Devil’s Due (2014)

devilsduecover01There sure is a lot of hate for a pretty good movie.  Maybe I am just too forgiving.  Of course, it has its flaws, but it also has some great scenes, things I had never seen before, and even it gave me a legitimate chill at one point.  What more can you ask from a movie?

The biggest gripe seems to be with the found-footage format, and it is sometimes pretty goofy.  Mostly it is being shot by husband Zach McCall, but there are also inserts from a police station camera, a supermarket security camera, rogue cameras installed by Satan worshipers, and the craziest — a trio of teenagers who also just happen to film everything.  There is no pretense that this footage was ever actually found and edited into what we are watching.  This is not found-footage, this is unfound-footage.  You can bitch about the presentation, or you can roll with it.  Ich bin ein roller.

In brief scenes of the wedding and the night before we meet Zach and the very cute Samantha McCall (Allison Miller).  If there is anything important here, I missed it.  We do briefly see a preacher — Bernard from Lost — who shows up later, and get the couple’s names, but otherwise, not much.  Minutes later, they are winging it to the Dominican Republic for the honeymoon.

devilsduesam02Sam has her palm read, and it goes about as well as it goes in every movie.  The reader tells her she’s had hard times, but now is happy — oh, that’s sweet; that she has no family, no past — that’s, er, harsh but factual; and, oh yeah, she is born from death!  This last bit is literally true as her pregnant mother was killed in a car crash, and Sam was cut out of her belly.  The palm reader flips out, repeating, “They’ve been waiting”, prompting the McCalls to run from the shop.

They immediately become lost after dark in the Dominican Republic which is basis enough for a horror movie.  They flag down a taxi and the driver offers to take them to a club for a drink.  Despite flying out the next morning, being tired, lost, nervous about their surroundings and freaked out by the palm reader — sure, let’s have a drink!  He takes them to a place is pretty sketchy, down dark corridors decorated in the Hostel / Saw motif.  Shockingly, they actually do emerge from this filthy trek a) alive and b) into a swingin’ club.

devilsduesam03

Just another gratuitous shot

We get footage of them drinking, dancing,having a good time there before the picture becomes choppy and we get just brief glimpses of them being carried out of the club.  then a satanic ritual is performed on a flaming Quake II logo (because what other kind of ritual is there?).  Nixonian gap in the tape / they are back in the hotel with no memory of how they got there.  Seconds later they are back home in the US.

Either 5 minutes or 7 weeks later, Sam announces that she is pregnant.  Not sure what this guy Zach does for a living, but at about 25 he’s got a McMansion, unlimited free time, a hot wife, and no financial worries about an unplanned child.  Guy Woodhouse had to sell his soul for this kind of life.

After Sam’s first ultrasound, we start getting indications that all might not be well with her pregnancy.  In a bit reminiscent of Paranormal Activity we get a night vision shot of Sam violently grabbing Zach’s wrist as she continues to sleep.  Things get progressively weirder from here.

Part of the weirdness is in the POV.  For the first time, except briefly in the film’s opening shot, we are viewing the action from a non-McCall POV.  Now, we get several shots from security cameras of Sam shopping in the market before pausing in front of the meat case.  She pauses, takes a package and begins eating the raw meat.  Say, that is crazy — she’s is a vegetarian!

There is more weirdness, best left unspoiled.

Thank God, the cult installs hidden cameras in the McCall house to eliminate the need for Zach to be filming everything.  Coincidentally, this happens at just the moment Zach stops filming everything.  My favorite, and least practical, is the Arbogast-cam that mimics the POV when Martin Balsam gets stabbed n Psycho.

devilsduecam01

Arbogast-Cam

When Sam and Zach attend a communion service, ya just knows there is going to be a problem.  Sure enough, Pastor Bernard starts sputtering, and bleeding from the nose onto his nice clean frock or tunic or vestment or whatever it is that they wear.  He is staring at Sam, knowing that she is somehow responsible for this and will damn well pay the cleaning bill.  There is a nice blink-and-you-miss-it moment as the camera pans past Sam’s profile and she is sporting some cool red devil eyes.

devilsduesam01Later, Zach is reviewing tapes and spots the taxi driver from the Dominican Republic in the church during the pastor’s seizure.  He was not detected as being a communion-crasher at the service, which is shocking because 1) he is not the sort of Dominican they are used to seeing in the pews, and 2) not the kind of Republican either, for that matter.

