Escape (2012)

“Norway 1363.  Ten years have passed since the Black Death killed half the population .  The land is barren and the lawlessness is raging.”

So wait, this isn’t Escape: The Musical?

Signe and her brother — don’t get too attached — are in a wagon being pulled by one horse with their parents along side on foot.  While stopped for some grub — probably literally grub — Pa is teaching the kids to shoot a bow.  The boy does OK, but Signe lacks patience.  I’d love to say this was testing my patience as well, but there is something immediately captivating about the setting, the family and the score (little bit of a Dances with Wolves thing going on).

Four minutes in, the family is attacked by 14th century gangstas busting arrows & axes in their ass, caps having hot yet been invented.  Signe, being maybe 15, has some value, so is spared.  The gang is led by a woman, Dagmar, who wants to use her to create a little sister for another young girl they’ve adopted (i.e. also murdered her parents).  The men in her crew support this concept too, but maybe for a different reason.

escape03The other little girl, with the unlikely name Frigg, sneaks some water to Signe who the gang has chained in camp.  Dagmar catches her and threatens to make her cut off one of Signe’s fingers.  The next morning Frigg shows up with a knife, and not only doesn’t cut off a finger, she lets Signe go.

The two homely, homely girls escape the camp and the gangstas take off after them through the woods.  From this point on, it is really just a chase with the girls picking off their pursuers.  But that’s enough.

escape04The girls aren’t Rambo.  There is no crazy kung fu wire-work.  There are no elaborate traps set.  When Signe attacks a man who has 100 pounds on her, she is just as ineffectual as you would expect in reality.  They just use their wits, and take advantage of situations.  Their drab looks and clothing lend a credibility to the scenes as does the use of the woods and rivers.

It would be tough for a story to get much simpler than this and still have images moving around on the screen.  Signe looks a little like Jennifer Lawrence, but this is no Hunger games; no fancy story, just a simple, picturesque thriller.  The girls are both great.  Of the cast, Dagmar could have benefited most from a deeper characterization, but that would be a different movie.  In short, everything on the screen works, and I didn’t miss anything that was not in there.  And at 78 minutes with about 6 minutes of credits, it never lags. escape05Highly recommended.

Post-Post:

  • Original title in Norway: Flukt.  Starring Frigg.
  • Signe by Eric Clapton.

Tales from the Crypt – Three’s a Crowd (S2E5)

What is this shit? asks the most famous review in rock history.  I know the feeling.

I dubbed the previous episode “the one where they just gave up” and this entry proves me right. The big name directors are gone, the famous actors are gone, it’s as if they turned the show over to a crew that had never seen it before.  Where is the camp?  Where is the humor?  Where is the bold color palette?  All that’s left to signify TFTC is that odious Crypt Keeper.

This episode is a somber chore to watch.  Richard and Della’s marriage is on the rocks.  It seems mostly due to Richard’s passivity, insecurity, depression, career problems, and inability to get Della pregnant.  Della is no prize either as she seems much more alive whenever their friend Alan is around, and makes no secret of it.

They go out for a cruise on Alan’s yacht, and are are on an anniversary vacation paid for by Alan.  Della sees this as a generous gift from a successful old friend, but Richard thinks Alan is rubbing his wealth in his face and trying to steal Della.

tftcthrees06Richard is certainly given every reason to worry about Della leaving him for Alan.  Clearly Alan is an exponentially better catch.  He is also constantly flirting with Della, jokingly grabbing her thigh, kissing her, having conversations clearly not meant for Richard’s ears.

This is in no way a Tales From the Crypt episode until the last few seconds which are painfully predictable.

tftcthrees05Richard’s performance is dreadful.  We really don’t give a damn about him and it is torture to watch him on screen.  The rest of the cast is OK, but saddled with other problems.

The script, which doesn’t play fair,  took three writers, two of whom have zero other screenplay credits.  The third writer, who is also the director, must shoulder the blame.  The unimaginative script, gooey with the oppressive melodrama of Lifetime at its worst, and set to a plodding score is just deadly.

This is shit.  There is not a single episode of Ray Bradbury Theater or a single film in the $5 20 movie box set that I would not watch again before this excrement.

I rate it zero out of three.

Post-Post:

  • Director David Burton Morris had a weird 1999 directing both The Sonny and Cher Story and The Partridge Family Story.
  • IMDbs: A new category in which I question the validity of IMDb’s ratings.  This episode is rated 5th best of season 2?  I call BS.

Alien Abduction (2014)

alienabduction01The following is leaked footage from the US Airforce.

This film had one strike going in — the horribly generic title.  And another strike just a few seconds in as they misspelled US Air Force.  They pulled it out, though, with a home run . . . ummm in the park . . . maybe on an error.

The film starts out in an alien ship with the found-footage camera being tossed out a garbage chute.

Then we truly begin with some allegedly true accounts of the Brown Mountain Lights including mysterious lights, creatures, abductions, and certain anti-gravity antics reported by a woman who would have really stress-tested the technology.

