them to a place is pretty sketchy, down dark corridors decorated in the Hostel / Saw motif.  Shockingly, they actually do emerge from this filthy trek a) alive and b) into a swingin’ club.

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Just another gratuitous shot

We get footage of them drinking, dancing,having a good time there before the picture becomes choppy and we get just brief glimpses of them being carried out of the club.  then a satanic ritual is performed on a flaming Quake II logo (because what other kind of ritual is there?).  Nixonian gap in the tape / they are back in the hotel with no memory of how they got there.  Seconds later they are back home in the US.

Either 5 minutes or 7 weeks later, Sam announces that she is pregnant.  Not sure what this guy Zach does for a living, but at about 25 he’s got a McMansion, unlimited free time, a hot wife, and no financial worries about an unplanned child.  Guy Woodhouse had to sell his soul for this kind of life.

After Sam’s first ultrasound, we start getting indications that all might not be well with her pregnancy.  In a bit reminiscent of Paranormal Activity we get a night vision shot of Sam violently grabbing Zach’s wrist as she continues to sleep.  Things get progressively weirder from here.

Part of the weirdness is in the POV.  For the first time, except briefly in the film’s opening shot, we are viewing the action from a non-McCall POV.  Now, we get several shots from security cameras of Sam shopping in the market before pausing in front of the meat case.  She pauses, takes a package and begins eating the raw meat.  Say, that is crazy — she’s is a vegetarian!

There is more weirdness, best left unspoiled.

Thank God, the cult installs hidden cameras in the McCall house to eliminate the need for Zach to be filming everything.  Coincidentally, this happens at just the moment Zach stops filming everything.  My favorite, and least practical, is the Arbogast-cam that mimics the POV when Martin Balsam gets stabbed n Psycho.

devilsduecam01

Arbogast-Cam

When Sam and Zach attend a communion service, ya just knows there is going to be a problem.  Sure enough, Pastor Bernard starts sputtering, and bleeding from the nose onto his nice clean frock or tunic or vestment or whatever it is that they wear.  He is staring at Sam, knowing that she is somehow responsible for this and will damn well pay the cleaning bill.  There is a nice blink-and-you-miss-it moment as the camera pans past Sam’s profile and she is sporting some cool red devil eyes.

devilsduesam01Later, Zach is reviewing tapes and spots the taxi driver from the Dominican Republic in the church during the pastor’s seizure.  He was not detected as being a communion-crasher at the service, which is shocking because 1) he is not the sort of Dominican they are used to seeing in the pews, and 2) not the kind of Republican either, for that matter.

He also finally sees the few frames that show him and Sam being hauled out of the club, and the flaming Quake II satanic ritual.

Zach goes to see Pastor Bernard, and shows him the symbols that appeared on the tape.  Whoops, it turns out they are not the logo for Quake II, but religious symbols heralding the return of the anti-Christs — plural.   That seems a little unfair — it should be one anti per Christ.  He tells Zach to get the hell out of his room.

Now we come to the scene that is worth the price of admission.  We cut to 3 teenagers who also have a fetish for filming.  What happens next is exhilarating.  And that’s all I have to say about that.

Actually, probably best not to even document the rest.  From this point on, the pace and chills really accelerate.

The last scene is another honeymooning American couple, this time in Paris.  They are approached by the same taxi driver.  Being another dopey camera-wielding couple, at this point, I feel they deserve whatever they get.

I rate it a 600 out of 666.

Post-Post Leftovers:

  • From the directors of the “10/31/98” episode of V/H/S, which was also pretty good.  Strangely, I don’t remember much about it except that it was good.  Maybe it just seemed good right next to the God-awful wraparound.
  • According to IMDb, there is an uncredited actor in this named Spencer Tracey.  Why would you even attempt a movie career with that name?  Can it possibly help you?  Edward Norton had the good sense not to go by “Ed“.  Might I suggest “Spence”, at the very least?
  • Just discovered that on The Honeymooners, Ed Norton’s middle name was Lillywhite.  Hate to think what it might have been in the 2005 version with Cedric the Entertainer.
  • Why does the anti-Christ have to be American?  Oh yeah — Hollywood.
  • Pregnant women are smug.

The Illusionist (2006)

illusionistcover01A Steven Millhauser twin spin!