He also finally sees the few frames that show him and Sam being hauled out of the club, and the flaming Quake II satanic ritual.

Zach goes to see Pastor Bernard, and shows him the symbols that appeared on the tape.  Whoops, it turns out they are not the logo for Quake II, but religious symbols heralding the return of the anti-Christs — plural.   That seems a little unfair — it should be one anti per Christ.  He tells Zach to get the hell out of his room.

Now we come to the scene that is worth the price of admission.  We cut to 3 teenagers who also have a fetish for filming.  What happens next is exhilarating.  And that’s all I have to say about that.

Actually, probably best not to even document the rest.  From this point on, the pace and chills really accelerate.

The last scene is another honeymooning American couple, this time in Paris.  They are approached by the same taxi driver.  Being another dopey camera-wielding couple, at this point, I feel they deserve whatever they get.

I rate it a 600 out of 666.

Post-Post Leftovers:

  • From the directors of the “10/31/98” episode of V/H/S, which was also pretty good.  Strangely, I don’t remember much about it except that it was good.  Maybe it just seemed good right next to the God-awful wraparound.
  • According to IMDb, there is an uncredited actor in this named Spencer Tracey.  Why would you even attempt a movie career with that name?  Can it possibly help you?  Edward Norton had the good sense not to go by “Ed“.  Might I suggest “Spence”, at the very least?
  • Just discovered that on The Honeymooners, Ed Norton’s middle name was Lillywhite.  Hate to think what it might have been in the 2005 version with Cedric the Entertainer.
  • Why does the anti-Christ have to be American?  Oh yeah — Hollywood.
  • Pregnant women are smug.

Tales from the Crypt – Only Sin Deep (S1E4)

Amazonian shrunken head — check, African tribal mask — check, dorky white guy — check.  Wait, what?  These things don’t go together.

beauty01

Lea Thompson plays hooker Sylvia Vane.  She is tired of hanging out with her pimp and her hooker friend who is even more obnoxious than the pimp.  Across the street, she sees a successful man getting out of a limo — Goodwin from Lost — and decides it is time to make some changes.

To get some quick cash, she pulls out pistol, pwns her pimp, pawns his jewelry.  In the pawn shop, she sees an veiled crone barge in and take a swing at the pawnbroker.

Before

Before

The pawnbroker suspects the jewelry is stolen, but makes her another offer.  He will give her $10,000 cash to make a mold of her face, or “beauty” as he says.  Like any item left in his shop, she has 4 months to reclaim it.  She agrees, and he begins ladling goo on her face to create a plaster mask.

Oh, and he keeps a casket in the backroom with his dead, withered husk of a wife.  But Lea didn’t see that, so no reason for her to be at all suspicious of this Randy Quaid lookalike offering her big money to put goo on her face.  Probably not a first for her; not even that day.

Lea de-tarts herself, washing off the make-up, getting a new-doo, removing that thing on her cheek, spitting out the gum, toning down the lipstick, and dumping the hookerwear.  She then goes on a shopping spree for new clothes which are far sexier than her hooker uniform.  I don’t understand why hookers don’t get how unsexy their clothes are.  And how they never have correct change.  Sadly, she does not change the single most repulsive thing about her — that god-awful accent.

After

After

Lea crashes Goodwin’s party and introduces herself as “Sylvia Vane, as in weather vane.”  He introduces himself as “Ronnie Price, as in everyone has theirs.”  This is a little jarring because they were clearly going for symmetry here, but completely missed the target; maybe twice.  OK, she’s vain, we get it.  Why bring up a weather vane?  He is presumed to be shallow and greedy, thus the “price” comment.  So his name is fitting, whereas hers is just a homonym.  Plus, I don’t see any real signs that he’s a bad guy, and it isn’t necessary for the story.  In fact, in this kind of story, he should be a good guy to make her sins even worse.

Title card, predictably:  “4 months later”.

Taking a bubble bath, she notices some lines on her face in the mirror.  I couldn’t really detect anything hideous viewing the DVD.  I’m not sure how visible it was on an RCA set 25 years ago.

The next morning, it is more detectable, although it really just looks like she is wearing no make-up.  Presumably later the same day, she goes to a dermatologist.  The condition is now very prominent as lines on her face, and she has started wearing a black veil.  Maybe the subtle onset gave her condition more credibility.  The ramp-up, combined with subtly of the make-up make this aged face much more effective than the older Lorraine McFly.

