Monthly Archives: January 2022

Tales of the Unexpected – Skin (03/08/80)

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The story begins in 1946 France.  Drioli is a maison-less guy (and that’s about it for my junior high school French).

He scavenges through the garbage cans of French restaurants.  Or as they call them in France, restaurants.  He is disgusted to find snails in the garbage can!  What has happened to my life!  How did those disgusting creatures get there!  Call Le Health Inspector!  The chef chases him away.

In the window of “the finest gallery in Paris” he sees a painting by his old friend Saltine Soutine. [1]

Drioli remembers his friend back in 1913.  Oddly enough, he remembers a conversation he was not present at between Soutine and his model Josie.  No matter, Drioli shows up soon 30 years younger, cleaner, and probably smelling better.  Although, this is France so that’s not a given.

Drioli is happy because he just made a big art sale himself.  Nine, in fact!  Soutine mocks him because he is a tattoo artist.

We learn that Josie is Drioli’s wife.  You’d never know it the way she and Soutine are all over each other.  Dioli even suggests his friend should paint his wife nude.

Josie will have none of this.  She is a nice Christian girl. The two drunken men crudely chase her around the apartment.  The prim and proper Josie flees in horror. She is disgusted by their boorish behavior.  To even think a lovely girl like her would — oh dear, she’s whipped her tits out.

And not it’s not cheap, cropped American broadcast TV nudity.  They actually show one full breast.  She has one of Drioli’s tattoos — a butterfly — above her nipple.  Soutine goes in close for a look because who wouldn’t?  However, he also starts sucking her nipple.

This gives Drioli an idea, and somehow it’s not braining Soutine with a stale baguette.  He wants a picture of Josie that he will always have with him (but will never get to see?).  He asks Soutine to tattoo a picture of Josie on his back.  Drioli goes to get his tattooing tools.  Soutine and Josie start kissing when he leaves.

When Drioli returns, somehow Josie has gone to the hair salon in those 15 minutes and now has crimps in her hair.  Or maybe Soutine just gave her an awesome rogering while her husband was gone.  She poses, and Soutine starts painting the portrait of her.  After an intense session, Soutine finishes on Drioli’s back — coincidentally just as he did earlier to Josie.  Once the painting is done, he tattoos over it. He is so proud of his effort that he signs his name on it, also coincidentally as he did earlier to Josie.

Back in the present (i.e. 1946), the filthy, disheveled rue-person Drioli goes into the gallery to see Soutine’s work.  The hoity-toity art snobs look at him in disgust like he was Norman Rockwell.

As the elite crowd looks on in distaste, the gallery owner hustles him to the door.  He strips and shows the crowd his back, which would have been my reaction, too.   Oh wait, He’s showing them the tattoo.  Drioli says Soutine was his friend and he has a picture by him.

The owner offers Drioli 200,000 francs for the picture.  He will have the finest surgeon in France remove it, and bill it as a carbuncle.  Another man says that would kill Drioli.  However, this man offers him a life of luxury.  He just has to hang out by the pool at the Hotel Bristol in Cannes with his shirt off and keep his back shaved so she doesn’t have hairy ‘pits.

Drioli walks out with the man.  Eighteen months later, the tattoo is in the window of a gallery in Buenos Aires.  A voice-over tells us there is no Hotel Bristol in Cannes.

As usual with TOTU, I was bored by the first viewing.  Going back to fill in some notes, I kind of liked it.  The accents were a challenge since it was full of foreigners, which of course is what did in your League of Nations. [2] But I got used to the French and Russian accents.  Lucy Gutteridge of the vastly underrated Top Secret! is the only performer who really stands out.  Coincidentally, also the only topless woman.

Other Stuff:

  • [1]  The painting shown was actually painted by an artist named Chaim Soutine.  Painted in 1925, it is entitled View of Cagnes.  Oh yeah . . . and it is dreadful.
  • [2]  Major Frank Burns circa 1951.
  • Lucy Gutteridge was last seen on The Hitcher.
  • IMDb says she now lives on the Isle of Wight.  More like Isle of Lucy.