The movie uses a flashback sequence to start in the same scene as the short story.  As a boy, Eisensheim encountered a traveling magician who performed miraculous tricks.  In the short story, he starts with coins from the boy’s ear; in the film, it is a frog, which is an improvement.

After a bit more conjuring and levitation, the wizard disappears, and by some accounts also the tree he was lounging under.  And maybe he also made off with the boy’s personality, because young Aaron Taylor-Johnson grows up to be the charisma-free star of Godzilla.

Paul Giamatti plays the role he always plays, Paul Giamatti.  In this case his character is Inspector Walther Uhl, who appears in both versions.  It is confusing to call Paul Giamatti by that other name when he is clearly Paul Giamatti, so lets just call him Inspector Giamatti.

The film and short story share the same early illusions.  As Eisenheim takes the stage, he removes  his black gloves, throws them in the air and they become ravens.  Both versions contain the Orange Tree illusion where Eisenheim plants a seed, grows a small tree and produces oranges in a few seconds.  The 2nd part of the trick has trained butterflies flying in with a handkerchief.  It is a callback to a handkerchief a volunteer gave him, but it just seems strangely separate from the Orange Tree trick part of the illusion.

illusionisttree01The film mostly stays with the source material as a large mirror is wheeled on stage, and a volunteer is taken from the audience.  Eisenheim directs the woman through a series of movements.  Naturally, the mirror image reflects those movements; until it doesn’t.  In both versions, but in slightly different ways, the volunteer’s reflection is stabbed as the actual volunteer watches motionless.  This miracle is disconcerting to the entire audience — the 5% at the necessary angle to view the illusion, and the 95% who fear they grossly overpaid for their seats.

Around this time, the film makes its biggest departure away from the short story.  True, the story as written might not have supported a feature-length film.  The filmmakers could have gone in at least two directions — playing up the fantastic elements of the story, or shoe-horning in a love triangle among Eisenheim, the Crown Prince of Austria, and the volunteer who was the Prince’s fiancee Sophie.  While still a great movie, I wish they had gone for option #1.

In the short story, the illusions get darker.  In Book of Demons, the titular book bursts into flames releasing “hideous dwarfs in hairy jerkins who ran howling across the stage.”  In Pied Piper, he causes a group of children to vanish.  When they return, some claimed to have been in a heavenly place, but others claimed to have “been in hell and seen the devil who was green and breathed fire.”  If there had been more of this, but still grounded by an abbreviated romance — GOLD!

The  rest of the film mostly plays out the love triangle which does not exist in the short story.   There is a murder, political intrigue, framing, suicide, more magic.  And mostly a happy ending.  Inspector Giamatti even turns out to be an OK guy.

illusionistjessicaThis is not the usual  blueprint for Steven Millhauser’s stories.  He frequently begins with a premise of something very big, or something very small, or something physically impossible and beats that premise to death.  But I mean that in the best possible way; examining the phenomena from many different angles, creatively tackling the implications.  It might be a town that maintains an exact duplicate of itself, women’s dresses that are as big as houses, paintings that seem to move, or an illusionist with who performs impossible feats.

The premise is the thing for Millhauser.  You don’t go in looking in for a love triangle with the Crown Prince of Austria.  I hope to cover more of his work later.

Post-Post Leftovers:

  • On Amazon, this is categorized as Movies & TV > Blu-Ray > Romance.  Such a lost opportunity.
  • Sophie’s name is mentioned exactly once in the short story.
  • Although in both versions, Eisenheim is clearly performing impossible feats, the short story makes more of a case for the supernatural.  The Orange Tree illusion, however, actually has an historical basis, even if it was tarted-up with the trained butterflies.
  • I read this in the collection We Others: New and Selected Stories.  I am happy to support the arts, but putting out a collection of 21 short stories where 14 have been previously collected is just effectively forcing me to pay 3 times as much for the new material.  Well, not forcing exactly, as I actually set foot in a public library for the first time in years.  Sorry, Steve-o.
  • And don’t get me started on the trade paperback scam.
  • I don’t generally give actors much credit for their craft, but you can pretty much depend on Edward Norton to be great in anything he does.
  • Handkerchief is a strange word; it is literally a hand kerchief.  But a kerchief is specifically defined as being a woman’s scarf.  It is one of those strangely literal words like fireplace that say just what they are with an almost caveman simplicity.  Ummm . . . . fire . . . place!

Nurse 3D (2013)

nursecover01There’s a lot of goodness here, but it is loosely packed.

