Trancers (1985)

trancerscover0220 horror movies for $5; what could possibly go wrong?  Part III.

Another title that prompted my $5 investment in this package. Like Prom Night, I had heard of this one, but had no knowledge of it, good or bad.  It just seemed like one of those Up All Night denizens that I never saw.

The scene opens in a hazy and heavily neoned 2247 where Jack Deth tells us he finally “singed” Martin Whistler on one of the rim planets.  Now he is hunting down the rest of his murderous cult, the titular Trancers.  In a diner of the future which still looks as much like the 50s as they did in the 80s, he dukes it out with an elderly waitress who turns out to be a Trancer.  Soon she is a dead Trancer as he kills her and we learn that they disintegrate when killed.  Hence the “singeing” of Martin Whistler.

As in every anti-hero cop movie since Dirty Harry, the “suits” don’t appreciate his zeal for his job, and he ends up tossing away his badge.  As in every anti-hero cop movie since Magnum Force, he gets right back on the job.  His boss tracks him down at the beach where he is treasure hunting.  Not sure whether this was due to a war, or climate change, but LA (now called Angel City) is mostly underwater.trancers02a

While this is a pretty bad effect, that’s OK by me in a low-budget movie.  If you’re paying Matt Damon $20M to star in some sci-fi joint, those effects better be awesome.  If you’re scraping by just trying to get your movie finished, I’m willing to meet you half way.  Of course if Matt Damon is in an indie phase and works for free, I’m out again.  Just not a fan.

His boss, McNulty, tells him that Whistler is still alive, so Deth agrees to talk to the council which runs things now.  Whistler has already killed one of the members, and fled to the past.  The two surviving members (including George Costanza’s boss Wilhelm) play a hologram of Whistler describing his plan to murder their ancestors, clearing the way from his triumphant return.

Seems like a lot of trouble since not-Wilhelm has just said that their fortress was “like paper” before this killer.  Why not  just kill them in 2247?   Obviously, there is just one man who can time-travel to the past and prevent an unstoppable killer from destroying mankind by assassinating it’s leaders’ ancestors.  Unfortunately, Michael Biehn was filming Aliens, so we got Tim Thomerson.

Deth sees the council has Whistler’s body on ice, and he blasts it.  This strands Whistler in 1985 because, as we know from the underrated Switch in The Matrix, you’ve got to have a body to come back to (i.e. home is where the heart is).

trancershelen01Whistler and Deth both download into ancestors’ bodies circa 1985.  Deth gets the better of this deal as his ancestor happened to be banging Helen Hunt at the time.

They go to Helen’s job as Santa’s Helper in a mall where, naturally, Santa is a Trancer forcing Deth to shoot him in front of some kids.  It will be another 10 years before Helen Hunt wears that great wife-beater in Twister.  In 1985, though, she was pretty cute rocking that red Santa’s Helper suit.

Deth and Whistler converge at a tanning salon run by Wilhelm’s ancestor Chris Lavery.  Of course, he turns out to be a Trancer and locks Deth in a stand-up tanning booth the size of my first apartment.   Bad news for him as back in 1985 they still made these models with a cremation setting — what were they thinking?  Sadly off-screen, Whistler arrives and kills Lavery.

Outside, Whistler — a detective in this era — catches Deth and Helen.  He and his men open fire, but Deth has been issued a special watch that briefly slows down time for him.  Or, rather, he remains in normal speed, and everything else slows down.  I assume everything.  Whistler.  The police.  The bullets.  Gravity.  The earth.  The sun.  The universe.  There are so many things wrong with this that blah bah blah.  Again, though, I’m willing to roll with it in a fun little movie.

And it is fun.  I appreciate the little touches — Deth’s gruff boss McNulty has to transport back to 1985, but the only relative he can find to download into is a little girl.  Not only does she exhibit his gruff persona, she sticks around to peep through the window at Deth & Helen making out.

Deth and Helen track down not-Wilhelm’s ancestor on skid row.  With his help, they beat Whistler, and send him back to the future; even though Deth had destroyed his body, so that was supposed to be impossible.

Deth stays in 1985 with Helen Hunt.  No mention is made of the poor sap whose body he downloaded into, who is now probably in the Phantom Zone with General Zod for eternity.  Jake Gyllenhall also pulled this crap in Source Code so he could stay with a hottie.  Not cool, guys.

This was the 3rd movie watched out of this $5 set.  I started with the cream, but so far I have gotten my $.75 out of those 3 movies.  Definitely a product of its age (1985, not 2247, although shoulder pads were big in each), but a fun movie with a good cast. In honor of Helen Hunt in Twister, I give it an F3 on the Fujita Scale — OK, but no Finger of God.