Science Fiction Theatre – The Miracle Hour (12/28/56)

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This one was almost never finished due to depression; and not mine, for a change.  Wait, I guess it is mine.  Parts of the story are just very sad.  Way too sad for this silly show.

Host Truman Bradley says over a picture of New York City, “Don’t let the bright lights fool you.  The production of a Broadway play, in all its technical aspects, is an exact science.”  One of the technical wizards is theater lighting director Jim Wells.  We see the master at work, a grizzled old guy, probably a WWII vet. [1] In his work-clothes and work-hat with the bill facing the right direction, he is efficiently pulling levers and checking gauges like an artist.  Oh no wait, here comes Jim — wearing a suit, a fancy hat, and with a trench-coat over his arm.  He is heading out at 5 pm, leaving the other nameless poor sap to do the real work.  Where’s the Shop Steward!  Wait, the boss is gone — where’s the Wine Steward!Jim is going to see the play’s costume designer Cathy Parker, but it is a social call.  Being of different sexes, they have to meet in private to avoid the stigma.  He rings the bell and Cathy comes down the stairs with a terrible limp.  That’s not the sad part.

They are actually a nice couple.  They have a nicer banter than we usually see on SFT.  This is a terrible print, but Cathy looks amazing in that slender dress.  Cathy’s 6-year old son Tommy unexpectedly comes out of his room.  So the beautiful, single woman has a child.  While a downer, that is not the sad part either.

Actually, Jim knew about Tommy and had been looking forward to meeting him — what a guy!   He has even brought Tommy a present.  Cathy had clearly been dreading this moment.  She introduces them.  Jim kneels and extends his hand.   With a blank, straight-ahead stare, Tommy feels around for Jim’s hand.  Tommy is blind.  OK, that is sad, but just the beginning.

Put’r there! No, here.

Cathy helps Tommy open the present Jim brought.  Jim protests and tries to stop her from unwrapping it.  It is a coloring book and crayons.  It just got sadder.

Jim tries to come up with an alternate description of the gift.  He goes off with a crazy story about wadding up the pages, and the crayons being sticks to bat them around.  Cathy breaks down in tears, but it is partially due to there being a racist Crayola labelled FLESH in the box. [4] The scene is cringe-inducing — and for a change with SFT, that is not a criticism.  It is a terribly sad, awkward situation — would I have handled it any better?

The next day at the theater, Cathy explains what happened.  Her family was in an automobile accident which killed her husband, broke her back, and left Tommy blind.  The other driver was not hurt, and was even able to swim like a fish and run like the wind right after the accident.  After a few days in a fake neck brace, he was well enough to be re-elected to the Senate. [5]  BTW, as they lounge around talking, the old guy is in the background working.

Jim’s college roommate from Dartmouth, Roger Kiley, now runs the Optic Clinic at Mercy Hospital.  He sets Tommy up with an appointment.  Dr. Kiley examines him twice and finds that the optic nerve is completely destroyed.  Jim suggests some experimentation, but Kiley says he’s not into that.

Back at the theater, we find out the old guy is named Bill.  Jim tells Bill he is taking Tommy fishing.  Bill tells him how, as a kid, he used to capture worms for bait.  At night, he would hose down the yard, turn on a lantern, and the worms would come to him.  Hearing that the worms could detect the light without eyes, Jim has an idea!

He calls Dr. Kiley and tells him about the worms.  Kiley is surprisingly knowledgeable about our vermicular-American friends.  He explains that they have photo-sensitive cells in their epidermis.  He speculates that the “soft tender skin of a child” might also be sensitive.

