Phantoms (1998)

We open with a scene reminiscent of The Shining — a small car on a winding road through the mountains.  Only without the ominous music and awesome cinematography.  On the other hand, the car contains 2 hot babes, neither of whom are Shelly Duvall.  So call it a draw at this point.

Lisa and Jennifer Pailey  drive into Jennifer’s home of Snowfield for Lisa to get some relaxation from the big city.  Jennifer, who has a medical practice there, says the town is seasonal, going form 4000 to 400 during the year.  The town seems deserted, though.  When they get to Jennifer’s house, her mother is dead on the floor.  And the phone is dead on the desk.

When the car won’t start, they walk the four blocks to the police station.  They find dead bodies there also, sadly not due to capital punishment.  They arm up and become even hotter.  They wander into a bakery where there are more dead people, but grizzlier — severed hands still rolling dough, and severed heads in the oven (OK, those were clearly suicides).  The good news is they find three living police officers there; the bad news is two of them are Liev Schreiber[1] and Ben Affleck.

Image 013While investigating a hotel, the third cop.who might as well have been wearing a red shirt rushes outside at the sound of a screech.  The others rush outside when he screeches, but all that is left is his gun spinning in the street.  Soon Liev is killed also by what appears to be a giant moth.

Peter O’Toole is brought into the picture as a reporter for one of those sleazy tabloids — you, know the ones that have 100% more credibility than the New York Times because of the NYT’s seething hatred and bias against anyone who doesn’t agree with their clustered, shrinking little band of followers.

It is about this time that I repeatedly fell asleep, was awakened by gunfire, then fell right back to sleep about 5 times until the credits rolled.  And I don’t really feel compelled to give it another try.

Image 009The beginning with Rose McGowan and Joanna Going was fine.  In fact the whole movie could have been them and it would have been better.  Ben Affleck has proven repeatedly that he is great behind the camera.  Who, for the love of God keeps putting him in front of the camera?  It’s got to be ego.  I didn’t see Steven Spielberg fighting no shark.

I never did entirely figure out his role here.  He is the sheriff of this, admittedly, small town at the age of 26.  Seems that he had time to go to college, get a law degree (I assume standards haven’t been lowered for that yet), get booted from the Secret Service and end up in Snowfield.  The picture might have benefited from having someone with a little more gravitas in the role. And not sporting that goofy coat and hat.

An officer with more experience might also have made firing Liev Schreiber one of his priorities.  They let this borderline mentally challenged resentful insubordinate deputy carry a gun?  He is such a drooling idiot before the attacks, that afterward, when I suppose he was possessed during one of my naps. there is no appreciable difference.

To be completely unfair, the intermittent portions I saw of the last half did not engage me at all.  The most telling assessment:  There is no Phantoms II.

Post-Post:

  • [1] Schreiber is a good actor, just not who I’m looking for to protect me in a disaster.
  • If Jennifer was making a living as a doctor in a  town of 400 people, there must have been something wrong before the killer moths showed up and killed people and their sweaters.

Night Gallery – Finnegan’s Flight (12/03/72)

Pete Tuttle is standing in the yard as Finnegan (Burgess Meredith) enters.  Well, yard is charitable as there is no grass to be seen.  It is a prison yard enclosed by concrete walls.  No pool, no tennis courts, so you can be sure there are no politicians here.

Finnegan approaches the wall and looks at the guard atop it.  He asks for permission to leave.  Even though he says “please”, he is understandably denied, and begins pounding the concrete walls with his fists until they are bloody and broken.

He wakes up in the infirmary with the prison shrink.  He has been a model prisoner for his extended stay — current 30 years for murder, and before that a string of lesser crimes. Nowadays he mostly says please and thank you and follows orders, gets three meals a day, clean sheets and free health care.  Although haircuts do not seem to offered.