Post-Post Leftovers:

  • Art LaFleur plays McNulty.  Richard Erdman (credited here as Drunken Wise Man) played a character named McNulty on The Twilight Zone.  If that dude from The Wire shows up, I’ll shit.   Anyways, the McNulty in TZ had a watch that did exactly the same thing as Deth’s.  Coincidence or homage?
  • Not-Wilhelm’s name is actually Ashe.  Her 1985 ancestor is named Ashby.  Why?  Why make the name so close, but different?
  • Deth claims not to be able to return to 2247 because the syringe with the time-travel drug was broken, but it has been demonstrated earlier that anyone could shoot him with a laser and transport him back.
  • The beach above looks like Point Dume where they filmed the end of Planet of the Apes, but I can’t confirm.
  • The 20 Movies box helpfully refers to this as Trancers I, lest anyone be disappointed thinking they were buying the classic Trancers II, III, IV, V or VI.
  • Any movie that works in Theme from Peter Gunn is OK with me.

Alfred Hitchcock Presents – The Legacy (S1E35)

ahbabysitter03The episode opens with a voice-over describing “Palm Beach, where the sun spends the winter, and people spend fortunes to be in it.”  I guess sun is the “it” of that sentence, but it took a couple of rewinds for me to make sense of it.

We are introduced to what I can only assume is known as the “old money” crowd.  Or the old “money crowd”.  The “nonagenarian money crowd”, to be more accurate.

Writer Randall Burnside is in town to gather info on his next subject, Prince Burhan.  He is introduced by the geezers to Irene Cole, wife of oilman Howard Cole.  As is common with Hitchcock, this marriage is a little off.  Mr. Cole is hanging out with a floozy starlet, playing tennis, boating, while ordering his wife around.  Burnside is surprised to hear that Irene has the money in the family, yet tolerates this behavior.

The famous Prince Burhan arrives, either having spent too much time in the Florida sun, or having been made up just a few coats short of Al Jolson to represent some indeterminate Arab / Indian country.  He seems to be quite taken with Irene, asking her dance, then out to lunch the next day, and for a walk.  To be fair, her husband apparently believes what’s good for the gander is good for the goose.

We flash a few days forward and learn that the Prince is still spending a lot of time with Irene, sending her a bouquet of roses every morning, and wanting to party like its 1959.

Hanging out in a cabana, Prince Burhan makes clear his feelings for her, and Irene makes clear her belief in old wives’ tales.

legacy01The next day, Burhan kisses Irene and says he will kill himself if she doesn’t marry him; thus proving that he is not only a famous prince, but a drama queen.  She refuses and sends him packing.  Burhan dies the next day in a car accident, leaving Irene distraught with guilt.

Three months later, Burnside returns to Palm Beach.  The resort manager informs him that the Prince was after Irene’s millions, that he was bankrupt.  Somehow this is news to Burnside who has just finished writing a biography of Burhan.  This is why you never hear about the investigative team of Woodward & Burnside.  The manager, however, says it was an accident rather than suicide because the Prince’s mechanic had been in the middle of working on the brakes; also news to our intrepid reporter.

Burnside goes to New York to let Irene know it wasn’t her fault.  However, he sees the positive effect Burhan’s death had on them.  Thinking that the Prince killed himself over her, Irene has gained new self-confidence (and her own young actor boy-toy).  Her husband has become much more attentive seeing that another man could desire her (and no sign of his floozy).  Burnside says he doesn’t want to rob them of the Prince’s precious legacy to them and breaks the 4th wall: “Would you have?”

Post-Post Leftovers:

  • In a headline about his death, Burhan is described as Oriental.  In common parlance, that would exclude India.
  • According to Wikipedia, ”Oriental” is banned from legislation in Washington state due to being raaaaaaacist.
  • Once again in a Hitchcock joint, we have a woman disparaging herself and criticized by others for being “plain”, “ordinary”, “not amusing”, and (gasp) “over 30”.  At least this time, he did not cast his daughter.
  • Another unexpected 4th-wall breakage, just 2 days after Tales from the Crypt.  More jarring than effective this time, though.
  • Bess Flowers appears uncredited as an extra.  She might have been the most prolific actress in history.  She appeared in over 700 films, including 23 that were nominated for Best Picture.
  • Oh, Hitchcock, you so crazy . . .

    legacy02a

    Actual Closed Caption

Prom Night (1980)

promnightcover0220 horror movies for $5; what could possibly go wrong?  Part II.

This movie was one of the reasons I bought this set.  Not that I had any love for it, but I had at least heard of this title; and of course Jamie Lee Curtis gave it some gravitas.

Like every horror movie made in the 80s, this one starts in the 70s.  A pack of brats is bullying one of their schoolmates, Robin, in an abandoned school.  What starts as a hide & seek game devolves into them chasing her yelling, “kill, kill!” like those punks on Triacus.  As always, it’s fun and games until someone puts an eye out.  In this case, the eye and the rest of the body are put out of a 2nd story window.  The kids, wise beyond their years, react just like adults — by fleeing the scene and not telling anyone.

