“Ethernet doesn’t have a valid IP configuration.”  What the hell?

Russell Collins and Ralph Meeker — two men truly obnoxious in very different ways. Meeker was an oily and unctuous clothing salesman in Total Loss.  Here he shows his range by portraying an oily and unctuous car salesman.  Collins was an unbelievable sourpuss in Mrs. Herman and Mrs Fenimore.  Here . . . well actually, he is a decent old guy here; except for the betrayal, blackmail, and covering up a murder.

A trio of college boys drive onto Meeker’s used car lot.  They are looking for a wreck they can use in a carnival to charge people 2 bits for 3 whacks.^[1]  Unfortunately, rather than offer up old man Collins, Meeker charitably tells them he’ll try to have a car for them Friday.

Meeker has called Collins “Dad” several times.  However, when Collins’ wife shows up with his lunch, it becomes clear that Collins is not his father and the woman is not his mother.  That kind of pointless obfuscation always bugs me.  Collins is worried Meeker might sell the lot, but Meeker says, “I’ll take care of you.”

The next day, Meeker’s wife Dorothy stops by the lot.  After dissing Collins, she tells Meeker she wants to go to New Zealand to visit her cousin.  This, the day after their expensive anniversary party.  He tells her to cancel the trip.  After she leaves, he bravely says, “I’ll get her a one-way ticket right out of Cape Canaveral!  Zoom!” ^[2]  To the moon . . .

“Ethernet doesn’t have a valid IP configuration.”  Seriously, what the hell?  My wi-fi works.

Meeker goes home at lunch to prevent his wife from going to their club and blabbing about New Zealand.  While he is changing clothes, she darts out and steals his car.  Knowing the car was running on empty, Meeker gallantly takes one of his used cars to rescue her. Seeing her out there on the side of the road in her mink stole is just too tempting.  He runs her down; we don’t see her hit, of course, but we do see him get an gratifying bounce as he crosses her dead ass.

Meeker goes back to his house and tells Dad he did not see Dorothy, but did accidentally run someone down.  Why more pointless obfuscation?  Even a Washington journalist could connect those dots.  He tells Dad to take the car back to the lot, and expects him to back his alibi that he was there all night.  He shows Dad the busted headlight and tells him to get it fixed.  “If you take care of this, Dad, I’ll take care of you.”

The cops show up at the lot, followed seconds later by the college kids.  Seeing a chance to get rid of the deathmobile , Collins cleverly sells them that for $50 instead of the wreck Meeker had set aside for them.

The cops tell Meeker they estimate his wife was knocked about 30 feet into some shrubbery.  They checked the tire tracks, but naturally they did not match Meeker’s car.  Collins backs up Meeker’s alibi to the cops as we see — in a beautiful composition — the college kids driving the car out behind them.  Meeker is all smiles when Dad tells him of the ploy.

That night at the carnival, Dad and his gal Kitty go to see rubes paying to take whacks at the car.  Meeker sees Collins and Collins informs him that they are partners now, that a man his age has to look out for himself.  They both see the cops come in, and Collins assures Meeker he never said a word.

They nab Dad.  After all, he was the one that sold the evidence — a $500 car — for $50 and insanely low APR so some college kids could whack it into junk.  Pretty fishy.  The cops haul Dad away and Kitty comes out of the tent looking for him.

This is where things get confusing.

Kitty is all smiles and says Dad has been a good husband all those years.  She says to Meeker, “That headlight you asked me about today, I never asked him why he had it hid.” She looks around.  “I  get so nervous at night if I can’t find Dad.”  She takes Meeker’s hand and says, “Will you take care of me?”

Kitty’s cheery attitude baffles me.  Does she know that Dad was just hauled away to what will certainly be life in prison if the sentence is more than six months?  They seemed like such a happy old couple.  It makes no sense for her to be so chirpy.

If she doesn’t know Dad was just taken away, why is she slyly bringing up the hidden headlight?  And why is she so chirpy?

What’s with the  “I  get so nervous at night if I can’t find Dad” and “Will you take care of me?”  The second part must a veiled threat, but why make herself appear vulnerable? He’ll just bonk her on the head, strip the house and destroy the evidence.  After all, he is a liar, a murderer, and a used car salesman.