The doctor asks why he smashed his hands, and he says, “Do you know Pete Tuttle? Just between us, Doc, that’s the only time I care about living. ngfinnegansflight09 When Pete Tuttle makes me feel I’m something.”  This is getting a little uncomfortable, but he continues that Pete Tuttle has the ability to make him feel that he is somewhere else, outside the prison.

The shrink calls Tuttle into his office and learns that on the outside he was a professional hypnotist.  Apparently it didn’t work on the judge, because he is in the jug too, doing 5 years for a B&E.  He says Finnegan is the perfect subject for hypnotism — a guy locked up forever longing to get out.  Why Tuttle felt the best way to assist him was to give him the suggestion that “his fists were made of pig iron” is not clear.  How about, “You are the best laundry truck driver in the world.”

Suggesting (or maybe “suggesting”) to the shrink that Finnegan is so amazingly responsive to hypnosis, that there might be a book in it, the shrink has the guards bring Finnegan down to his office. Tuttle puts him under in a few seconds.  Pouring a cup of water from a cooler, he tells Finnegan that the water is boiling hot and commands him to put his fingers in it.  The power of his suggestion, or the receptiveness of Finnegan’s mind is so strong that blisters appear on his fingers.

ngfinnegansflight10It is an impressive display of hypnosis, but couldn’t Tuttle come up with demonstrations that didn’t end up mangling Finnegan’s hands every time?

The next time, Tuttle gives a more gentle suggestion that Finnegan is in an airplane.  We see Finnegan pretending to hold the controls and even making an airplane noise.  The warden comes in — bizarrely seeming to have been costumed for a WWII Nazi role — and doesn’t like what is going on.

Finnegan begins coughing and laughing.  Imagining himself in the jet, he has induced hypoxia — a lack of oxygen — in himself.  Did he imagine the Jet had no canopy?  Well, it was mentioned earlier in the episode that jets were invented after his incarceration, so I’m willing to give that a pass.  His face begins to blister as he were 50,000 feet up, almost in a vacuum.

ngfinnegansflight11Tuttle suggests to Finnegan to bring the plane down, but Tuttle must have also trained the 9/11 hijackers — he got Finnegan in the air, but can’t teach him how to land.  Finnegan is terrified, imagining himself in a dive.  His hair is even being blown back by his imagination, so maybe he does think jets are open-cockpit like bi-planes.

His perception of being in a jet is so strong, that as he “crashes”, the hospital ward explodes in flames even though — just as at the Pentagon on 9/11 — there were no airplane parts. [1]  Coincidence?

Pretty good episode of what I suspect is not an original concept.  But Burgess Meredith elevated every episode he was in . . . just not above ground-level in this one.

Post-Post:

  • Twilight Zone Legacy:  Burgess Meredith appeared in 4 episodes.
  • Aired 4 years before Meredith was in Rocky.
  • [1] Of course an airplane hit the Pentagon — shut up.

Zombeavers (2014)

Zombeavers gets off to a very funny and unexpected start with hazmat haulers Bill Burr (Joseph) and John Mayer (Luke). After a funny conversation about Joseph dating a guy (but just for a week), then them discussing being banned from friend’s bathroom, Joseph runs into a deer, dislodging a barrel of chemical waste.

After fun, well-constructed, almost James Bondian credits which track the progress of the barrel downstream like a Bass, Saul Bass  It arrives at the home of the titular beavers.  It’s worth saying again, titular beavers.

zombeavers07Three hot girls are off to a cabin in the woods with no boys, no texting, and no tops (well, that’s more anticipation on my part).  If the movie maintains its pace and humor, this will be the Citizen Kane of horror/comedy.

zombeavers14There are so many good lines that it is pointless to to even discuss them.  This is easily the best horror comedy since Tucker & Dale, and even surpasses that benchmark. Whereas the T&D was mostly situational comedy or satires of horror tropes, Zombeavers ups the ante with a lot of very funny dialogue, a nice Jaws homage and even goofy throwaway shots (the skinny 14 year old kid with the “#1 Dad” hat?  WTH?). Even the standard wacky neighbor is genuinely wacky and hilarious.

