First things first. This is the 10th episode out of 18 to be set outside of America. I guess they have to go wherever these “true” stories take them. This week it is a Chateau in the Rhone Valley. Still no paranormal activity in Africa or Asia.
A respectful length of time after his wife’s death (1 commercial break) Marquis Jacques de la Roget is married to Charlotte. She was just a girl from the village, but is clearly pleased with her new wealth and power and indoor plumbing. The new couple is barely through the door before she is ordering the butler Ernest to get her some strawberries, “A lot! A big plate!” [1]
She complains that the furniture is old, but Jacques says it is antique. Expect a lot of that sort of thing when you marry into the Roget family.
Charlotte is disturbed by the life-sized portrait of Jacques’ late wife Jeanette that overlooks the room. She callously says, “Am I going to have to look at that 24 hours a day?” Kudos to Jacques for showing that legendary French backbone and saying, “Yes”. He reminds her that she had liked Jeanette. But it turns out, they were not friends. Charlotte was merely a nurse and companion during Jeanette’s last days. She made sure that the weak Jeanette ate every spoonful of her meals.
Jacques snaps at Charlotte’s callousness, but she counters, “How you have changed from the impatient lover who complained so bitterly, ‘Why does it take so long, why does it take so long!'”
So either they were slowly poisoning Jeanette, or Jacques was complaining how long it took Charlotte to have an orgasm.
They are interrupted by Ernest with the strawberries. Charlotte orders Ernest to take down Jeanette’s portrait. Jacques shows that actual French backbone and allows Charlotte to have her way.
Some time later, Jacques notices a blotch on the wall. It is shaped like a small dog or reindeer. It fades away when he calls Charlotte to see it. Late that night, Charlotte catches him trying to scrub away the stain, which now looks like a jelly fish. Jacques believes it looks like a skull. Clearly, however, I see a vagina with penguins flocking out of it.
The next day, Charlotte is barking orders at Ernest for a big party while being fitted for a fancy gown. Jacques enters and dismisses the servants. He is panicking because the stain is looking more like Jeanette. Jacques wants to lock the room up. Charlotte says that it is just his conscience torturing him for what they did to Jeanette, and he agrees.
She insists that Jeanette’s portrait be rehung over the stain so she can have her big party. We do not see the big party, which is the way I like my big parties. But it leaves Jacques consumed by guilt. Charlotte offers to make him some hot chocolate, but they both know the score. Jacques solemnly tells her, “I want it to work quickly, not like Jeanette.”
When Charlotte brings him the hot chocolate, he shows her how the stain has come to look just like Jeanette. Apropos of a French woman, she croaks. Jacques foolishly fesses up to his role in the shenanigans. The police inspector insists on seeing the stain.
Now, about that stain. I’m no nitpicker, but come on. It starts as the little white dog. Then it fades to nothing in front of Jacques as if it were supernatural. Then it comes back as a jellyfish, then a little Jesusy. The maid can see these because she tries to clean them off. Then the stain evolves into a screaming face. When the inspector looks at it, it is the little dog again, except black. But wait, when it was the white dog, it disappeared completely so is it real or not? During John Newland’s closing remarks, it looks like someone sneezed against the wall; and that is the family-friendly interpretation. Just looking for some consistency.
So not a great week. A nice set and great production values are no match for two annoying leads and a pedestrian story.
Other Stuff:
- [1] Strawberries! Pfft! The most over-rated of fruits. Sure, they’re good when covered in sugar, but what isn’t? I suspect most people would prefer banana or peach in their Neapolitan.
