Tim Hathaway is knocking back the hooch. This show is so old, you could only get 3-year old scotch back then. Heyoooo, I’ll be here all weekend! I mean right here, on the couch.
The doorbell rings and he gets a visit from Det. Will Jethroe of the 24th Precinct Jethroes. There has been a shooting and eyewitnesses described a man looking just like Hathaway. Without the benefit of counsel, he blurts out, “The woman I shot was my wife.” I feel a flashback coming on.
Five years earlier: Joanne Hathaway is struggling with some buttons on the back of her blouse and calls Jim up to help. Dr. Farleigh drops by with x-rays he took of Joanne a few days earlier when she broke a rib. Realizing she had additional insurance, he took additional x-rays on Monday, and discovered the injury had completely healed.
After Joanne goes up to bed, Farleigh shows the x-rays to Tim. Farleigh recalls that in her previous check-up, Joanne had a healthy heart and now it is only half the normal size. Her appendix has vanished completely.
Tim confronts Joanne about the mysteries and she admits that she has changed. She has also discovered that she can control objects with her mind. As proof she makes a statue topple over and shatter — pretty racy for 1951 TV, the statue was topless. She believes she is evolving to “a brand new kind of human being.” Her night table now groans under the weight of thick books on physics. Say, a woman reading science books — that is crazy!
She worries that she is outgrowing her husband and that soon her love for for him will be like the love she has for “a lower species” like their dog; or veal.
Commercial Break: The episode is once again sponsored by Kreisler Watchbands.
The next morning, Joanne is gone. Jim scours the papers day after day searching for her. She finally appears in the paper for discovering a new radiation process. The picture is blurry, the name is slightly different, and the article says she was 15 years younger than Joanne. Jim gets on a plane to California to reunite with his wife, or at least hook-up with this younger look-alike hottie.
In the Berkeley Electronic Lab, Tim begs her to come back to him. She says she is the first of a new race, a new kind of being. In a nifty scene, she goes through a door to get her coat. A few seconds later, Jim checks the door and sees that it is just a broom closet and Joanne has disappeared.
She did not reappear, but over the next 4 years he would see reports of her discoveries in newspapers and scientific journals. Finally, tonight Tim sees Joanne again in their old hang-out. He puts his arms around her, but she says Tim means nothing to her anymore, that she is waiting for someone else. She ominously says, “Our time to rule is coming soon.”
The bartender overhears this and drops a glass. Joanne induces a heart attack in him and feels nothing at his death. Tim sees that she has too much power, has become “ruthless, hard, cold” and will destroy anyone who stands in her way. Continuing that she is “a menace, a terror, Godless” he puts four slugs in her. He then runs home and is soon-after visited by the detective.
Tim defends his actions saying that she would have made the world unfit to live in. Jethroe tells him that the bullets could not harm Joanne. Not only that, but Jethroe is also one of the new race. Proving that Joanne really was too smart for him, Jim stupidly pulls a gun on Jethroe. He suffers the same fate as the bartender.
A great deal of potential was squandered in this episode. The idea of the woman evolving was a great concept. In fact, it was so great that they used it again in another episode in the same season. However, they could have made it the basis for apocalyptic story, an alien invasion, or an allegory for women’s post-war liberation from the kitchen. Sadly, it just became a cog in the wheel of a murder mystery.
On the plus side, Ms. Hathaway finally hooked up with Jethroe.
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- Title Analysis: The title reminds me of a TV-movie called Dark Angel which aired in the previous millennium. Not otherwise relevant here, it just always amused me that Roberts’ character was named D’Arcangelo. On the tortured scale, that is somewhere between water-boarding and the SHIELD acronym.
- The title was recycled 4 years later for a short-lived series starring Jessica Alba.
- Dark Angel is used in the title of several other productions. My favorite usage has to be as the name of an actor in Barely Legal Lesbian Vampires: The Curse of Ed Wood.
Little Brian seems to be a bit of a firebug. When we first meet the 7-year old, he is getting quite the little campfire going in the backyard, but he ain’t camping.
At lunch, Mom throws the lighter at the Dad, blaming him for Brian’s indiscretion. Mom repeatedly protects Brian against suggestions from the others that some punishment might be in order. Quite reasonably in this crazy family, Dad breaks out the scotch at lunch. Julia opines that “Dad is like an echo. A tiny pathetic reflection of whatever mother says.” He certainly echoes her attire — both sport an odd pairing of flannel shirts covering a turtleneck.[4]
Julia tries to tell this to her family. Brian says Mom says there is no such thing as ghosts. Dad says he has heard Mom say that. Julia correctly points out that the hunky handyman always seems to be working here but, like Ralph and Alf [2], he never seems to get anything done. She concludes that he must be a ghost.
Julia is suddenly transported back to the house. Now she sees that it is a burned out shell. Brian finally burned the house down. She realizes the handyman was horrified seeing her dead body, scarred by the fire. Mom is able to convince her to accept that they are dead. Once Julia buys in, they all continue living in the sunny day on the lakefront vacation home for ever and ever.
motivation baffling. Julia (Marla Sokoloff) really carried the episode, though. She was in every scene, sometimes just providing narration. She also played a few years younger than her age, in 20+ minutes convincingly portraying anger, teen angst, indifference, insecurity, crush-love and finally acceptance of her reality. She has a great career in shows I never watch.[3]
For anyone who thought the 
One day, as he is sneaking to the fishin’ hole, he checks out behind the barn just to be sure. There is indeed a mound of fresh dirt. Well, looks like dirt on You Tube, but I’ll give Shane the benefit of the snout when he says it is just 
The next day as Shane is working on the horse, or whatever it is that you do in a barn, Jennings shows up. He tells Shane’s father that the boy has been naughty — Shane has been trespassing on his property to fish. The thing about causing him to have his arms chewed off does not come up.
The next day, when Shane goes to Jennings’ house, the old man is bobbing for soup. It is just very sad to see his face covered with food, and him have to ask Shane to feed him. On the plus side, Jennings does say it is time to do some auguring. When it jams, Jennings suggests that Shane stick his arm in there.
A woman is hit in the hat by something too small to be a dead bird, and the doorman sees a pair of eyeglasses shatter on the sidewalk. Clearly neither of them needs glasses as they are able to spot Carl Adams on the ledge 17 floors up. I’ll say this for people who go out onto ledges — they always seem to pick the ledge that has the best exposure. No one ever threatens to jump into the alley or down into an obliette-like courtyard.
Police Sargent Barrett climbs out on the ledge to talk him out of jumping.
In another flashback, the man finds Liz unconscious in their home with an empty prescription bottle in her hand. He finds a suicide note. “
A couple of antique store hustlers spot George Hanley at the door immediately after mentioning an “unsuspecting sucker.” They manage to high-pressure the rube Hanley into buying a brass lamp for $20 which is worth millions if properly used.
He is greeted at home by his motley (or 
Hanley sits at a piano and mopes. He spots a girl hiding beneath the piano who claims she is too young too drink. “In the years, I am a child. But I think I am mature.” This potentially interesting — and felonious — interlude is cut short when the girl discovers that Hanley is not a producer, just a stage-husband. Hanley discovers Ann is having an affair with her leading man Unable to get the girl even in a fantasy, he is yanked back to reality.
Back in reality, Hanley finally comes to a decision about what to wish for. We next see the brass lamp being retrieved from the garbage by a hobo-American. When he rubs it, out comes the Genie formally known as George Hanley. He has not only increased the Genie unemployment figures by one, he has diluted the wish-value by going back to three, and has embraced the Genie stereotype by dressing like 
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