Sadly, their 3 boyfriends show up.  They do come in handy when the first zombeaver shows up hiding in the bathroom, however.  Not being brainiacs, they decide to take a swim in the lake the next day with predictable results.  They swim out to a raft and we get a scene that is a beautiful balance actual horror, comedy, creativity and sexiness.  The bit with the dog is Oscar-worthy.

zombeavers21And the zombeavers are smart — I can’t even spoil how smart they are.  I expected the 3rd act to run out of steam, but it just never stops — twists, fire, whack-a-mole, it just goes on and on.

zombeavers23This is just great.  It even wraps up with some funny outtakes and a swinging Frank Sinatra / Tony Bennett style swinging ode to Zombeavers.  When the artists put this much effort into something that really could have been a VOD release in lesser hands, I really appreciate it.

Rating:  A

Post-Post:

  • Title Analysis:  Really, there was no other option; it’s the reason the film was made. But you can’t put the emphasis on “zombie” or you’re left with “vers.  If you stress the “beavers” (of which we saw none, well of a certain kind), you’re left with “zom.”
  • In the last shot, we are visually set up for what I hope is a sequel by the same crew entitled Zombees.
  • Yeah, what’s the deal with this?zombeavers08

Tales From the Crypt – Maniac at Large (08/19/92)

tftcmaniacatlarge03You can’t get a title more promising than that, but sadly the episode does not meet expectations; and I would argue only the word “at” is accurate.

Some gangstas are hanging out at the library, as gangstas are wont to do, terrorizing an old man and stealing his newspaper after jabbing a knife through it.  To be fair, there was a Nike coupon on the back.

Librarian Pritchard bravely confronts them and has security man Grady escort them out. After all, everyone knows public libraries are for smelly homeless people to hang out in, not gangstas.

This is witnessed by the meek new librarian Margaret who is given the task of cleaning up the gangsta’s vandalism.  Beneath the newspaper, she finds that one of the little angels left a switchblade which she slips into her pocket.  No one sees her except 1980’s singing star Adam Ant, who is no goody two shoes.

tftcmaniacatlarge04Despite there being a Maniac at Large as both the newspaper headline and episode title informs us, Pritchard has scheduled a late night inventory count.  Actually, Pritchard is treated about as if she were an ogre of a boss, but she seems pretty reasonable to me, so maybe I’m the ogre.

Adam Ant give Margaret a scare as he is hanging around past closing time.  He wants to checkout a reference book, but Margaret tells him it must stay.  He ominously says that if the police read this book, they might be able to catch the killer. Plus he’s British!  Just like a certain “the Ripper” I recall, hmmmmm?  He predicts the next victim will be a woman.  And speculates that the killer is set off by fear of living in the city.

tftcmaniacatlarge06Pritchard give Margaret some items to take to the basement where she sees the shadow of a knife repeatedly stabbing someone or something.  She runs upstairs to have Grady take a look.  He goes down but finds nothing.

She tells Pritchard who just happens to be talking to a police detective.  In the basement, they find an art book of nekkid ladies that has been slashed up.  The detective says he could pick up the ganagstas but “probably couldn’t make the charge stick”; unlike the pages in the book of nekkid ladies. Still no idea who it was as the gangstas were long gone, and Grady and Pritchard were upstairs.

tftcmaniacatlarge07Serial killer buff Adam Ant is trotted out again with some scary talk.  After he leaves, Margaret sees the newspaper headline again and starts to freak out.  A man with a deformed face bangs on the door menacingly, but Pritchard later explains he is a regular, just trying to return a book. And this guy was trying to return the hell out of it, banging on the door, waving the book, pressing his face to the window.  Perhaps he as unaware of the Book Drop earlier observed behind Grady’s desk.