The next morning, Kiley does a brief, preliminary examination.  Holy crap, did he have Tommy take his shirt off for an eye exam? [3]  Then Kiley says, “Would you like to see me tomorrow?”  To the blind kid.  Really?  Is this what they teach at Dartmouth?  Waaait a minute — Dartmouth Medical doesn’t even have a Dept. of Ophthalmology, Optometry, or Otolaryngology (although that last one is irrelevant since it is an Ear, Nose, Throat, and Wallet doctor).

After a few more shirtless — seriously — exams, Kiley theorizes that Tommy is not sensitive to light, but is just feeling the warmth.  Jim suggests they try different colors of light which have different wavelengths.  In time, Tommy can distinguish colors and see movements that interrupt the light.  Through his skin.  Right.  The end.

I’m happy that any progress at all was made, but this isn’t going to help him with Playboy [2] in a few years.

Once you get through the sad parts, this is actually one of the better SFTs.  Jim and Cathy had nice chemistry, Tommy had that thousand yard stare nailed, they had a scientific basis for the story — even if it was Ludacris, and the kid does end up a little better than he started.

I rate it 20/50.

Other Stuff:

  • [1]  Ha, at this point, WWII was only 11 years ago!  Well, war does things to a man.
  • [2]  I really wanted to reference Pornhub.  But by the time that was invented, he wouldn’t care anymore.  In 1956, Playboy had been around for 3 years and the photography was not yet the god-awful mess it would become in 20 years.
  • [3]  You’re thinking that the “soft tender skin” might be on his chest.  That makes sense, but Kiley seems to only be flashing the lights in a band across his eyes like they used to shine on Captain Kirk in Star Trek.  Plus, they make a point of saying the worm’s sensitive cells are on “what passes for a head.”  And in the last test and in a demonstration for Cathy, he is fully shirted.
  • [4]  The article says the Flesh Crayon was discontinued in 1962.  Abalone, I remember them and it wasn’t no 1962!  I got yer flesh crayon right here, hee-hee!  Wait, that’s not very impressive.
  • [5]  I will never forgive that asshole.
  • It just seemed too creepy to caption that last picture “Tommy, do you like movies about gladiators?”

Alfred Hitchcock Presents – Museum Piece (04/04/61)

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Either AHP is getter duller or I’m getting more exciting.

Mr. Hollister is guiding a tour through his small museum.  The last exhibit on the tour is a couple of skeletons.  He says one skeleton is an ancient “proto-pueblo” and the other is a “Caucasian”.  He describes the second one as being “very much like you and I.”

He escorts the group out and locks the doors.  He finds that one of the men has stayed behind.  Mr. Clovis — oh, I get it! — is admiring the collection of obsidian knives. [1]  He describes himself as an archeo-psychologist.  That is, he tries to divine the psyche of ancient man by his possessions.

He notices the Caucasian skeleton and profiles him.  Wait, he does know that is the Caucasian skeleton, right?  He says the large skull indicates he was an intelligent man who had trouble finding hats that fit.  He also deduces the man was athletic because he had the type of broken leg that is common in skiers.  The flaw in this logic is that Clovis has the same injury, but is decidedly not athletic.

Hollister shows Clovis through the other exhibits, pours some cocktails, then says the skeleton is was is was his son, Tim. [4]  He recalls the events that caused his son’s death.

Tim was hunting a fox.  He wasn’t really a hunter, he just wanted it for his collection.  He spots the fox running into Farmer McCaffery’s barn and follows it.  Little does he know McCaffery’s son is up in the hayloft also pursuing a fox.  Tim shoots the fox — the four-legged one.  McCaffery climbs down and busts Tim for walking into the unlocked barn like it was some kind of insurrection.

The girl yells down “Stealing pigeons!  That’s what he’s up to!”  What the heck?  Is McCaffery a pigeon farmer?

McCaffery Jr. is really a jerk.  He challenges Tim to a fight.  McCaffery grabs a pitchfork [2] and lunges at Tim.  So he Rittenhouses his attacker right in the eye, in a case of self-defense so clear that even MSNBC couldn’t miss it.

