Ray Bradbury Theater – Here There Be Tygers (S4E12)

rbttygers03An earth spaceship looking suspiciously like a US space shuttle is approaching an unexplored planet.  Chatterton, a mineralogist, works for a company that strips virgin planets of their natural resources.  The rest of the crew is there to operate the ship. Their uniform patches indicate that, like the crew in Mars is Heaven, they work for ASA, not NASA.

Driscoll, an archaeologist, makes the absurd statement that all planets from 10 miles up look pretty much the same.  What percentage of planets have life on them to justify an archeologist being one of a six person crew, anyway?  They seem to land like the shuttle despite the presence of trees and rolling hills.  In fact, the planet really looks like a golf course.  One of the crew even makes the same observation.

rbttygers06Driscoll starts talking about wishing to fly when he was a kid, and suddenly he is airborne, swooping around like a kite.  This miracle does not impress Chatterton who wants to get along with his work.  He continues being a jerk, so Driscoll wishes him into the air for the same experience.

Further exploring, after someone mentions a bottle of wine, they discover a stream in which wine is flowing.  That’s nice and convenient, but I have to think it makes the old problem of bits of cork in the wine bottle seem positively quaint.  Driscoll wishes for fish to go with it and a few yards away there is a hot spring which has cooked a fish for him.  So it is clear this planet is, or has, a sentience that is making wishes come true — an idea it seems like every iteration of Star Trek has run with.

rbttygers17Chatterton wanders away from the group and gets his giant drill from the ship.  He might be a jerk, but he’s the only one in this group with a work ethic.  The others leave their wine, fish and grapes and find him starting to burrow into the ground with a giant spiraled drill.  The drill even makes a thrusting motion just in case we miss the rape metaphor. Then lightning strikes the drill.

Chatterton runs off saying he is going to destroy the planet.  But he is eaten by an unseen (i.e. unbudgeted) predator before he can do any harm.

rbttygers04Driscoll tries to talk the others into staying on the planet, but they’ve been in space for years — they want to go back to earth.  Driscoll stays behind and watches the ship take off.  From their perspective, the planet is a hellish place of exploding volcanoes and flowing lava.  To Driscoll, it still looks like Bushwood Country Club.  The planet is putting on a show so it will be categorized as hostile and never revisited.

Driscoll looks into the stream and sees the reflection of a beautiful blonde.  The first of several, I imagine.

Post-Post:

  • Stephen King has a short story by the same title.
  • Just as in The Long Years, there is a female astronaut who has no lines.
  • According to IMDb, it was rejected by The Twilight Zone as too expensive to produce.

Ray Bradbury Theater – The Long Years (S4E11)

bradbury02The Hathaways are the last people on Mars because they missed the last ship back to Earth.  They were in the mountains on an archaeological dig.  When they returned a week later, Mars had been evacuated.

John Hathaway stares at the stars each night hoping to see a rocket ship streaking among the unmoving stars.

One night, he takes his regular walk up to a hill where there are three graves.  In a quick pan, we see only the name Tom Hathaway (1988 – 2007).  At this point, we don’t know Tom is his son.  He asks their forgiveness for what he did.  He reflects on 20 years spent waiting for another ship from Earth.

rbtlongyears04Returning to his house, he sees a light moving across the sky.  He calls the family out and tells them, “We’re going home!”  To be sure they are spotted, Hathaway is able to remotely switch on every light in nearby New New York City.  In the short story, he just burns the city down.

Hathaway and his son take a golf cart to meet the ship.  The crew is descending the ladder, and hey — it’s Captain Wilder from And the Moon Be Still as Bright!  Hathaway takes them home to meet the wife and kids who they had last seen 20 years ago. Wilder comments that Cora has not aged a bit in 20 years.  Maybe it is just the way she is styled, but unfortunately the actress playing Cora doesn’t really look that much younger than Hathaway.

rbtlongyears05One of the other crewman knew the kids and comments they they also appear exactly as they had 20 years earlier on Earth.  Son Tom evens says he is “twenty-one” in his only dialogue in the episode.  He is in several scenes, but just stands there looking a lot like Jim Carrey in Dumb and Dumber, never uttering another word.

But he is positively loquacious next to the female crew member who gets not a single line of dialogue.  She is even seen speaking in a couple of scenes, but in the background where we can’t hear her.

As Hathaway visits the graves again, Wilder joins him.  Hathaway explains that a virus killed his whole family in a week.  So he built robots to recreate his family.

When Wilder tells Hathaway that they can only take him back to Earth, not his family, he tries to explain it to them.  “What is goodbye?” asks his robot wife in the sci-fi trope where a non-human speaks perfectly throughout an episode, but then doesn’t know a key common word.  What if they had been humans, would there still only have been room for Hathaway?

rbtlongyears10While he is trying to explain “going away”, he ironically does the big “going away” as he has a heart attack and dies.  They bury Hathaway next to his real family, and the crew leave them on Mars.  The episode has a much better ending, a great ending — the robot family uses the same tools which created them to create another John Hathaway.

