Ahhhh . . . it’s nice to be back in a safe space after disastrous outings with Tales of the Unexpected and One Step Beyond. You can always count on Alfred Hitchcock Presents.
Oh bloody hell! Can’t we have a nice simple murder in America? Just to further rub 2020 in my face, the episode stars Dean Stockwell. He might be interesting in small doses, but he is on the Mount Rushmore of stunningly bad, but successful, actors with Elliott Gould and Bill Paxton. Here he plays — as always — Dean Stockwell. Even this is beyond his grasp as he is required to speak with an English accent.
The episode is somewhat redeemed when the first face we see is 77 year old Burt Mustin playing a 100 year old man as he did throughout his entire career. Those unfamiliar with Burt might appreciate the realistic British makeup; but no, those are his real teeth. He is given nothing to do here, but it’s always good to see Burt Mustin.[1]
Four chaps in a pub are discussing some local burglaries when Dean Stockwell comes in. He is just off the train and orders a sandwich and beer. When the bartender has trouble opening the register, Stockwell is able to open it with his Swiss Army Knife. The chaps think this incriminates him as the local burglar.
Stockwell then goes to rent a room from the titular landlady. When he signs the register, the two previous guests’ names sound familiar to him.
Speaking of familiar names, the credits contain a couple. The screenplay is by the great Robert Bloch. The original short story was written by the great Roald Dahl. The mystery of this episode is how two such esteemed writers came up with such a mediocrity.
Reviews on multiple sites rave about the episode so, as always, I will assume I’m missing something. It is so vacuous that I can’t even continue.
Hmm . . . written by Roald Dahl. I wonder if it will show up on Tales of the Unexpected? Oh my God, it’s in the house! The TOTU adaptation of The Landlady is up next in rotation. Given how TOTU botched the great Lamb to the Slaughter, I am not optimistic about what they will do with this.
See you tomorrow after I watch it. And by “tomorrow”, I mean 2 weeks.
Other Stuff:
- [1] Just to emphasize how old he is, Wiki says he used to be a salesman for Oakland Motor Cars.
- His minute role here is strange given that he was already established as a character actor. In fact, the same month this aired, he reprised his seminal role as Gus the Fireman on Leave it to Beaver for the 11th time.
- A more positive review is available at bare*bones.
I can’t believe anyone could call Dahl’s “The Landlady” mediocre! To each their own. I have never seen a great screen adaptation of it but I think the original story is excellent. The way the story is told is more important than the simplicity of the plot. You know exactly what’s going to happen, it’s just seeing it all unfold like a slow motion train wreck that’s gripping.