The doctor jogs her memory about the deal she made 4 months ago, and she returns to the pawnshop.  She confronts the pawnbroker, but it has been 4 months and 1 day.  However, he can make an exception for a mere $100,000.

She loots Goodwin’s apartment.  He catches her, but her condition has worsened so much that he does not recognize her.  He calls the police to report a burglar, and she goes all Ana Lucia on him.  I understand she is a little on edge, but she puts 12 slugs in him?  What did he do wrong?

Lea manages to scrape together $100k of cash and jewels and high-tails it back to the pawnshop.  It is locked, but she is in no mood for that.  She breaks in and sees the pawnbroker’s wife.

The pawnbroker says he can give her beauty back if that is what she reallllly wants. But he produces a newspaper with the headline, “Playboy Iced by Gold Digger” and her picture, which was published quicker than the Oswald story in New Zealand.

Way After

Way After

A cop comes in, and she overhears him telling the pawnbroker they found the murder weapon with fingerprints matching a set they already had on file for soliciting.  There is no going back to that identity.  Lea steals the plaster model of her face, although what she can do with it is not clear.

In a city of 10 million, her former obnoxious hooker friend (former friend, still obnoxious) rudely bumps into her, knocking the mask from her hands.  Then we get a very out-of-place crane shot of the four corners of this intersection, and a LOT of extras.  It really looks like maybe this location was set up for a movie and HBO just asked if they could borrow it for a minute.

As the camera rises from Lea picking up the fractured shards of her beauty, we cut back to the Cryptkeeper, who actually looks kind of hot relative to the disgusting women in this episode.

I rate this girl a 7.

Post-Post Leftovers:

  • Written by Fred Dekker who also wrote And All through the House.
  • Lea Thompson got off to a great start in movies.  Back to the Future was her 5th movie, coming after Jaws 3D, All the Right Moves, Red Dawn and The Wild Life.  She strategically leveraged this career momentum to score the non-titular lead in Howard the Duck.
  • Not that there’s anything wrong with Lea Thompson, but she really wasn’t pretty enough to believably seduce Goodwin from across the room.  The uncredited blonde he was talking to when Lea crashed the party was much hotter.  And certainly when Goodwin heard Lea’s accent, that should have sent him running back to [uncredited blonde].
  • OK, I know why they never have correct change.

Star 80 (1983)

Not Teresa Carpenter

Not Teresa Carpenter

A Teresa Carpenter Twin Spin.

Longform recently posted a link for Death of a Playmate by Teresa Carpenter.  The article, which won a Pulitzer in 1981, covered the last years and ultimately the murder of Dorothy Stratten.

The movie Star 80, available on YouTube, was partially based on Carpenter’s article.

Both tell the story of the Playboy centerfold who was one of the few to actually have a chance to thrive outside of the Playboy ecosystem.

Not much commentary here as it is a true story and pretty sad.  Worth a read and/or a watch, though.

Post-Post Leftovers:

  • Completely gratuitous, but:  There is no evidence that Dorothy Stratten did not believe in vaccinations, unlike another Playmate who escaped into the mainstream.  And if I’m linking to the Huff-Po, shit must be real.
  • Great early performance by Eric Roberts.  Maybe also by Mariel Hemingway, but I haven’t seen enough of her to know if she was just playing herself.  Whereas, to my knowledge, Eric Roberts has never murdered anyone.
  • Seeing some of his early movies makes you wonder who Eric Roberts pissed off in Hollywood.
  • Update:  OK, that was pretty stupid — I just checked IMDb and this guy has over 60 projects listed for 2014.  Mr. Roberts is doing just fine, thank you.

Outer Limits – Second Soul (S1E4)

newsline01Not to nitpick, but they rub our face in this within seconds.  I enjoy the idea that the networks would have a theme and graphics ready in case of First Contact.  But what is going on with their network logo?

It appears to be INI II.  OK, I can see the N and I for Newsline International, but what are all those other vertical lines?

Is this NI 2, like CNN and CNN Headline?  Then what is that first line?  Is the N just framed for artistic reasons, then what is the that last line?

No matter, the N’Tal are in da house.  Unlike most aliens, they state honestly that they wish they could come as explorers or adventurers, but they come as refugees.  And by the way, we need your dead.

