Outer Limits – The Heist (S2E14)

olheist03A group of mercenaries hijack a truck expecting to find a cache of Stinger missiles inside.  Fortunately for them, The US Army ships these deadly weapons in UPS trucks with just a padlock on the back door, and takes routes that lead them down narrow deserted alleys.

When they open the door, they are surprised by a soldier firing at them, but are able to take him down pretty easily.  Then they are surprised that the truck was transporting a cryo unit and not missiles.  My first assumption was it was stone crabs for some general on the taxpayer dime, but a sharp eye will catch the letters EBE on the unit.

olheist04And you better have a sharp eye. When they first see the unit, it clearly says EBE. After they fire back at the soldier, it still says EBE in two separate shots.  But for some reason, the most important shot of the container just before the credits has the unit scarred by gunfire so the EBE is unreadable.  So they screwed up on the order of the shots, and then why would you obliterate the most important word which sets up the episode?

There is another soldier, Washington, hiding in the truck.  After she is subdued, one of the mercs fires at the container, breaking the seal.  When the gang threatens the soldier to get information, an alien shoots out of the crate and turns one of the men to ice.  For no apparent reason, the Major shoots the ice-man and he crumbles like Robert Patrick in T2.  The alien zips around the warehouse, and for reasons I can’t figure, the soldiers open fire on the crate again — the one place they know the alien ain’t.

olheist05They decide to abandon the warehouse, but find the door iced over.  The Major asks, “What the hell? Where’d this ice come from?” after he just saw an alien turn one of his crew into an ice-man.  Yeah, what a conundrum.

They search the warehouse for the alien and a way to escape.  That really is the next 20 minutes of the episode.  Think of how suspenseful it was when the crew of the Nostromo was searching for their alien.  This is nothing like that.

They aren’t given much to do, but a lot of the problem is the cast.  Colm Feore is terrible as the beret-wearing major (he would later go on to be terrible as the President’s husband (referred to gratingly as “the First Gentleman”) in a season of 24).  Where’s Michael Ironside when you need him?  Jasmine Guy is simply not believable as the soldier who is willing to be tortured with a welding torch to protect the alien.  There really is not one person to care about in this group.

olheist07There is just so much that makes no sense.  Washington sets the major’s sleeve on fire so the heat will draw the alien.  The major just waves his arm above his head rather than, say, taking off his flaming coat, or rolling on the ground.

Somehow the neon in a sign is able to kill the alien because it is “mostly made of helium.”  Not really sure what’s keeping it from floating away, then.

Washington and one of the mercs are able to force an icy door open to escape.  In the last shot, we hear a police dispatcher and see a frozen police officer.  Did Washington just leave the door open and not secure the building?  That can’t be right because the alien was already dead.  Did the officer earlier just stroll in the front door when the whole group could no find a way out of the building?  Why would the police have been called anyway?

A  disappointing episode.

Post-Post:

  • On the plus side, Colm Feore was excellent in Stephen King’s Storm of the Century.
  • Written, surprisingly, by Steven Barnes who also wrote the excellent Stitch in Time.
  • Also surprising, it was directed by Brad Turner who directed almost 2 days worth of 24.

Ray Bradbury Theater – The Long Years (S4E11)

bradbury02The Hathaways are the last people on Mars because they missed the last ship back to Earth.  They were in the mountains on an archaeological dig.  When they returned a week later, Mars had been evacuated.

John Hathaway stares at the stars each night hoping to see a rocket ship streaking among the unmoving stars.

One night, he takes his regular walk up to a hill where there are three graves.  In a quick pan, we see only the name Tom Hathaway (1988 – 2007).  At this point, we don’t know Tom is his son.  He asks their forgiveness for what he did.  He reflects on 20 years spent waiting for another ship from Earth.

rbtlongyears04Returning to his house, he sees a light moving across the sky.  He calls the family out and tells them, “We’re going home!”  To be sure they are spotted, Hathaway is able to remotely switch on every light in nearby New New York City.  In the short story, he just burns the city down.

Hathaway and his son take a golf cart to meet the ship.  The crew is descending the ladder, and hey — it’s Captain Wilder from And the Moon Be Still as Bright!  Hathaway takes them home to meet the wife and kids who they had last seen 20 years ago. Wilder comments that Cora has not aged a bit in 20 years.  Maybe it is just the way she is styled, but unfortunately the actress playing Cora doesn’t really look that much younger than Hathaway.

rbtlongyears05One of the other crewman knew the kids and comments they they also appear exactly as they had 20 years earlier on Earth.  Son Tom evens says he is “twenty-one” in his only dialogue in the episode.  He is in several scenes, but just stands there looking a lot like Jim Carrey in Dumb and Dumber, never uttering another word.