Pritchard invites Margaret upstairs for a chat.  In Pritchard’s office, Margaret accuses her of killing Grady, and accuses her of “wanting to kill me.”  Pritchard tries to calm her down, but Margaret grabs the switchblade left behind by both the gangstas and the detective and plunges it repeatedly into her boss.  Echoing Adam Ant’s prediction, she rants “I knew you were after me, just like all the others!  But I’m not afraid anymore!  I showed you!”

tftcmaniacatlarge08Grady picks that moment to show up again and sees Pritchard stabbed to death.  Margaret is staring out the window, and says “I guess I’ll have to resign, but I liked it here.”  On the bright side, there is a higher position available for her promotion; stabbed to death being the only way to vacate a civil service position.

She wistfully continues that “the city makes me nervous.  So much crime.  I don’t like being afraid all the time.”  While she is giving the monologue, there is no indication what Grady is doing.

A guy with John Frankenheimer’s resume knows what he’s doing, but there were problems here.  Grady’s disappearance in the final scene, for example.  Blythe Danner did a fine job, but wasn’t really used well.  I’m an old fashioned guy — she was really hot back then, but we barely got a clear well-lit shot of her smiling and looking pretty.

Pritchard was regarded as a bitch, but really was just trying to run the library efficiently, and was pretty conscientious for a civil servant; I never considered her a suspect.  And who was doing that stabbing in the basement?  I suspect it was just a paranoid delusion by Margaret, but being the only such hallucination gave it too much credibility.

However, the set was great.  Maybe not a great library, but a great set — I really liked all the stairs, and levels, and railings.  And the performances were all good.  Adam Ant was over the top, but that is de rigueur in a good TFTC episode.  Blythe Danner just seemed beautiful and classy as always. Even while murdering her boss, she seemed classier and more relatable than her daughter Gwyneth Paltrow.

Post-Post:

  • Title Analysis: I didn’t consider Margaret to be a “maniac” in the classic raging asylum dweller sense.  And she wasn’t “at large” — she was at work in the library for the whole episode.  Technically, I guess it was true, but not as brutal as I had expected.
  • Almost 20 years earlier, Grady (Clarence Williams III) was in a show whose concept still amuses me.  It was a serious police show where 3 hippies worked under cover (or am I thinking of 21 Jump Street?).  The best part is the cool name the 50 year old suits with long sideburns at the network gave it to really reel in the teens:  The Mod Squad.  Of course, the Porno-Industrial-Complex did the obvious and released The Bod Squad.
  • Or maybe not.  I could swear I remember seeing it on a drive-in marquee, but I can find no evidence of it,  I don’t think I’m confusing with this one.
  • The third of Mae Wood’s lifetime screenwriting credits, all on this show.
  • The classy beautiful Blythe Danner:  I’d like to book her . . . no, that doesn’t work. I’d like to make her decimal system dewy. . . no, too disrespectful.  I got nothing, but then I’m writing this in a craft brewhouse within walking distance of my front door, so I’m lucky to be forming complete. Sentences.

After Dark (2015)

Very generic start as a couple of “teenagers” drive into the woods to start making out. The guy is wearing his hat backwards and has an earring, so I am immediately hoping to protect the gene-pool with his death.  Holy shit, do I spectacularly get my wish; sadly, some good genetic stock is lost as the girl is no luckier.  However, it was a very effective opening for a movie I just picked because of the cover.

A foursome of young guys swing by to pick up three girls.  When things get tight, one of the rocket scientists suggests taking out the spare tire so everyone will fit.  Surely nothing will become of that.

They miss their turn because one of the guys, Chase (and really, has there ever been a good guy in the movies named Chase?)[1], is being an asshole, and they mistakenly turn a down a deserted road.  Still being a prick, Chase thinks it would be funny to chuck a beer can at a big guy ambling down the dirt road.  It is quite a hoot until the road ends and their tires get caught in some barbed wire.  If only there were some type of tire invented for such occasions.