The Morris family is going camping at Brown Mountain.  It is refreshing that they are not all assholes as is typically the case.  Mom and Dad are there with kids Corey and Jillian. Younger son Riley is autistic which is used as an excuse to have him hold on to that camera like grim death.  He is pretty chatty for an autistic kid — it seems to come and go.  Maybe it’s that 24 hour autism.

As the gals and the guys are setting up the tents, naturally the woman finish before the men figure theirs out because mens are stoopid.  It still has not occurred to Hollywood that this same constant joke is actually patronizing to women.  At least they let a man make the fire.  With a barbecue grill lighter.

alienabduction03That night, after some strange flashes of light that illuminate the tents, they go outside and see the famous Brown Mountain Lights.  At first it is just 3 lights forming a triangle. Then they slowly move around, and zip away very quickly.

The next day, back in the mini-van, the GPS predictably goes out as they travel on back-roads.  They run low on gas because Dad was too stoopid to fill the tank, but do make it to a tunnel which contains several abandoned cars randomly scattered on the road.  Doors are open and toys, baby seats, CDs, and broken seat belts ominously litter the road.

The cars all seem recently er, abandoned.  They are just sitting there empty and fueled up for the taking, but Dad decides to explore the tunnel instead.  There is even a police car there with a radio blaring, but no time for that.

There is a very chilling incident in the tunnel which I will not spoil.  The lights, editing, and sound design actually sent chills through me.  You can bitch about Riley continuing to film, but would you rather not see anything?  Shut up.

The survivors get back in the van and tear out for the 50 yards the gas lasts them, then hoof it on foot.  They go up a dirt driveway that they had noticed on the way in.  Up until this point, I would rate this film as excellent.  However, the redneck who lives down the lane is the weak link in the film.

Sean greets them in his front yard with a rifle.  Its not like he’s moon-shining and these are revenuers — he just seems to be acting like an asshole.  He has the standard over-the-top southern accent, camo, trucker cap, manly-man beard and butt dangling from his mouth as he takes aim at them.  Like all movie hicks, he lives with his brother.  Shockingly, the script does not have him request anyone to squeal like a pig.

Once he sees what they are up against, he does take them in.  Luckily Sean does prove to have some good survival instincts.  He cleverly realizes that the police car in the tunnel will be the object of a huge search, and strings cans around his property to act as alarms.  That night, Sean’s place is flooded with light as the aliens attack.  Tragically, their galaxy-hopping technology enabled them to outwit the tin can strategy.

alienabduction06Sean is able to find his brother’s empty truck.  He is taking the survivors — which are now fewer in number — to town.  Once again, they see the bright lights.  Sean gives them direction to a barn to hide in.  A couple more are taken in the standard Fire in the Sky bright light tractor beam — but now with back breakage!

After a minute of credits, there is an utterly unnecessary epilogue.  But it does break up the 11 minutes of credits.  As always, I applaud them for not padding out the movie.

Other than Sean’s caricature of Hollywood’s perception of a southerner, this is a very good, efficient, chilling film.  Everyone else is great in their roles, it it moves at a perfect pace, and has some good scares.  Special kudos to the sound design which is literally chilling.

Highly recommended.

Post-Post:

  • Wouldn’t The Brown Mountain Abductions have been a more obvious and much more interesting choice of title?
  • The “actual” Lights have an official site featuring a clip which should embarrass The National Geographic Channel.  The Travel Channel also has a clip but I’ll be damned if I’ll sit through a 30-second commercial to see it.
  • For an opposing view: Skeptoid.
  • Is it even possible to have an in-the-park home run that does not include an error?
  • What kind of asshole does this to the rocks?  That’s who ought to be abducted and have their back broken.  You know, after a trial.

alienabduction02

Outer Limits – Dark Matters (S1E11)

oldarkmatters01Generally, put a few peeps in a spacecraft and I’m immediately entertained.  Not so much here, though.  First we start off with the hackneyed idea of a craft becoming stuck in a region of space with no stars.  Just off the top of my head, in the Star Trek universe this trope has been used in Night, The Void, Where Silence Has Lease, and The Immunity Syndrome.  But as I always say, originality is over-rated — I’m still on board.

John Heard is at the helm — or at least beside it — of the the Nestor as it is sucked into an area devoid of stars.  Annette O’Toole, sporting an ill-advised short hair-do, chews him out for letting his co-pilot take the helm.  OK, the co-pilot showed up 10 minutes early for his shift.  Clearly he was qualified and would have been sitting there alone shortly anyway, so what is the beef?  Heard was two feet away.

In the void, they detect the USS Slayton, lost 10 years ago.  As luck would have it, in the entire universe, they have stumbled across a ship that Heard’s brother was serving on when it disappeared.  They send in a probe that records all of the dead bodies, still perfectly preserved in the vacuum of space; including Heard’s brother.

oldarkmatters04They also spot an alien ship trapped in the void.  The Nestor sends over a probe to investigate, but the alien ship destroys it.  In reviewing the Slayton’s data logs, they discover that the alien ship had sent a message.  I appreciated the fact that the transmission was so “well, alien” that it “couldn’t be assembled into data, much less decrypted” — unlike some movies I could name.