No time at all is wasted in introducing Abigail Russell.  She lures a married man up to the roof, and cuts his femoral artery.  She explains how she is actually doing his family a favor so they won’t have to tolerate his philandering shenanigans; then pitches him over the side.  The surreal shots of his plunge and vivid subsequent 3D-friendly impalement on an iron fence set the tone for the movie.

The setting is further emphasized by the credits which rock out grindhouse-style over pulp covers featuring drawings of the main cast.

Maybe (but only maybe) this not-quite-reality enables Paz de la Huerta to pull off her role.  Because in the harsh light of the real world, this is not a hot nurse.  Also, not much of an actress.  But ya know what?  In this movie, I was willing to accept her.

Everything about her is jarring.  Her line readings are as stilted as C. Walken, but to less effect.  Her body, though great, is certainly unusual in its angles and lankiness.  It is also specifically clothed (or not) to achieve a certain effect. Often slutty to the point that she would be arrested around decent folk; sometimes with nothing below the waist — still a rare enough sight in movies to change the vibe of a scene. Her face is like one of those sculptures that must be turned at a precise angle to cast a shadow of something entirely new — the beauty is there, but holy crap do you have to use precision instruments to find it.

Also clearly not from this world is Katrina Bowden playing Danni, a new nurse and Paz’s protege. She is beautiful in every way that Paz is not.  But she could never have played the titular Nurse 3D.

On her first day on the job, Danni freezes at the sight of a badly injured patient.  After getting chewed out by Judd Nelson, she goes to the shower for a good cry.  Sadly, all realism is forfeited in this scene by having Danni take a shower in her panties.  Another way she is the anti-Paz.

nurse01It soon becomes clear that Paz is on a crusade to rid the world of men who, like her father, are non-hackers who do not pack the gear to serve in her beloved reality.

This includes Danni’s psychiatrist step-father who they see out with another woman.  Abby quickly insinuates herself into his life as a patient.  She then seduces him by walking in front of his car in a very shear white dress (and frankly looking a little like a tranny).  Maybe he digs trannies — different strokes (weird, weird strokes), and they are soon making out in the car.  She then jabs him with a syringe to paralyze him.  Abby puts the car in reverse, bails, and lets it back slowly out of the cozy ally they had pulled into.  Fortuitously, a huge truck rams the car, killing him.

There is another murder that I won’t reveal.  OK, it was Bender.

Soon thereafter, Danni arrives at the hospital to stop Abby.  The film then really goes into full action mode, and also steps up the obvious 3D-whoring effects.  Lots of girlfighting, some interesting kills, maybe even a surprise.

The ending ultimately plays out a twist revealed earlier, and capitalizes on yet another over-the-top cartoonish character introduced earlier.  But, again, it worked for me in this hyper-world.  This is the only time you will see one of these here, as it actually relates to the final scene:

🙂

Post-Post Leftovers:

  • Douglass Aarniokoski <> Darren Aronofsky.
  • It is strange the emphasis that is put on Abby’s vendetta against bad husbands & daddies for the first 2 kills, plus in a flashback to a formative trauma in her childhood.  After that motive is established, the film really forgets it and focuses on her obsession with Danni.
  • I have seen one of Aarniokoski’s other pictures — The Day.  I remember almost nothing, but gave it 3 stars on NetFlix.
  • Writer David Loughery was one of the writers on Star Trek V, so this is clearly a step up.  At least no one is singing “row, row, row, your boat.”  The life of a screenwriter must be bizarre.  He had some high-profile movies, a gap of 13 years, then a few more.
  • Trying to think where else I’ve see these kinds of purposely over-the-top performances.  So far, just coming up with Raising Arizona.  Anything else N. Cage did, I don’t think was on purpose.
  • In another scene later, she does it again!  C’mon!

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Netflix xilfteN

There has got to be a reason for this.

xilften03Yes, they are in 2 different districts, but surely it would be more efficient to have them all open on the same side.  Soon, some MBA will see that .05 seconds can be trimmed off the handling time and ensure carpal tunnel for everyone.

Or maybe having x% of the envelopes open on the opposite side actually helps prevent carpal tunnel.  Now that’s a corporate idea that would impress me.

The Depraved (2011)

cover01Also known by the better, but oddly singular title Urban Explorer; on the other hand, The Depraved sounds oddly plural even though it’s really only one depraved guy.  The victims are mostly normal people that you don’t hate immediately — a rarity which earns this film an extra star immediately.