But he is positively loquacious next to the female crew member who gets not a single line of dialogue.  She is even seen speaking in a couple of scenes, but in the background where we can’t hear her.

As Hathaway visits the graves again, Wilder joins him.  Hathaway explains that a virus killed his whole family in a week.  So he built robots to recreate his family.

When Wilder tells Hathaway that they can only take him back to Earth, not his family, he tries to explain it to them.  “What is goodbye?” asks his robot wife in the sci-fi trope where a non-human speaks perfectly throughout an episode, but then doesn’t know a key common word.  What if they had been humans, would there still only have been room for Hathaway?

rbtlongyears10While he is trying to explain “going away”, he ironically does the big “going away” as he has a heart attack and dies.  They bury Hathaway next to his real family, and the crew leave them on Mars.  The episode has a much better ending, a great ending — the robot family uses the same tools which created them to create another John Hathaway.

In the last scene, they are all sitting at the dinner table and Cora has made John’s favorite chicken dish.  Although, I don’t know what he’s going to do with it as it was strongly suggested that robots do not eat.

In the short story, the robots are deemed too human to kill, so they are left to do the same repetitive mundane tasks forever.

Post-Post:

  • First published in Macleans, September 1948.
  • Just to confuse things, in the episode, the father is John and the son is Tom.  In the short story, the names are reversed.  Also, the wife in the episode is named Cora instead of Alice, and they have an extra daughter in the short story.
  • Directed by Paul Lynch who also made Prom Night.

Alfred Hitchcock Presents – Last Request (S3E8)

ahplaswtrequest06Murderer Gerry Daniels is facing electrocution at midnight.  The chaplain, warden and an officer are there to prep him — expose the contact points for the juice, say a little prayer, offer him a last request. Unlike most such scenes, it is not just a last meal, but a last request that is granted.  The warden wisely adds “within reason” to head off any “3 more requests” tomfoolery.  Or hookers.

After protesting his innocence of this murder, Daniels requests a typewriter and some paper, pushing his luck with two requests.  He begins typing a letter to the editor of The Star Times News (24-hour old news printed on dead trees, for you youngsters).

He asks that when they print the story of his execution, they also print this letter.  He starts off opining that District Attorney Bernard Butler, who sent him to the chair, “is a fool” who has convicted the wrong man in his case, and blamed others for crimes that Daniels did commit.

ahplaswtrequest08In flashbacks as Daniels types, we see that he is quite a lady’s man.  He picks up a married woman drinking alone in a bar, and they go back to her place.  Just as they start swapping spit, her husband returns early from a business trip and belts her.  The husband then attacks Daniels, who shoots him.  Daniels then shoots the woman, and stages them to make it look like a murder-suicide.  In the letter, he admits shooting them both and mocks Butler for being so easily fooled.

At the bar, a waitress tells him that she saw him with the murdered woman the night she was killed. For $200, she will keep quiet.  So, he kills her too.  Again, he berates Butler for charging the waitress’s husband with her murder.  Her husband, he types, “was executed for a crime he did not commit, just as I will be executed for a crime I did not commit.”

Next he hooks up with a doctor’s wife.  His bookie tracks him down at her house.  She offers to pay his debt in order to never see him again.  When he goes to deliver the cash, the bookie is already dead.  Daniels is standing right there, however, so he is charged with the murder.  The doctor’s wife claims to have never met him.

Iahplaswtrequest16n the letter he admits to killing three people, but says he is innocent of the crime which got him convicted. So the fool Bernard Butler is sending an innocent man to the chair.

He mails the letter, then gets a visit from the idiot Bernard Butler.  The doctor’s wife changed her mind and provided his alibi — he is a free man He screams to get the incriminating letter back, but it is too late.

Yeah, that Butler — what a maroon!

Post-Post:

  • AHP Deathwatch:  A couple of Daniels’ babes are hanging on.
  • Another reason I watch the AHP intros, but not TFTC’s:

ahplaswtrequest20

Night Gallery – Lindemann’s Catch (S2E16)

nglindemann05Local crackpot Abner Suggs is reading fortunes from cards when Captain Lindemann comes in for a couple of shots of whiskey.  The Cap’n seems like a no-nonsense guy and doesn’t respond to Suggs offer to see his fortune in the cards.  Then Suggs suggests palm-reading, then reading tea-leaves.  If this guy would read actual books instead of cards, palms and tea scum, maybe he’d know better.