They find a huge chunk of matter that is “so massive it could theoretically warp time and space.”  O’Toole asks if it is so massive why aren’t they being crushed by the gravity — which sounds stupid even to me.  Drawn in and caused to crash, yes — but crushed?  Is it increasing the atmospheric pressure in space?  The crew also gets on my bad side by slaughtering the name of Yuri Gagarin — twice.  I’m no comrade, but the actors and producers grew up during the space race – how could no one catch that mistake?

oldarkmatters02As the aliens begin appearing on the Nestor, Heard’s dead brother briefly appears.  The Slayton’s dead captain also appears on the bridge.  He explains that even though they are dead, their souls can’t “pass on” due to the void they are trapped in.  Thus we have another foray into religion which typically is not a good mix for sci-fi.

Turns out that Heard’s brother has a secret in his past that has tormented Heard.  The brother has an idea that might save the Nestor, but Heard argues with him.  For the 2nd time in the episode, he proclaims, “I’m 37 years old!”  Not to nitpick, but the actor is 50 — not even close.

The Nestor teams up with the aliens and is able to escape the void.  Heard’s brother makes amends for their secret.  Everyone is happy.  Except the people who sat through this episode.  OK, it’s not bad, just a little mawkish.

Post-Post:

  • Obviously, the Slayton is named for Deke Slayton.  Having made that effort, you would expect the name Nestor had some significance.  But not that I can see.
  • Slayton’s sad fate in the Mercury program was not covered in the film of The Right Stuff.  Maybe in the book — time for a reread on that one.  Both book and film are excellent.
  • How to pronounce Gagarin.
  • Paul Lynch also directed Prom Night.
  • Not a bad projection of a future notebook, except for the 144 pt font:

oldarkmatters03

Howling IV: The Original Nightmare (1988)

Howling040220 Movies for $5; What could possibly go wrong?  Part XIV.

The opening credits say this is based on The Howling I, II, & III by Gary Brandner.  So, it took three books to create this masterpiece; as opposed to The Hobbit which is one book being made into three films.  So this film must be stuffed with great ideas, metaphor, action, rich characters — it must be nine times as good as The Hobbit!  Great, can’t wait!

Author and walking 80’s billboard Marie Adams (Romy Windsor) is riding up in an elevator to meet her agent.  A nun boards the elevator with her, but when she turns to speak to her, she has vanished.  She spots the nun again at lunch, but again she vanishes.  She has yet another vision — this one of a wolf — and this is the one that finally gets her hauled away.Howling0403

She is taken to a hospital, where she opens up a compact mirror and sees a vision of her face all bloody.  But in the director’s signature move, the shot is so quick — just a few frames — that it is barely perceptible on the first viewing (and WTH would anyone watch it a second time?).

The doctor and her husband Richard decide she needs a few weeks in the country to relax. Marie, her husband and their their preciously-named dog Pierre go to a rustic cottage in the country.  Rustic meaning there are wolf claw marks on the door.

During a walk in the woods, Pierre disappears.  Marie seems to think this is worthy of reporting to the sheriff.   The next day she thinks she sees the nun from the first scene, but it turns out to be a local in a black cape who will soon be banging her husband.  She points out a short-cut home to Marie which takes her past a cave.  Peeking inside, she sees Pierre’s severed head — identifiable only after replaying the scene three times, thanks to the director’s signature .5 second shot.

The next day, Richard goes to the cave to check out Marie’s story about Pierre.  Despite Marie specifically telling him Pierre was “in the cave,” he does not even peek in.  He finds an old doll several yards from the cave and tells her that’s what she must have seen, silly woman.

The story picks up slightly as a couple of New Yorkers are killed.  Sadly, it is all wolf-cam, so we see nothing.

yada yada.

Howling0405Finally about 80 minutes in, we get what we came for.  Richard, who was bitten in the 2nd yada, begins melting into a pile of viscous goo.  I still don’t understand how that is a step to becoming a wolf, but I was just happy to see anything finally happen in this film.

This attracts many other man-wolves most of whom look more like Nosferatu than wolves.  However, to average it out, they also present shots of red-eyed dogs running around that are supposed to be wolves.

Eventually, Marie is able to kill the wolves in much the same way we saw in Night Shadow.  A car is launched toward a bell tower where they have been lured.  Then the car is blown up, consuming them all in the fire.  When the denouement of your film draws from the same concepts as a Kato Kaelin joint, you’re on thin cinematic ice.

Romy Windsor is very watchable with a very distinct look about her.  Sadly, she is not reason enough to endure this movie.  Some of the effects are fun and appear to be practical, but they are too few and far too late coming to be much help.

I rate this a I out of IV. Stoopid no-fraction-having Romans — it only deserves a .V out of IV.

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