Apparently Harry Reid and Nancy Pelosi have relatives in the body disposal business as a year later, the government seems to have guaranteed the N’Tal access to all dead bodies that meet their criteria.  Even at that, there are not enough humans dying to accommodate the N’Tal.secondsoulrdc01a

Rae Dawn Chong, the wife of a bureaucrat, is killed in a car wreck.  He pulls some strings to witness the N’Tal bringing her back to life.   Seconds later, he sees his wife’s body reanimated with the soul of a N’Tal.  Naturally he wants to meet with her but that is strictly forbidden.

But he works for the government, so rules don’t apply to him (this is the sci not the fi part of sci-fi).  He tracks RDC down and begins stalking her.  Catching her in a restaurant, he reveals his identity.  RDC emphasizes that she is not his wife and has no memories of that hot, hot body’s life with him.  He assures his boss that this breach of protocol will never happen again, but begins staking her again immediately.

And good thing tsecondsoulhome02aoo as he sees her meeting with other N’Tal several times, exchanging 3.5 inch floppies, electronics, clear liquids, etc.  Those floppies weren’t exactly cutting edge in 1995.  What was that other junk, a transistor radio and Crystal Pepsi?

He reports this to his boss who blames his paranoia on the death and resurrection of his wife.  Shortly thereafter, he has committed suicide.  Or has he?

His boss also begins to suspect the N’Tal are up to no good.  Everything turns out OK, though, and Washington is not destroyed.  Well, OK except for that.

Post-Post Leftovers:

  • I figured out the logo based on one appearing later in the show.  Vertical lines are doubled, non-vertical lines are not.  So, there is a logic; it just stinks.  That logo is almost as bad as NBC’s fiasco in the 1970’s which cost them a million bucks.
  • Generally speaking, sci-fi characters with apostrophes in their names are on thin ice with me.  We don’t share a language or an alphabet, why would we presume to stick punctuation in their names?  And why always the apostrophe; never umlauts, or an accent grave?  C’mon, Nävi — better!
  • Holy crap did they make it tough to get a good picture of RDC.  Before she dies, you don’t get a single good shot of her.  After the resurrection, she never smiles.  Until the end when she smiles, but is bathed in a weird light.  Mmmmm…bathed.
  • Government weenie Gary Davey’s IMDB bio says he is Artistic Director for the William B. Davis Centre for Actor’s Study — the Cigarette Smoking Man!  No wonder Davey was on the X-Files 4 times (as 4 different characters).
  • Hulu’s commercials are still infuriating.  Except for this one.secondsoulihop01

Creature from the Black Lagoon (1954)

creaturecover01The titular Creature was the last of the iconic Universal Monsters; maybe even the last American horror movie icon until the slashers of the late 70’s.    The Universal Monster Industrial Complex had continued to crank out product, but this was the first film since 1941 that did not recycle classic characters, or feature new ones that just did not catch on.

It is also the first big one that feels like it takes place in our world.  Although it takes place in the Amazon, the main characters are Americans; it is not tied by setting or myth to Europe; and the technology is state-of-the-art 1954.

It does, however, retain the concept of the sympathetic creature.  Even as the creature is menacing Julie Adams, it is tough not to feel for him.  We are, after all, on his turf (or, more accurately, surf and turf as he is amphibian).  He seems to be alone; a sentient being, a million years out of time.  Plus, just so damn ugly.  When he is shot with the spear gun, you are really rooting for him.

Carl Maia discovers a fossilized hand sticking out of a cliff wall.  Because he is a geologist, Maia consults with his former student David Reed who is an ichthyologist.  Although why a fish doctor was trained by a rock doctor is not explained.  And why call a fish doctor anyway since I can’t imagine hands being raised much in his class except to go to the restroom.  I guess Maia had no anthropology students.

Maia and Reed charter The Rita to investigate the site of the fossil.  They are joined by Reed’s boss Mark Williams and his — ahem — Kay Lawrence.  It is never clear what Kay’s role is.  She is Reed’s girlfriend, but seems to also be a colleague despite making no contribution.  But the same could be said of Whit Bissell’s character.

You really want to catch Julie Adams at the right angle.  Sometimes she would be fairly plain.  Other times, especially when smiling, she could be beautiful.  At all times, though, she radiates a tremendously warm, likable aura, and looks very snappy in each of her 15 costume changes; this woman packs more cruise-wear than Ginger Grant.  Sadly, Reed and Williams spend more time in shorty-shorts than Kay does; but she does have that iconic white bathing suit.  In one scene.

