Ray Bradbury Theater – And So Died Riabouchinska (S2E12)

bradbury02The same short story served as the basis for this episode of Ray Bradbury Theater in 1988 and an episode of Alfred Hitchcock Presents in 1956.  Good omens: it was still considered viable 30 years after AHP, and 40 years after it appeared as a radio drama on Suspense.  Bad omen: it is not in the 100 Celebrated Stories collection (but then, neither is The Sound of Thunder or The Veldt).

No matter the pedigree, this is another turd.  Maybe I was biased by watching the far superior American AHP version first.

Detective Krovitch is called to investigate the murder of Mr. Ockham.  The prime suspects are ventriloquist John Fabian, his wife Alyce, and his manager Douglas.  Fabian taunts Krovitch by speaking through his puppet Riabouchinska.

Alyce says she married Fabian for love, but the best part of him was only realized through Riabouchinska.  She makes no secret of the fact that she was driven to an affair with Douglas.

The detective theorizes that Ockham knew of their affair and blackmailed them, resulting in his murder.  Alyce says that is crazy because Fabian knew of their affair  So yet again after Three’s a Crowd and The Dead Man, we have a man who seems OK with his wife having an affair.

rbtriabouchinska02Krovitch later seems to think he has discovered something incriminating by producing a poster of Fabian with a different puppet, and another poster of a ballerina named Illyana that resembles Riabouchinska.

Fabian admits that he one time saw Illyana dance and fell in love with her.  They were lovers, traveled the world.  After a quarrel, she ran away and disappeared.  To get her back, he created a doll in her image. Well, not to get her back, but to replace her.  Literally.

From inside her box, Riabouchinska says they began receiving letters from Ockham blackmailing Fabian, threatening to expose Fabian.  The puppet completely rats him out and makes a fool of him.  Wow, she is just like a real woman!

During their quarrel, she helpfully says, he actually struck Illyana and killed her.  In a jarring edit, Illyana is splayed out dead on the steps in the past.  When Fabian rushes to her and picks her up, it is Riabouchinska that he cradles in his arms in the present.

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Alfred Hitchcock Presents version with Charles Bronson and Claude Rains.

Disgusted that he killed Ockham, Riabouchinska devolves silently into just another still wooden puppet.  Heartbroken at losing her twice, he goes with the detective.

This is nearly unwatchable, especially when compared to the AHP version.  Hitchcock’s version was superior in both story and performances.  Charles Bronson played Krovitch and Claude Rains played Fabian.  Rains especially was excellent, truly selling the idea that he was a ventriloquist.  His motions creating the puppet and the very slight movements of his lips as he spoke through her seemed very authentic and kept the episode from drifting off into TZ territory.

Maybe this European RBT cast is beloved over there, but I found them dull and their accents were often indecipherable.  And at the risk of being cruel, Alice in the RBT version has a very distracting mole.  I mean really very distracting.

Even the puppet was far better in the original.  AHP’s version had delicate features and actually somewhat resembled the ballerina it was modeled after.  Maybe AHP had an advantage filming in B&W, but the RBT version really just looked like a tarted up whore.  To the ballerina’s credit, it did not even look like her.

Surprisingly, the 1950’s story is edgier.  In the AHP version, Riabouchinska says Fabian did not kill Illyana.  He did, however, still murder Ockham to keep him from telling the world of Fabian’s man-on-puppet sexual fetish with Riabouchinska:  The love that dare not speak its name without moving its lips.  Kind of extreme for the 50’s, if the audience ever thought it through.

But Hitchcock is the guy who would introduce the country to an incestuous transvestite serial killer in 4 years, so par for the course.

Post-Post:

  • AHP Deathwatch: No survivors.
  • In the AHP version, the voice of Riabouchinska is Virgina Gregg who also provided the voice for another stiff, Norma Bates.
  • In both versions, Fabian’s puppet before Riabouchinska was named “Sweet William.”  Think what you will, haters.
  • Riabouchinska is such an unusual name, I have to think Bradbury borrowed the name of the Russian ballerina Tatiana Riabouchinska.  If I never have to type that name again, it will be too soon.
  • Sadly, I was unable to work in an Ockham’s razor reference.