Tim is arrested for murder.  Although, the cops must have let him bring the dead fox with him because Hollister showed the stuffed critter to Clovis before the flashback.

Hollister goes to the District Attorney to try to get a break for his son.  DA Henshaw won’t violate his oath of office because that would be unethical.  After all, he’s a lawyer for God’s sake!

Er, I mean he won’t let the fact that the victim’s father was a campaign contributor sway him.  After all, he’s a politician for crying out loud!

Uh, I mean in order to assure justice is done, he will stay in the office working nights and weekends.  After all, he’s a civil servant for Pete’s sake!

OK, Tim is screwed.

His father really didn’t help the situation by antagonizing the DA.  Henshaw actually seems like a pretty fair guy.

I take it back.  DA Henshaw is a shark in court.  His strategy is to point out the fox and other animals in Tim’s collection were all shot in the eye to preserve their bodies for the taxidermist.  McCaffery was also shot in the eye, ergo it was intentional.  First of all, if Tim is shooting all those animals right in the eyeball, he should be on a SWAT team!  Maybe he broke his leg skiing during a biathlon.  Second, what would be the benefit of shooting McCaffery in the eye?

Anyhoo, he is sent away for life in prison.  I wish I could tell you that Andy fought the good fight, and the Sisters let him be. I wish I could tell you that – but prison is no fairy-tale world.[3]  Oh wait, this is Tim’s story.  Yeah, he died in prison shortly thereafter.

Turns out Clovis is actually from the District Attorney’s office and he identifies the skeleton as belonging to Henshaw.  Hollister confesses, but then stabs Clovis in one of the most lackadaisical stabbings I’ve ever seen.  The next tour group sees two Caucasian skeletons.

Not a bad outing.  Certainly better than the previous episode.  It just didn’t grab me for a few reasons.  First, Bert Convy was not much of an actor.  Or maybe I just keep expecting him to say, “The Password is . . .” [5]  Second, Ed Platt was great as the Chief in Get Smart, but I just can’t take him in a serious role with an unserious jet-black toupee.  In a comedic role, I never noticed how grating his voice is.  Also, he and McCaffery Jr seemed like caricatures.  Both seemed to be hamming it up, especially Jr.  It also seemed like AHP played it a little cute with the skeletons.  They didn’t outright lie, though, so I guess that one is on me.

Other Stuff:

  • [1]  Actually, they are Chekov’s Obsidian Knives as bare*bones points out, but why bring Star Trek into it?
  • [2]  We don’t see the business end of the implement, but it is referred to as a pitchfork.  The strange thing is, he swings it like a shovel.
  • [3]  Shawshank.
  • [4] Upon review, he does not say the skeleton is his son.  But boy do they want you to infer that!
  • [5]  I knew him from Tattletales.  I didn’t even know he hosted Password, but that gives me an excuse to include another Odd Couple clip below.  Bonus:  It also serves as a farewell to Betty White.

One Step Beyond – Echo (06/02/59)

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Paul Marlin appears dazed and confused in the California courtroom where he was just found innocent of murdering his wife.  I saw that same look after the verdict in the OJ Simpson courtroom, except it was on Marcia Clark. [1]

Marlin’s lawyer recommends he get out of town for some rest.  He still wants to know who killed his wife.  Maybe he should have hired Perry Mason.  He would have gotten Marlin off, found the real killer, and manipulated the evidence just to be sure. [2]

In the hallway, they are approached by a journalist named Ferris — the old fashioned kind of reporter that didn’t go to Harvard, leaves the office, wears a felt hat, and reeks of cigarettes and whiskey.  He asks Marlin how he feels about being “let off.”

Marlin says to Ferris, “You’ve gone so far out of your way to twist and distort everything I’ve said since my wife’s death, I see no point in even trying.”  Say, maybe he is a modern journalist.  