20140531_155057The group discovers what we already witnessed — Maia’s men are dead and the camp has been trashed.  Kay waits on the dock where we get our first glance at the monster — or at least one webbed hand. He makes a slow grab for Kay’s well-turned ankle, accompanied by his signature 3-tone brass band stinger.

They find nothing more at the first site and decide to travel up river to the titular Black Lagoon for answers.  Reed tells Kay that this area is just as it was 150 million years ago in the Devonian period.  Unfortunately, the Devonian period ended 360 million years ago; a buck-fifty only gets you back to the Jurassic.  Are we sure this Maia guy is really a teacher?

Meanwhile, back at the lagoon, Williams has brought out a weapon that we know will be used soon due to the rule of Chekhov’s Spear-Gun.  He and Reed put on Scuba gear and dive to check out the flora, fauna, rocks and fossils.  For a place called Black Lagoon, the water is pretty clear.

Some people seem to have a problem with the amount of swimming in this movie.  Maybe it is padding out the time a little, but it really is pretty entrancing.  How often do you really see people in this environment, moving gracefully like they are flying?  And there are long takes, not a flurry of CGI with .5-second cuts that send you into an epileptic fit.  Someone is actually doing this, and you can empathize with them as a human being.  The clear water combined with the great B&W cinematography make these scenes hypnotic.

25 minutes into the film, we get our first glimpse of the Creature.  He is able to avoid the 2 men, but we get a good sense of what he is.

20140531_155446aNot being aware of the Creature below, Kay goes for swim.  With all the alligators, leeches, piranhas, and those little fish that crawl up your urinary tract, she is still insane to dive in.  Again with the swimming!  But with an added attraction this time; actually two attractions.  No, not those two.

Kay herself is the first attraction, certainly more-so than the dudes.  She even manages to work a few Cirque du Soleil moves into her swim.  Secondly, the Creature is not just hiding this time, he is shadowing her, mimicking her moves just below.  As she swims on the surface, he swims belly-up just inches beneath her.  Again, there is that graceful feeling of flying, in this case like that scene in Top Gun.

20140531_160828As he reaches out for her ankle — for the second time now — the men-folk realize she is 100 yards out and panic. They move the boat toward her and she swims to meet it.  She gets safely on board, but the boat is rocked.  The Creature is caught in the fishing net, but when it is hauled aboard, it is torn apart with only a Lee Press-On Claw left behind.

The men again take to the water in pursuit; Williams with his spear-gun, and this time Reed takes a camera the size of a Volkswagen.  Williams does get a spear into the creature, but it is still able to out-swim them and dive into a crevasse.  Back on the boat, Reed is disappointed that he only got one shot and the Creature is not in it.

Of course, the Creature does eventually get his webbed hands on Kay and dives with her down to his grotto. There is more death and destruction, but not enough to preclude 2 sequels.

I appreciated that this film, more than the other Universal Classics, got out of the sound-stage.  Despite a few really bad rear-projections, it is obvious that much time was spent on a real boat, and underwater.  Overall, a very good watch.  The Blu-Ray has a few grainy scenes, but was mostly excellent.  I will enjoy watching this again some time without having to take notes.

I rate it 17,000 out of 20,000 leagues under the sea.

Post-Post Leftovers:

  • That grotto was strange.  The Creature dove 50 feet down to it, but there seemed to be a rear-entrance at ground level.  There was even a bat in there.  Not impossible, just pretty convenient for the script.
  • Also convenient but not impossible: A exposed fossilized hand sticking out of the side of a cliff.
  • Julie Adams has a huge resume, but she never appeared on my radar until she showed up in an episode of Lost in 2006.
  • We are currently in the Quaternary Period of the Cenozoic Era.  Will there ever be a scientist deciding, “That’s it, Quaternary is over.  We’re in the [whatever’s next] starting tomorrow.”
  • An intricate analysis of why Ginger and the other castaways had so many clothes is at the bottom of this page.  And here is a lengthy, persuasive case for Ginger over Mary Anne.
  • The Creature was played by one guy on land, and a different guy in the water.  I understand maybe the land-guy couldn’t swim, but could the water-guy not walk? Probably a union thing.