 

 

Alfred Hitchcock Presents – The End of Indian Summer (S2E22)

ahindiansummer01We learn 3 things from this first frame:  1) The episode is about the scarily named Triumphant Insurance Company.  2) Its symbol is a sack of money — more likely theirs than the beneficiaries.  3) That phone is juuuust about to fall off the desk.  None of this matters as the insurance company does not turn out to be the bad guy, and the phone does not fall.

Misdirection or mis-direction?

Joe Rogers is in a little hot water for selling a $50,000 life insurance policy to Ms. Gillespie who has already buried 2 husbands with similar policies in the past  years.  His boss orders him to check up on Ms. Gillespie and see if she seems like a killer or just really unlucky.

Rogers, with his wife as camouflage, goes to a realtor’s office and asks about the ol’ Gillespie house.  He says it is not on the market, but that she loves showing it off to complete strangers.  Sure enough, she does give him the grand tour.

She talks about her two dead husbands until she surprises Rogers by introducing a visitor as her new fiancee.  Back at the hotel, Rogers gets a telegram telling him that Ms. Gillespie has taken out another $50,000 policy on her new fella.

Concerned that the old man is walking into a buzz-saw, he rushes to the ol’ Gillespie place to warn him.  Gillespie and her fiancee have already left to be married and go on their honeymoon.  Another man who Rogers has seen around town arrives at the house.

Finally, the two men talk.  Turns out the fiancee has buried three wives, and the other man is an investigator for another insurance company.  So it is just a waiting game to see which one kills the other first.

Not much going on here, no interesting visuals, no salacious subtitles.  Just an OK placeholder episode.  Actually the first frame was the most interesting of the episode.  That phone bugged me the whole episode.

Post-Post:

  • AHP Deathwatch: Only Mickey Kuhn (the Bellhop) is still hanging in there.  He is one of the few survivors from Gone with the Wind.  He increased his odds by wisely being only 7 when it was filmed.

Alfred Hitchcock Presents – Number Twenty-Two (S2E21)

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Wipe that smirk off your face, punk!

Coppers are chasing a ne’er-do-well through an alley.  The young man, with a big smile on his face, seems to be taking this as a real hoot, daddio.  Ultimately cornered on a fire escape by the police, he gives up.  The punk with the smirk is Rip Torn, although so young here that he is unrecognizable.

He is pretty proud of himself over his crime-spree of a single robbery.  Of an old man.  In a candy store.  With a toy gun. Lest you underestimate him, he did slug the geezer with the toy gun.

He has a big smile the whole time he walks down the cell-block to his new home.  These are just temporary holding cells, but these are some of the best dressed criminals I’ve ever seen — suit jackets, ties, a nice fedora.  This is the anti-Oz.

He gets to his cell and meets his new roomie, an old man named Skinner, who has clearly been here before.  When Torn finds out he will be photographed for the mug shots, he gets excited.  Will reporters be there?  Will he get his picture in the paper?  Having his priorities straight, he is hoping to impress the “big shots” back at the pool hall.  However, he does worry that the papers will spill the beans that his gun was only a toy swiped from a 5 & 10 (The Dollar Store before inflation).  Wow, guess that really was a spree!

ah2207

Forced perspective trick now used by Tom Cruise.

Torn and Skinner are taken to a line-up where they are questioned from the back of the room by a man with a microphone.  Skinner and Torn are kept for additional questioning.  During the bonus round, Skinner claims not to remember anything in answer to all their questions.  Doesn’t remember last time he worked, or anything about the crime.

Torn continues to take it all as a joke until the detective tells him the old man he slugged in the candy store sustained a cracked skull and died.  That’s murder, baby!  Although, that must have been some toy gun to fracture his skull.

This is a pretty slim story.  The big final twist here is the standard plot point we would expect at the end of the first act in a contemporary crime show.  Maybe it was shocking 60 years ago, but I expect better from Evan Hunter.  Credited with the story, he also wrote the screenplay for The Birds and the 200 87th Precinct novels.

I rate it 8 out of 22.