At this point, we can already predict who the killer is going to be, even though he was barely seen.  Of course Alex, the brother of the dead girl, can be expected to have a motive.  But when you are trying to predict who is going to grow up to be the serial killer, a stronger indicator might be the kid who dresses like his sister.  promnightstripes02Cut to 6 years later.  A mysterious caller — OK, it’s Alex —  starts calling the posse from 6 years ago.  But we still have to go through the usual suspects:

  • The groundskeeper – Why are groundskeepers always the first red herring?  The sharp implements?  If this took place today, we would know it isn’t the groundskeeper because the killer speaks English.
  • The Child Molester – Leonard Murch is only seen in bandages, and doesn’t even get a screen credit.  Despite the Lieutenant going all Sam Loomis, he is a no-go; the Screen Actors Guild would never allow it.
  • Lou, the boorish 25-year old high school student in the black ski mask?  Ninja, please!

Finally at the 1 hour mark, we get another kill.  As I am a firm believer in Survival of the Cutest, it is disappointing that it is Mary Beth Rubens.  It takes a mere 7 minutes to get the next kill, so we’re off!  We get a fun pursuit in a van (leading to a great fiery crash), and another good chase with an axe.

Clearly being Advanced Placement students, these prom-goers deduce there might be a problem after seeing a decapitated head on the dance floor.  As usual, JLC comes through, and unmasks the killer.  Surprise, it is Alex!

It was never boring, but the pressure was really on the last 30 minutes to redeem the first 60 minutes.  Overall, it worked for me.  On the Pass / Fail scale: Pass.

Post-Post Leftovers:

  • Released the same year Leslie Nielsen starred in Airplane; and in between Jamie Lee Curtis’ 2 Halloweens.
  • Michelle Scarabelli is here somewhere uncredited.  Sadly I did not see her.
  • Screenwriter William Gray wrote the classic The Changeling starring George C. Scott, also released in 1980.
  • I was stumped as to whether the van crash was an excellent model or a fake looking real van.  No matter, it was a great crash, great shot and great fireball.
  • Actually the opening is pretty effective as the kids really do seem menacing, and the old building is used well.
  • Its sequel title Prom Night II: Hello Mary Lou is right up there with Breakin’ 2: Electric Boogaloo.  Who is naming these things, Jesse Jackson?  Sadly, I know of no rhyming 3rd installments.  Star Wars III: Return of the Jediii?, Back to the Future III: Cowboy Marty?, Godfather III: WTF Sofi . . . uh?
  • Really, this is all we get for our R-rated 90 minute investment?promnightshower01

 

Tales from the Crypt – The Man Who Was Death (S1E1)

tftccover01This is almost a William Sadler twin spin as he starred in The Outer Limits’ Valerie 23 just yesterday.  Here, he is playing a completely different character, and pulling it off magnificently.  I have been aware of who he was for a long time, but it is finally sinking in what a major talent this guy is.

The episode — the premiere of the series — starts off with with a great score by Ry Cooder who you will know by his work with, oh, everybody.  It reminds me of a carnival,  a calliope.  I have read some complaints about the score, but maybe it is appropriate as this whole episode is a merry-go-round.

Sadler has been the state executioner for 12 years until liberal pantywaists get the death penalty overturned in his state.  Sadly the Executioners Local 101 is unable to save his job.

mansadler04aSadler foresees the Reality TV genre 10 years before Survivor by envisioning a show featuring death row inmates.  Rather than taking that winning idea to Hollywood, he decides to become a vigilante, killing off those who the justice system has let slip through its fingers.

The first recipient of this frontier justice was instantly recognizable as one of Ahnold’s first victims in T2 — the cigar smoking dude in the bar.  You see this guy in a movie, don’t expect an arc.

The great Gerrit Graham (from the classic Used Cars) is the 2nd victim.  They were really bringing out the big guns of character actors for this first episode.

Naturally, the episode comes full-circle just like the merry-go-round whose theme started the episode.  Sadler’s vigilantism is not appreciated by “the man” who has just re-instituted the death penalty.

mansadler07aNot a lot of subtext here, but it is well produced and very well acted.  A great start to a series I don’t really have many fond memories of.