Image 014The guy, Hector, who could be Danny Trejo’s less attractive hermano, turns out to be a pretty good sport about it, but it is clear they better not pull any shit like that again.  The seventh wheel, Jake, volunteers to walk back to civilization to get help.  Hector suggests they build a fire, so the group actually does something useful for a once.

The guys start telling jokes, but Hector gets very serious and says he has a story.  It is about some teenagers who went up to Diamond Mountain . . . but they were not alone.  A crazy guy came to their camp and killed them one by one.  Everyone freaks out at this knee-slapper because he is one scary dude — although, with lovely teeth.  Seriously, in contrast to long stringy hair, tattoos, ratty facial hair, a wife beater and really bad skin — his teeth are effervescent!  Probably paid for in prison with tax-dollars.

Image 009Chase throws his girlfriend over his shoulder, literally, and the go off into the woods to have the sex.  When he doesn’t have a condom on him (literally or figuratively), Amy sends him back to get one.  Still being an unbelievable asshole, he thinks it would be funny for DeVaughn to go back and scare her instead as she is laying there half naked.  And it is pretty funny — until they’re both murdered.  Sadly, it couldn’t have been Chase, but DeVaughn was black so he had to go first according to the rules of horror movies.

Image 020After searching 5 minutes for Amy and DeVaughn, the remaining group decides to all walk back to town.  After they find Amy’s severed hand, they decide to run back to town.  Or at least try driving it with a flat tire.

After they climb into the SUV, they conveniently find a newspaper that no one had seen when this one vehicle was crammed with 7 people, and the full page story with a color picture was sitting right there.  They learn that Hector is an escaped murderer who had been sent to prison by Crystal’s father.  Coincidentally, after sitting on his ass all day enjoying his budget-busting pension, Crystal’s retired father finally gets around to reading the morning paper at about the same time.  He alerts the currently active, future financial burdens on society in uniform and joins them in a search.

Image 005The group find Jake’s flashlight and we get a flashback of his death.  Finally, for the love of god, Chase gets an arrow shot through him.

Bree, Crystal and Will start to run, but Crystal and Will only have to be faster than Bree as she gets her throat cut.  Then Crystal only has to be faster than Will, as I naturally root for the girl.  They find a home surrounded by several cargo containers.  Then they find themselves surrounded by one container as they are tied to a table inside of one of them.

Their assailant, who we have long ago figured out is not Hector taunts them, running a huge knife across their throats as they scream for mercy.  But the heart wants what it wants, and not-Hector pulls down Will’s pants.  What follow is too gross to describe (unless my word count is running short, of course).

Image 015Hector bursts in to save the day; well, at least Crystal.  He whoops ass on non-Hector, not entirely successfully, until Crystal has a chance to put that knife in his back.  Hector tells her that the story he told in camp was about his sons being murdered by this crazy family in the mountains.  He was convicted for the murders of his sons, but busted out of prison after 5 years to take his revenge.

Some have complained that it was too slow, but I found it to be a solid ride.  The sole exception being the character of Chase — why does every horror movie have to have at least one character that is such an unbelievable asshole that no one would want to associate with him (and why do hot chicks always flock to them (of course, that is based on reality so I really can’t complain))?

Image 026Overall, it looked great.  It was well cast and the performances were good, although it took the girls a little while to settle into their roles, I thought.  Were there cliches?  Yes, to the tune of aplenty.  But I don’t deduct points for that.

Time well spent.

Post- Post:

  • [1] I did think of Chase Edmunds in Season 3 of 24 — a good guy who even shared a fate with Amy.  Although he lived to scream about it.
  • Title Analysis — How is it that such a natural title has not been used before?  Ever, as far as I can see.  It’s like The Eagles — I can understand Toad the Wet Sprocket being available, but how had no big act ever been called The Eagles?