In the last scene, they are all sitting at the dinner table and Cora has made John’s favorite chicken dish.  Although, I don’t know what he’s going to do with it as it was strongly suggested that robots do not eat.

In the short story, the robots are deemed too human to kill, so they are left to do the same repetitive mundane tasks forever.

Post-Post:

  • First published in Macleans, September 1948.
  • Just to confuse things, in the episode, the father is John and the son is Tom.  In the short story, the names are reversed.  Also, the wife in the episode is named Cora instead of Alice, and they have an extra daughter in the short story.
  • Directed by Paul Lynch who also made Prom Night.

Ray Bradbury Theater – The Day It Rained Forever (S4E10)

rbtdayrain06Three yahoos are sitting on the veranda — oh hell, this place isn’t fancy enough for a veranda — they’re on the porch of the Milled Buck Hotel.  They are bitching about the heat, the lack of air conditioning, and the fact that the main road does not go by here any more.

If we had a twitchy transvestite psycho killer, it would be the Bates Motel.  If we had a hot-ass mom character, it would be the Bates Motel TV series.

But we have three yahoos on a porch.  Come midnight, they are still there.  Apparently it is an annual event waiting for August 29th — the one day a year it rains in this little town.  The next morning, they emerge from the hotel, disappointed at the sunny, cloudless sky.  Mr. Smith has had enough; he talks of moving to Ireland where he hears it rains everyday.  Terle, the hotel owner, convinces him to at least stay the day.

Yahoo #3, however, has a more serious plan.  Fremley is going up to bed.  If he doesn’t hear rain that day, he is just going to die in bed.  Terle tries the old garden hose on the roof trick, but Fremley is not fooled.  Also, probably not the best use of their precious water supply.

rbtdayrain09They get excited at the sight of some dust blowing up in the distance, but it just turns out to be a guest for the hotel, another once a year occurrence by the looks of things.  Blanche Hillgood follows Terle and Smith upstairs as they carry a shrouded object from her car.

At dinner, for some reason, Blanche feels compelled to tell her life story, how she was 29 and unmarried, then 40 and now 65 — the actress was 52 at the time.  This is a reversal of male characters on a few other shows whose characters claim to be 10 years younger than the actor portraying them.

Blanche undrapes the object the two yahoos hauled in, revealing a harp.  She begins playing and somehow the harp brings the rains.  They go outside in the rain and Terle exclaims, “50 years of drought are over!”  That’s pretty optimistic based on 5 minutes of rain.

rbtdayrain14A pretty tedious affair.  Sheila Moore is very good as Blanche, but the dudes are pretty much walking through their parts, and in Fremley’s case, laying through most of it.  At least Terle (Vincent Gardenia) has some facial recognition going for him as Archie Bunker’s neighbor, and Detective Ochoa in Death Wish.

Post-Post:

Meh.

Ray Bradbury Theater – The Exorcism (S4E9)

rbtexorcism06Postman Sam Brown is making his rounds and is stopped by Clara Goodwater (Sally Kellerman).  Clara catches him by surprise and he stuffs a book he was reading into his bag.  She asks if he has her book of Albertus Magnus like the other occult books she has been receiving.  He makes a poor decision of lying to a witch and says no.

Young Tom is mowing the Brown’s yard when he hears Elmira Brown screaming in the kitchen.  She has somehow managed to cut herself while slicing a cake.  Being a good civil servant, Sam stops by his house for a piece of cake while making his rounds and shows Elmira the book he should have given to Clara — “Albertus Magnus: White & Black Arts for Man and Beast, Revealing the Forbidden Knowledge and Mysteries of Ancient Philosophers.”  That mouthful is the title, not the first chapter, and it is a real book.

Elmira goes to see Clara and recruits Tom for moral support.  At this point, there is evidence that Tom is a) her son, or b) a neighbor who mows their lawn, and c) an Indians fan as he always wears their cap.  On the way over, Elmira face-plants in the yard and blames Clara’s magic.

After Elmira accuses Clara of being a witch, Clara invites her in for a cup of tea, leaving Tom on the porch.  Elmira accuses Clara of using her magic each year to be elected president of the Ladies Honeysuckle Harmony Lodge.  She reels off her misfortunes every year around election time — being sick, breaking a leg, and various clumsy accidents.

rbtexorcism36What is strange is that during this entire exchange, Tom can be seen through the window, and seems to be taking notes.  My first thought was that he represented the author, but I don’t know of a Bradbury-Cleveland Indians connection.

Leaving Clara’s house, she is nearly hit by a car.  At least we are told at that point, that Tom is not her son.  That night she continues her list of screw-ups that she attributes to Clara’s magic.  The morning of the election, she adds one more as she has a giant zit in the middle of her forehead.

For some reason, she drags Tom to the election with her.  Current president Clara introduces Elmira who has asked for the chance to say a few words.  She accuses the members of voting for Clara every year to avoid the same problems she has had.  She plans the titular exorcism.