Post-Post Leftovers:

  • Breaking the 4th wall does not always work, but Sadler pulls it off here, and also gives the episode a real noir vibe.
  • Again, I am baffled by the screenwriter’s lot in Hollywood.  Robert Reneau is co-credited as writer of this episode.  He had 2 screenplays produced 20 years ago, then nothing.  WTF?  OK, they were Action Jackson and Demolition Man, but at least I have heard of them.
  •  Who exactly is the Crypt-Keeper for?  Seems more of a kiddie thing, but then there was nudity in the episode, too.  That’s what killed Sears — you can’t please everybody; pick a niche.
  • Pretty shrewd of Warner Brothers to put this out as “Season 1” and mention nowhere on the box that it is only 6 episodes.  This is why you have no friends, Warner Brothers.
  • Directed by Robert Zemeckis, of the aforementioned Used Cars and Back to the Future.
  • A close-up of the hot-line to the Governor reveals that this takes place in Arkansas (Area Code 501).  As this episode aired in 1989, that Governor would have been one Mr. William Jefferson Clinton.

 

Godzilla (2013)

godzillacover02What is wrong with you people?  By “you people”, I mean the 72% of critics and 77% of normal people on Rotten Tomatoes who liked this.

I actually dozed off more than once during this fiasco.  Does that disqualify me from giving a review?  Or is that the review?  And this was after starting off with a 128 ounce Coke.

It starts out great — the montage under the opening credits is fascinating.  Then people start talking.  No movie I have covered on this site has had more lackluster dialogue than Godzilla (the movie, not the monster).

OK, no one went to this expecting My Dinner with Andre.  But just compare scenes from Jaws or Close Encounters or Independence Day to similar scenes in this movie.  The dialog  is constantly clunky or too wordy, never artful, and rarely effective.

I first noticed this when Bryan Cranston was being detained.  It instantly reminded me of Richard Dreyfuss being held in a small trailer by the Army in CE3K.  That short non-action scene in Close Encounters was made interesting and suspenseful in just a few sentences.  Even an actor as good as Cranston could not sell the terrible words he was given in his comparable scene.  I wish I could find the script online to give many more examples.

And thank God I did not find a bootleg DVD in the street, so I am not tempted to even just skim this movie again to make notes.  I will never watch this movie again.  I wasn’t even planning on writing about it, but the spent time and money are buggin’ me, man!  Where to start?  How much time is worth wasting on this movie?

  • It is kind of a bait & switch to show Bryan Cranston so prominently in the ads.  He really is killed off pretty early.  And maybe I was already getting drowsy, but somehow I missed him dying.  I saw him strapped to gurney with a neck support.  Was he already dead?  Was that even him?
  • I always like Elizabeth Olson, but she is completely wasted in this film (and not in the good way).
  • Kick-Ass, where art thou?  Aaron Taylor-Johnson is a colossal bore as Cranston’s son.  A problem since he is arguably the lead character.  He reminds me of Bruce Willis’ son in Die Hard 5 — the movie is already crap, and one of the leads is an absolute non-entity.  I would have paid an extra buck to see Jesse Pinkman as his son.
  • David Strathaim — another good actor totally wasted.  And what is this obsession with shooting the back of his head?  Marcellus Wallace got more face-time.
  • When Cranston removes his haz-mat helmet and takes a breath, are they suggesting that he can smell that there is no radiation?
  • Another CE3K comparison: the discovery of the ship in the desert vs the discovery of the Russian sub in the forest in Godzilla.  Fun, mysterious, beautiful vs zzzzzzzz.
  • When Cranston was ranting, “that was no earthquake, that was no typhoon . . .” I expected him to continue, “this is not a boat accident, and it wasn’t any propeller!”
  • And if that Hiroshima story was supposed to be as effective as the USS Indianapolis story in Jaws.  Just no.
  • Add Aliens to the homage list for the burning of the egg-sac.
  • I remember Roger Ebert saying one time that Heaven’s Gate was so poorly filmed that even the primary act of looking at the screen was a chore.  Same here.  In most of the scenes, it is either night, or there is a nuclear winter sized dust cloud which grays out the entire shot.  Some shots were so washed out, that they would have actually been more colorful in black & white.
  • The bit with the lost little boy on the train was so quickly contrived, then immediately resolved in an absurd coincidence that it is laughable in its attempt to manipulate the audience.
  • The design of the MUTOs was distracting.  For a while, I thought they were mechanical due to the shape of the head, and the red lights.  I liked them more when I initially thought they were named MOTOs.
  • Didn’t understand the thing with the bus on the bridge, and the dog scene was just weird.  Again, maybe I was resting my eyes.  Something was off about that opening birthday riff also.
  • How do these 300 foot monsters so often manage to sneak up on people?
  • And why was Godzilla fighting for humans anyway?  Didn’t we nuke him 60 years ago?

Memories were fading before leaving the parking lot.  I need to start taking a notepad to the theater.  And a good pillow.

Lastly.  When buying tickets online, I was very surprised that the 3D show starting in an hour had sold out, but the 2D show starting in 30 minutes was only 1/3 full.  This movie is already so dark, it seems like it would be disastrous for the always-too-dark 3D option.