What is strange is that Lindemann was doing shots — where did Suggs get this cup of tea leaves?  Shouldn’t the tea-leaves have been left behind by the one having his fortune told?  Does just any old filthy teacup work for any random yahoo?  It’s almost like there’s no scientific basis to this practice.

nglindemann12After Lindemann decks Suggs, he leaves the pub.  Outside, he is called over to the pier to see what they’ve caught.  He drops his lantern when he sees it is a mermaid.  His first reaction is “kill it!”  He calls it a monster, although the top half is not monstrous at all. Beneath some strategically placed hair, seaweed and rope, there is a beautiful topless woman.

He has a change of heart, and takes the mermaid down to his cabin.  Maybe he is tired of his trawler and wants to try a little motorboating.  He keeps her there for 3 days and can’t seem to figure out why she is wasting away like a fish out of water.  He calls the doctor who prescribes saline — like enough to swim in.  The doctor can offer no help other than to suggest giving her back to the sea.

nglindemann18In desperation and loneliness, he lowers himself to seeking help from Suggs.  He gives Lindemann a potion to turn the fishy parts into a nice set of gams.  The next morning, the Captain pulls the blankets back to reveal human legs and goes topside to excitedly tell the other sailors that she is a woman!  He calls her topside to show her off and is shocked that while she now has a nice set of legs, her top half is a fish-head.

She jumps in the water and the Captain follows.  Neither surface.

Post-Post:

  • Twilight Zone Legacy:  Harry Townes was in 2 episodes.
  • Skipped Segment #1:  The Late Mr. Peddington.  Not bad, GREAT ending!
  • Skipped Segment #2:  A Feast of Blood.  Meh.

Tales From the Crypt – Mournin’ Mess (S3E10)

tftcmournin01Homeless-American Robert (Vincent Schiavelli) has been out trolling the garbage cans for food.  When he hears his partner Dancer screaming, he runs back to their crib in the alley. Digging through the rubble for his friend, he pulls out a severed hand, still grasping a bottle of hooch.

He is so horrified, he doesn’t even check to see if Dancer had finished the bottle before casting it away. Unfortunately, he is spotted and leaves a bloody hand-print leading him to be identified as the Homeless Killer.

Reporter Dale Sweeney (Steven Weber), on the other hand, wakes up with a hot blonde in his bed.  He quickly kicks her out and races to his assignment to cover the opening of a cemetery by the Grateful Homeless Society.  He reasonably asks the chairman (Rita Wilson) if the money spent on the dead might be better spent on the living — a question no reporter in America would have the balls to ask at a fancy press conference.  In print, yes, but never would they dare to embarrass the official at the gala in front of their friends — it simply isn’t done.

tftcmournin07After being fired, he goes home to take a well-deserved leak.  He is stopped mid-stream by Robert.  He spotted Sweeney at the ceremony and insists that he write a story saying that he is not the Homeless Killer.  He tells Sweeney to go to the inaugural planting at the Grateful Homeless Society cemetery and he will see what is really happening.

He does go to the burial, but understandably leaves early to bang the GHS chairman. Having missed the story at the cemetery, he searches for Robert.  Unfortunately, he has been murdered.

Finding an eviction notice on his apartment door, Sweeney is desperate for a story.  So he goes to the next burial and this time hangs around for the show.  That night, he sees the replaced sod starting caving in.  He starts digging — as usual on TV — a beautiful hole with perfect right angles that would take one alchy/smoker in a suit at least 12 hours to dig.

His suspicions are rewarded when he finds a flat door at the bottom of the pit.  He struggles to pull the door open, but since he is standing on the door, that doesn’t make much sense.  Luckily for him,the door opens the other way, and he drops into a cavern.

tftcmournin12When he hears someone coming, he hides in a coffin which happens to already be occupado by Robert — dead, bloody, decaying, but smelling about the same.  When he is able to open the coffin, he is in the middle of an elegant dining room . . . on the table . . . surrounded by A-1 Sauce and Wet-Naps.

The GHS Committee enters and admits they are the Homeless Killer. Down here, they are known by their full name, Grateful Homeless, Outcasts and Unwanted Layaway Society (or GHOULS — an even more tortured acronym than SHIELD or PATRIOT Act). They begin peeling off their masks to reveal their true demonic faces.

No real twist or irony here, but still a great episode.  It had several great little scenes and a lot of clever dialogue; more clever than is usually seen on TFTC.  Writer / Director Manny Coto really understood this series, too bad this was his only script.

Post-Post:

  • Title Analysis:  Mess, indeed.
  • Manny Coto also wrote If These Walls Could Talk.
  • In both that episode and this one, there is a female character named Tillman.