If you concentrate on the ending they were going for rather than what they actually put on the screen, this is a better episode.  Russell Collins, who I despised before as the bitter old crank was pretty likable here.  Acting!  Meeker’s smarmy salesman shtick is effective, but does he ever play anything else?  Acting?  I especially like the repeated use of the title as it took on different meanings.  There were some great shots, and the college kids and carnival were given more character than I would expect in a 30 minute show.

Great stuff.

Post-Post:

• ^[1] I’ve witnessed one of these events — you have to be Conan to make a dent in those old cars.  Also, the price later goes up to 4 bits.  Soon people would be bashing American cars for free; and rightly so.
• ^[2] I wonder what viewers thought of that.  The Mercury 7 would be chosen the next month.  The first man wouldn’t go into space for 25 months; the first free man 2 weeks later.
• AHP Deathwatch:  Richard Evans, one of the college kids, is hanging in there.  Another, James Westmoreland just died this year.

Mort and Jocelyn are working in an office.  We know it is olden times because she is using an adding machine the size of a 30 pound turkey and smoking in the office, although sadly not smoking the turkey ^[1].

Mort has worked out by hand that his share of the profit is $705.  Jocelyn corrects him to say his share is only $505.  She accuses him of accusing her of trying to cheat him.  She checks his figures and says, “You’ve got a seven instead of a three in the 2nd column.”  How that could result in a $200 difference, I can’t see. ^[2]

She says she doesn’t know why she went into business with him, and he says he regrets letting her buy in.  She loaned him money when no one else would, but at an astronomical 10% because she had a big heart.  He zings her, “You mean that adding machine below your ribs?”  She explains, “Shut up!”  Then she strips naked.

Wait, thank God, she only strips off her dress and remains in a slip.  I can imagine this was quite a shock in 1959, and it actually startled me today.  The married couple walk out the door of their home-office and march up the stairs to bed.  The insulting and sniping continues.  They crawl into their respective twin beds and pull the covers up to their necks.  Jocelyn’s idea of pillow talk is, “You’ll never get a cent of my money.”

That night, Mort hears a noise downstairs.  He surprises a 54 year-old burglar.  Are there any 54 year-old burglars?  I like to think they’ve all been shot much sooner than that. The burglar asks to see the silver-ware, then rejects it as junk when he sees one of the utensils is a spork. He has a bigger plan in mind, though.

He tells Mort about a job he pulled recently.  The homeowner stuck the insurance company for $5,000 more than the items taken, so everyone was a winner.  You know, except the poor saps whose premiums are raised to cover such fraud.  Playing on Mort’s pride in being a businessman, the burglar suggests a similar arrangement.

Unfortunately, the house is full of junky silverware, cheap art, fake jewelry and glass crystal.  However, there is something even more worthless in the house — his naggingshrewofawife (which is such a stock character on AHP, it should be a single word).  The burglar says he can make that problem disappear.  They haggle and agree on a price of $3,500 to kill her.

No time like the present, so the burglar goes upstairs and enters the couple’s bedroom.  After a few minutes, Mort goes up and finds that the burglar has already suffocated Jocelyn with a pillow.  He offers for Mort to “check her yourself.”  When Mort leans over, the burglar conks him on the head with a pistol butt and suffocates him.

Jocelyn opens her eyes and they have a good laugh.  She had hired the burglar for $5,000 to go through this whole routine.

A nice little story.  The reveal of them as a married couple was slightly telegraphed — nobody on AHP bickers like that except married couples.  But Jocelyn tearing off her dress was effective even if not particularly at all sexy.  The gem in the story, though, is Eddie Foye Jr. as the burglar.  Much of the episode is simply him and Mort talking.  Foye has such a funny and disarming — even though armed — style of delivering his lines, that it is a pleasure to watch.

I rate it the price is right.

Post-Post:

• ^[1] FWIW, I had smoked turkey last Thanksgiving, and it was awesome.
• ^[2] I didn’t initially see it because it was clever.  The error was probably $400, so his 50% would be $200 off.  I appreciate them taking the time to make small things work out.
• In a strange coincidence, Mort is played by Allyn Joslyn.  His wife in the episode is named Jocelyn.
• June Dulo (Jocelyn) went on to be Murray the Cop’s wife Mimi in The Odd Couple.
• AHP Deathwatch: No survivors.