Ferris suggests the trial was rushed through, that the victim’s brother was kept from testifying, and that Marlin killed his wife in cold blood for family money that was in her name.  Marlin socks him in the jaw, and it is one of the best screen punches I’ve ever seen.

Marlin takes his lawyer’s advice to get out of town.  He takes a bus, so I guess that family money has not come through yet.  He gets a nice 3rd floor walk-up for $6 per night — coincidentally, the current price of that bottle of water in your room that has sat there for five years because no sane human being will pay $6 for a bottle of water.  Don’t think so?  Ever seen an expiration date on a bottle of water?

That night, Marlin sees a vision in the mirror of a man with an awesome, awesome moustache firing a pistol.  He seems very unnerved by this.  And, regardless of who the man was, and whether he had a gun or a so-so moustache, who wouldn’t be?

He goes to a nearby bar and downs a few shots.  The man from his vision enters.  Strangely, the man asks the bartender for change for the cigarette machine, and hands the bartender change for the change.  This is further emphasized when tries to pay for his scotch with giant bills that have Sauron’s picture on them.  The man apologizes about the currency and says he just got off the plane from New Zealand.  Overhearing about the NZ money, Marlin realizes this is his wife’s brother, Roger!The man thinks he recognizes Marlin and pulls out a photo. [3] He approaches Marlin, who panics and runs out of the bar.  He goes back to his room and discovers his brother-in-law’s luggage there, including a Luger.  

The man returns to Marlin’s room and confronts him.  Marlin is so panicky and sweaty that the man has to be pretty dense not to see what is going on.  Marlin says everyone thinks he killed his wife.  He accuses Roger of coming there to kill him.  And, frankly, that is what the vision showed him.

Marlin breaks down completely.  Drenched in sweat, he admits he killed his wife for her money.  Then he shoots Roger with his own Luger.  Turns out Roger brought a letter that the late Mrs. Marlin had written to him.  She said she had never been happier.  She even planned to transfer her wealth to her husband’s name to show her love.

Well, this one was a mess.  Ross Martin was excellent as the panicky Marlin, but the pieces just don’t come together.  I can’t remember an OSB where the vision turned out to be wrong.  Usually the blast from the past breaks through to our reality to restore harmony or mete out some justice.  In this case, it just got an innocent man killed.

I guess this is supposed to be like The Twilight Zone where a little cosmic justice is beaten into a bad guy.  In this case, Marlin finally admitted he killed his wife.  So he will be punished for his evil act!  One problem in this scenario:  the only person who heard his confession is dead.  All Marlin has to do is get rid of the body.  

Other Stuff:

  • [1]  A more accurate reference would have been OJ’s stooge Robert Kardashian, but who wants to bring that family into it?
  • [2]  At least, that was my takeaway from reading a couple of the books (before realizing they don’t live up to the dames on the covers).  He always seemed to throw in some extra knives or whatever to obfuscate the evidence.  I never saw the TV show, but I assume he was more ethical there.
  • [3] THIS is the picture Roger carries around with him?  It’s from a newspaper, so maybe that wasn’t the first time he decked that reporter.  But why was the story printed in New Zealand?

Suspense – Suspicion (03/15/49)

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Tubi’s thumbnail synopsis which made me laugh

 

Enough of the funny stuff. On with the review . . .

Suspense continues its love of giant fonts, opening with a yuge newspaper headline: FOURTH MURDER VICTIM FOUND, ARSENIC POISONER STILL LOOSE.

We cut to George and Ethel eating breakfast.  There is not much to this scene other than to establish George is married to a much younger, pretty blonde.  She was an actress, but had a nervous breakdown when she saw the Dewey Defeats Truman headline 4 months ago.  Oh, and their housekeeper is Eleanor Roosevelt.  Well it is an easy mistake — she is very tall, er . . . stout, and not a looker. [1]

George takes the morning train work.  There are women talking on the train, but I can barely understand a word they’re saying. I expect that today, but this is 1949 and they are speaking English.  Actually the audio is rough in several sections.