We start off with a few quick shots of Berlin that don’t really establish anything other than the location, and are strangely framed.  We see the Fernsehturm Berlin, the Brandenburg Gate, and one shot of some random graffiti (with a branch in the foreground that is, as an artistic choice, roughly equivalent to a boom mike in the frame).  We meet the first two explorers in a cafe with some really bizarre dialog:

Marie: Are you sending a love message to your boyfriend?  Juna (smiling):  My boyfriend?  He committed suicide.  Marie (concerned):  Suicide?  Juna:  I hope so!

Juna notices that Marie has a camera to document the night’s adventure.  To the relief of most viewers, it is not a hand-held video camera.  To the relief of Nikon, it is a Canon.  Juna grabs a waiter, plants one on him, and suggests that Marie take a photo to send to her boyfriend.  OK, you do kind of hate Juna immediately.

Next we meet Denis and Lucia sitting on top of an abandoned car, waiting for the others to join them.  Lucia is shocked, shocked that Denis did not tell her the other two were women.  Finally, their guide Dante arrives.  He leads them through a club to the portals of the underground.

selfie01For dubious reasons, everyone is going by a nickname.  Luckily the characters are few and distinct enough that it is easy to keep track of 1) real name, 2) nickname, and 3) nationality (as they are all from different places).  But having the Asian girl not be the one nicknamed Haiku is just tricky.

Dante is going to lead them to the Fahrerbunker where Hitler’s chauffeurs hung out.  He promises lots of interesting artifacts, wall-drawings and graffiti.  The government has sealed it off because they don’t want Neo-Nazis enshrining it.

There is a dust-up with a couple of musclekopfs that really amounts to nothing.  It does at least emphasize that there will be dangers other than rats, bats, eels and crumbing infrastructure.  Not sure how bats are getting into this sealed catacomb, but it was nice to see them.

During a rest break, Dante tells them about the Reichflugscheibe which is supposedly a spacecraft built by the Nazis.  Experiments were conducted on the crew.  They eventually went mad and turned on the doctors.  And some say they still roam these tunnels to this day . . . BWAH-HA-HA!!!  Dante actually seems to believe this as a reason for the extensive tunnel system.  It’s a German-thing, he explains.

naziart01After viewing the Nazi art collection & gift shop, they start back.  Dante is the last one across a thin metal beam crossing a chasm, looking like Indiana Jones in The Last Crusade.  Fortunately, the Grail Knight did not pop a flash in Indy’s face causing him to fall to certain death (although, he would have earned a place in heaven for sparing us Indy IV).  Sadly, Marie goes full-paparazzi, sending Dante south to the next level of Hell.

Marie and Juna go to get help as Lucia and Denis try to help Dante.  This where the fun would start in most movies, after slogging through 40 minutes of set-up.  But kudos here for making it so interesting up to this point with great atmospherics, a couple of chills and Nazi UFOs.

A new character drops in — literally — rappelling into the pit (because apparently everyone but me can rappel like Reinhold Meisner).  Naturally, he throws a scare into Denis & Lucia; when it appears to be Ron Perlman, he throws a scare into the audience.  This does not portend good things, but luckily it turns out to be Klaus Stiglmeier (who we hope is not known as the German Ron Perlman).

armin01Not-Ron-Perlman turns in a great creepy performance, capped by a stint as the least believable conductor in history.

The rest of the film plays out with twists, chases, suspense — everything you could hope for.  By now, it is almost impossible to come up with anything new.  It is enough to just just tell your story in the best way possible.  The Depraved pretty much pulls this off.  Recommended, just be prepared for Martyrs-like gore.

Post-Post Leftovers:

  • There are several DVD covers online under the original title, but only one has the plural.
  • Fernsehturm Berlin sounds impressive until you realize it is basically a TV antenna.  It ain’t the Burj Khalifa.
  • China, ahead of us again — now building new abandoned cities.
  • Ron Perlman seems like a good guy, but man, he is a bad movie barometer of Chevy Chasian proportions.
  • I had bookmarked a lot urban archaeology sites & posts over the years, and mostly never returned to them.  Ironically, I now find there is a large number of abandoned sites of the web-variety also . . .  fantasticdegradation.com, abandonedbutnotforgotten.com, historicdecay.com, and others.  RIP, see you soon!