Post-Post:

  • AHP Deathwatch:  Rip Torn and Martin Wilkins are still with us.  Although with a 1905 birth year, I suspect Wilkin’s bio might need updating.
  • AHP Proximity Alert:  Ray Teal was just in an episode 4 weeks earlier.
  • Would it have killed them to delay this one week and make it the 22nd episode of the season?
  • Alfred Hitchcock directed movies titled Number 13 and Number 17.  I like to think that if he had directed this episode, he would have renamed it Number 23 just to keep the prime number theme going.  And would have delayed it two weeks.
  • Hmmm, just noticed that there is already a movie named The Number 23.
  • And then there is this strange piece of business.  The man below does not seem to be drunk or stoned.  He does, however, have a snappy haircut and a stylish blazer-over-t-shirt that Miami Vice would not popularize for another 25 years.  The only thing I can think of is that they are hinting at some gay-related crime, but that would be pretty bold to put on TV in the 50’s.

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Alfred Hitchcock Presents – Malice Domestic (S2E20)

ahbabysitter03Carl and Annette Borden are at a going-away party for career girl Lorna.  She is moving to San Francisco and leaving her enormous dog Cassandra with the Bordens.

The Bordens have their friend Perry over for dinner.  Carl has stomach pains which Annette oddly attributes to strawberry shortcake.  In the kitchen, Carl doubles over and calls an ambulance.  His doctor agrees that it could have been the strawberries in combination with some other rich foods.  Not since The Caine Mutiny have strawberries been involved in such nefarious events.

The next day, Annette finds Carl passed out on the floor of her studio.  The doctor later determines that he ingested arsenic.  Although, it could have been that big-ass bong Annette is making.  Both times he has taken ill, Annette prepared the meals.

He throws the doctor out at his implication of Annette.  He looks through the studio and notices some of the paint is made with arsenic.  When Annette offers him some juice, he reluctantly drinks it.

ahpmalice02

My God! Look at the size of that bong!

They decide to take a vacation.  While Carl is packing the car,  Annette drinks from the wrong coffee mug, and Carl finds her dead on the floor.  Having established himself as the victim, it is easy for everyone to believe that Annette accidentally poisoned herself.

Quick cut to Carl in a car with Lauren and Cassandra explaining how he pulled it off.

The episode doesn’t play completely fair, but it gets the job done.

Post-Post:

  • AHP Deathwatch: No survivors.
  • Phyllis Thaxter played Ma Kent in Superman.  The good one.
  • Not sure what’s going on with that title.  It kinda seems like Latin for “evil in the home,” an approximation of Hitchcock’s description of his series.  But it also sounds like a breed of dog.  Or cat.
  • John Meredyth Lucas wrote the Star Trek episode where they went to the Nazi planet.  That episode starred Skip Homeier from Momentum.

Alfred Hitchcock Presents – Bottle of Wine (S2E19)

ahbabysitter03My God, the talking!  This is a talkie one.  This  one has more chit-chat than a season 4 Twilight Zone.

Grace Connor has come by to pick up her clothes.  She had been married to Judge Connors for 10 years.  He says he met Grace when he was 54.   If we use the actors’ birth dates, she is 41 years younger than him.  Hmmmm.

While she is packing, The Judge invites her new fella Wallace into the house.  He opens a bottle of sherry, and proposes a toast to Grace.   The Judge drones on about his old schoolmates Socrates and Aristotle.  No wonder Grace is bailing on him.

After a few drinks, The Judge convinces Wallace that he has been poisoned and locks him in a room.  He makes a point of saying the sherry is an Amontillado.  I suppose getting him drunk and confining him in the room is a nod to the Poe short story.  But this time, Fortunato is pissed!

ahbottlewine02

Yikes!!!

As Wallace panics, The Judge uses his pleas to show Grace that she is leaving him for a coward — a 40 years younger, muscular, better dressed, handsomer, more interesting coward with a full head of hair.

Panicky Wallace then shoots his way out, hitting The Judge.  He tells Grace The Judge poisoned him, but she points a couple of circumstantial reasons why that is unlikely.  He accepts this flimsy evidence a little too easily when a stomach pumping would have been prudent.  He realizes that Grace now sees him as a coward.

Post-Post:

  • AHP Deathwatch:  Congrats to Robert Horton, still hanging in there at 90 years old.
  • AHP Proximity Alert:  This is Robert Horton’s 3rd appearance this season.
  • Sterling Silliphant wrote 11 AHPs as well as the screenplay for The Poseidon Adventure.