One of them is reading the back of George’s newspaper.   I hear something about Brazilians.  George is irritated and refolds his paper.  The woman sees a picture of a woman named Anderson.  As best I can tell, she was a victim of the Arsenic Killer.

Eleanor is reading the paper when George comes home that night.  He has brought flowers for Ethel who is not feeling well.   Ethel says Eleanor is doing a great job.  George had been worried because she had no references.  Ethel says that is because she had been taking care of a widow’s mother “and couldn’t very well have references”. [4]  If the mother croaked, I don’t see how that prevents the widow from giving a reference.  Unless in 1949, you had to be a man.  Eleanor announces dinner is ready.

That night, Ethel calls 9-1-1, which got off to a slow start on rotary phones. [3]  Eleanor enters and Ethel tells her George is having a severe upset stomach.  A doctor comes, but is unable to find anything wrong with George that would cause the stomach pain or their separate twin beds.

The next morning he is well enough to do some gardening.  While looking for a trowel, he sees a can of Arsenic Weed Killer in the kitchen cabinet.  He has a full day, including going to a bachelor party that night.  He warns Eleanor he won’t be back until midnight. 

When he returns home, kinda tipsy, he finds a thermos of hot cocoa that Eleanor left for him.  He takes a sip, but it must not taste right because he spits it out.  He finds the arsenic can in the cabinet and sees the top has been removed after he replaced it that morning.  Thinking he has caught the Arsenic Killer, he pours a sample into a small jar.  

At breakfast the next morning, he makes excuses to Eleanor about why he is not eating.  He goes to a pharmacy to have the cocoa analyzed.  Busted!  That deranged monster Eleanor gave him instant ! Also, it is laced with arsenic.

He rushes home to make sure Ethel is OK.  Why didn’t he just call her cell?  Oh, yeah.    He is relieved to find her in good health.  Just as he is about to tell her that Eleanor is the killer, Eleanor enters and says the Arsenic Killer has been caught.  Maybe not the most reliable source for that bit of information. [5]

Oh God! I knew marrying an actress I was getting an out-of-touch, brain-dead, arrogant zombie diva who lectures me on things she knows nothing about, but murder?

George realizes it was Ethel who tried to kill him.  He asks why, and she says, “Can’t you eat one piece of toast, can’t you eat one meal without me having to hear you digest it?”  Seriously.  

Ethel seems to have another nervous breakdown [2] as she maniacally confesses to murdering her rival for an acting part.  We hear the police that George had called on Eleanor.  Ethel says, “George, how could you?”  Yeah, how could he?  He obviously had access to a phone to call the police.  Why didn’t he use the phone to warn Ethel?

The “early days of TV” excuse is wearing thin.  Citizen Kane was made 10 years earlier.  The suspense in this one was a little more formulaic than last week, but it did have a twist.  Not very good, but I grant the series another week to get on its feet.  

Other Stuff:

  • [1]  Eleanor Roosevelt, Michell Obama, and Melania Trump are tied for tallest First Lady at 5’11”.  Eleanor just looked taller because she often stood next to a guy in a wheelchair.
  • [2]  You never hear about nervous breakdowns anymore.  I think it was replaced by “exhaustion”.  Although just for actors, never for farmers, coal miners, or ditch-diggers.
  • [3]  Even worse, England used 9-9-9.  
  • [4]  That makes so little sense I admit I must have heard it wrong.  But dang if I can make it sound like anything else.
  • [5]  Wait a minute.  Eleanor announces that the killer was caught, which proves to George that she isn’t the killer.  But wouldn’t that same logic also exonerate Ethel?  To be fair, Ethel then gives herself away when George says he had the cocoa analyzed, and she says, “How dare you!”
  • Ernest Truex was in 2 memorable Twilight Zones: Kick the Can and What You Need.  Sylvia Field played Dennis the Menace’s mother.
  • I say again, whoever invented the block system for WordPress should be in Hell