The vote goes as usual with the the entire membership giving an angelic “aye.”  Elmira runs out and emergency exit and falls two stories.  Clara uses her powers, and tells Clara that if she comes back to life, Clara will pass the presidency to her.

rbtexorcism51That does the trick, and she marches back up the stairs with then club singing “For She’s a Jolly Good Fellow.”  But it is clear Clara is just setting her up for another fall.

Just a strangely unappealing episode.  It wasn’t clear who Tom was until he referred to his parents; it still isn’t clear why Elmira drags him everywhere and why he goes along.  I’m assuming Sam and Elmira are married, but she seems quite a bit older, so could be mother and son — certainly a postman son living with is mother is not unheard of.

And, sorry but the presidency of a club of women in their 50’s just isn’t going to grab my interest.  A club of 20 year old strippers threatening to unionize — then you got something.

Post-Post:

  • Clara introduces Elmira as being the wife of the local graphologist (one who studies handwriting).  All we know about Sam is that he is a mailman, reads people’s mail, and seems to have married a woman 10 years older than him — so I don’t get the graphologist reference.
  • OK, I guess it refers to reading people’s postcards, but it’s a stretch.
  • Dead last in IMDb’s always-suspect ratings.

Ray Bradbury Theater – The Toynbee Convector (S4E8)

bradbury02I’m not sure if this series is wearing me down, or if it was just a late bloomer — I’m actually starting to like some of the episodes, or at least I can appreciate them when I can see through the figurative filter of 80’s style and the more literal filter of an awful DVD transfer.

It also helps to not go in expecting The Twilight Zone.  As much as Serling was praised for his humanity, it is Bradbury that really digs into it.  The science is given a complete pass, sometimes there is a lack of twist, irony or even closure; sometimes it is just a slice of slightly askew life.

The evidence in this case is that the twist is obvious almost immediately — yet it still kept me interested.  It was well-cast and well-acted; Bradbury’s rambling prose was appropriate to the story and was well executed.

Craig Bennett Stiles (James Whitmore) is looking out at a beautiful day.  There are boats sailing on the blue waters, people are hang gliding in clear blue skies.  A helicopter is flying in carrying reporter Roger Shumway.

rbttoynbee02In the control room, they are running tapes of “burning rain forests, smog alerts, gridlocked cities, sea birds caked with oil — that’s how it was as we entered the [19]90’s”.  But 100 years ago, in 2000, Stiles became the first and only man to travel through time.

After his trip 100 years ago, Stiles went into seclusion after showing the world the pictures he took of the pristine future where man had conquered the ecological chaos he had created in the late 20th century.

Stiles selects Shumway out of the pool of reporters because he has a reputation of telling the truth — that would certainly make him unique in 2015 also.  At 4 pm that afternoon in the year 2100, the world will see his ship whiz by on the time-travel journey he made 100 years earlier.  Stiles and Shumway enter his home.

Stiles shows off the time machine, the Toynbee Convector.  Styles tells us it was named for Arnold Toynbee who said, “If a people, civilization does not rush to meet the future, the future will plow them under, kill and bury them.”

rbttoynbee03I’m not sure if that is an exact quote. Wikipedia summarizes his study of civilizations as “he concluded that they rose by responding successfully to challenges under the leadership of creative minorities composed of elite leaders.”  Which seems pretty self-evident — if they don’t meet the challenges, they fade away.  And there will always be a certain segment of any society that is the smartest or most creative.  Unfortunately, today “elite” has come to mean politicians and actors, both groups which have more than their share of criminals and imbeciles.

Stiles recalls his return to ticker tape parades and the people as he showed them the pictures of the future that was possible for them. “We cleaned and made fresh the air we breathed, we replanted the forests, reclaimed the oceans, lakes and river.”

When Stiles fly-by does not occur at 4:00, Shumway realizes that the whole story, for 100 years, has been a lie.  Seeing the shape of the environment, Stiles came up with the idea of the time-travel to inspire people to change their ways.  He faked tapes, even built tiny perfect fake towns under blue paper skies.  Seeing this beautiful future, people know it was possible and made it happen.

Stiles crawls into the time machine and just seems to die; in the short story, it is more like a suicide.  In the episode, Shumway edits the tapes of his talk with Styles so his deception is cover up, and his words are inspirational,  He even uses laser technology to simulate Stile’s fly-by.

In both versions, Stiles lie is covered up.  The episode is a little more uplifting though, further establishing Stiles as a world-changing hero.  It is nice for a change in sci-fi seeing someone’s lie or hubris actually work out well, and have them be elated at what they have done.

Post-Post:

  • Short story first published in Playboy, January 1984 (by which time its incredibly poor photographic style had literally made the magazine into the joke that it had always inspired — worth a purchase only because of the articles).
  • The plan could have easily backfired.  When presented with tapes of the clean, beautiful future, people could have thought that if they keep doing what there were doing, things would still turn out fine.
  • In any event, maybe we could have kept Al Gore off TV for the past 10 years. That’s gotta be worth something.