We open with a tight shot of a check.  What can we deduce from this?

1. A 50 pound check was written by Felix Manbridge to his son John Manbridge .
2. John Manbridge has hauled this unwieldy check from Felix Manbridge to the Townbridge Branch.  They are in London; probably near the bridge.
3. It is 1930; Felix has foolishly purchased check stock with “19__”  pre-printed which will be obsolete in 70 years.

After actually watching for 5 seconds, I see my errors.  The check didn’t weigh 50 pounds; WTH was I thinking?  However, I had no way of knowing that John forged his cousin Felix’s signature.  He explains, “You needn’t blame me for that.  I wouldn’t have done it if I’d had any alternative!”  He is now back to shamelessly ask for another £100.

Felix tells his parasitic brother that he simply doesn’t have the money.  I believe he is sincere, but coming from a guy in a snappy three-piece suit, sitting in the mahogany-walled library of his country home, being attended to by a butler, I can see how John would be dubious.  On top of that, Felix says he is very ill and John will soon inherit everything anyway.  So no reason to murder him, nosiree . . .

Felix warns John that if there is another forgery — just one more little felony — he will prosecute.  Denholm Elliott must have specialized in portraying this kind of upper class leech.  In The Crocodile Case, he murdered his girlfriend’s husband and assumed his comfortable life ^[1].  In The Coffin, he constantly sponged off his brother ^[2].  Indiana Jones was wise to keep him away from that Crystal Skull.  Or maybe his agent was wise to keep him away from it. ^[3]  He leaves in a snit, complaining that this was a waste of his time.

Like any responsible broke bloke, his first stop is at the bookie.  He finds the odds never in his favor, but really just stopped by to see if the bookie had cashed the check “from Felix” he gave him yesterday.  Sadly, it was deposited and will soon be bouncing back the bookie’s way, causing Felix to call the coppers.

Like any responsible broke bloke, his second stop is at the pub.  This time it is just to make an appearance to establish an alibi.  If only he worked this hard at getting a job.  He trots down the road in his nice shoes, three-piece suit and gloves to where he stashed a bike to throw off the timeline.  He ditches the bike in a pond near the house and continues on foot.

Through the window, John sees Felix has understandably dozed off listening to the most boring radio show in history not airing on NPR — a lecture about life insurance and actuarial tables. Getting no answer at the door, he knocks on the window. Felix does not respond, so he opens the window and climbs in.  Felix still doesn’t move, so John takes this opportunity to poke him in the head with a fireplace whacker; no wait, to whack him in the head with a fireplace poker.

In his dead brother’s pocket, John finds a check made out to him for £100.  Awww, what a softy the old guy is; especially around that bloody spot on his noggin.  For some reason, John burns the check — the one piece of loot he actually is legally entitled to.  John dumps Felix out of the chair and ransacks the library to make it look like a robbery.

He then doubles back to make it appear he just arrived.  A constable is biking by as John is rapping on Felix’s door.  I guess the police don’t get guns or cars in England.  The constable walks around to thewindow and sees Felix on the floor.  He climbs in, checks the body and goes through the house to let John in the front door.  The constable tells John he doesn’t know what happened, then produces a suicide note signed by Felix.  This guy is not detective material.

The 2nd half of the episode is a real detective trying to makes sense of the crime scene.  Both the writer and John Manbridge did fine jobs of planning the crime, establishing an alibi, and enabling the detective to deduce his way to the truth.  Elliott’s performance made the first half and the unraveling of the story made the second half.  I can’t bring myself to spoil it.

Despite being pointlessly set a long time ago in a country far, far away, this was another great episode.

[UPDATE] Going back in for pics, I realized I had missed some awesome foreshadowing when John read his brother’s suicide note.  Bravo!  Just great stuff!

Post-Post:

• ^[1] Until he was sent to prison for murder.
• ^[2] Until his brother murdered him from beyond the grave.
• ^[3] Or maybe he had been dead 15 years.
• AHP Deathwatch: No survivors.