Ray Bradbury Theater – The Concrete Mixer (S5E5)

Ettil Vyre, “bearer of the most famous name in [our] military tradition”, is refusing to go Earth on what he considers to be an ill-conceived escapade.  The Assigner brings in his wife and son to shame him into going.

Tomorrow, Vyre will be part of the invasion of Earth.  Vyre shows his son some old Earth pulp sci-fi magazines of the kind that Bradbury started writing for.  Vyre’s grandfather brought them back from a visit to Earth and they are now forbidden.

Martian leaders believe generations of Earthmen have been reading these magazines where Earth always prevails against constant Martian invasions with one young man, lean and muscled, with a name like Mick or Rick leading the way.  I’m sure our advancements in X-Ray Specs and Giant Mushrooms from the magazine’s back pages gave them pause, as well.  Vyre says the Earthlings “will be ready and waiting for us, yet we fly to attack and die.”

During the journey on the worst designed, most obvious model of a spaceship, The Assigner describes Earth as “what a silly name, what a silly planet, what a silly people.”  He vows to crush them; and by them, I mean, us.

Unexpectedly, they get a video transmission from Earth.  Is it the President?  No, it is William Summers, of the Association of United American Consumers.  My initial thought was that this was Bradbury’s commentary on consumerism, he turns out to be a pretty nice guy.  He extends a welcome to the ships which is strange as he started his message, “Attention Martian invasion fleet.”  He says they are all brothers, which The Assigner concludes is a trick.

rbtconcretemixer12They land and The Assignor looks out the porthole.  “They’re ready for us!” he warns.  “I can see strange weapons!”  This guy has a mind about as sharp as Phobos.  The Assignor opens the hatch and they walk out to face the evil, murderous Earth bastards.  In one of best RBT twists, the emerge into a parade where the “weapons” are batons and brass band instruments.  Thank God they weren’t using the flaming batons or there could have been a massacre.

A little girl comes forward and hands The Assigner a bouquet of flowers.  He responds by calling for the group to surrender.  “You must realize your position is hopeless!”  They are surrounded by reporters as they march to the welcoming committee.  They are presented the key to the city, or actually “the key to Earth” and told that they “have conquered . . . our hearts.”

rbtconcretemixer19The Martians are offered champagne, hot dogs, popcorn, etc.  They march into the city where everyone turns out in the street to welcome them.  One guy is selling T-Shirts that say “I Metta Martian” which is misspelled two ways.  Vyre is still leery, and the Assigner still wants to kill them all, but they parade down the street.  And the Assigner sure is hanging on to those flowers.

Vyre freaks out when he encounters a barking dog, and turns to see a giant clown head, and is almost hit by a car.  He takes off running, finally stopping out of breath in a junkyard.

His crew, on the other hand, is now being hit on by earth-babes, are wearing leis, handed beers and treated like visiting royalty.  Well, if we offered the Queen a beer, a hot dog and a lei.

rbtconcretemixer25The Assigner calls his men to attention, but they are having too much fun.  Finally he drops the flowers.  Vyre sends a telepathic message to his family.  He tells them he was naive to expect guns and bombs,  “We have been dropped like a shovel full of seeds into a large concrete mixer.  Nothing of us will survive.  We will be destroyed not by the gun, but by the glad hand.”  He vows to make a last attempt to save their souls.

I can see why this isn’t part of The Martian Chronicles.  This is the rare story where Earthmen are not the evil, genocidal conquerors.  Basically, the Martians are just dumb-asses.

Coincidentally an old woman with a bible approaches hims and asks if “he has been saved.”  She asks if he would like to go to a better place, a place of milk and honey.  He says yes thinking she means Mars, so I guess they have bees and cows on Mars. When she starts singing, he walks away.

The downtown is still like Mardi Gras with music, drinking, dancing, but sadly lacking in beads-for-boobs bartering (which, frankly, might have saved a lot of Indians).  The Assigner runs across the street to meet Vyre and is hit by a car and killed.

A fat movie producer wants to put Vyre in the movies.  Turns out his name is Rick which makes Vyre crazy.  He runs out into the street, sees the Earthlings and the Martians are starting to wrestle and fight.  Like The Assigner, he doesn’t look both ways and is run over.

Back on Mars, Mrs. Vyre is playing The Imperial March which she tells her son “is one of our victory marches, except they never really had a chance.”  So the Imperial March came from Mars?

Ray Bradbury Theater – Colonel Stonesteel and the Desperate Empties (S5E4)

bradbury02Young Charlie is bored.  Soon, he will not be the only one.

For reasons unknown, he runs to Colonel Stonesteel’s house.  Charlie complains that nothing ever happens in their town. Stonesteel reminds him that Labor Day is coming up — four cars, floats, fireworks, the mayor.  Charlie is right, this is a dull town. At least in the short story there were seven cars.

Stonesteel takes Charlie into his house in search of excitement, and asks him if he is interested in the Graveyard (the basement) or the junkyard (the attic).  Charlie opts for the attic.  The old man constructs a mummy out of wire and old newspapers.  They then hide it in a farmer’s field.

The farmer finds it and brings it into town, interrupting the Labor Day parade with some real excitement.

And it goes on and on.  Harold Gould can pull off Bradbury’s words like few others, but the boy is as boring as the Labor Day parade; even the one with four cars.

The episode wraps up like the end of Stand By Me.  Charlie has become a famous author, and we see him finishing off a book about his childhood.  Now an adult, he sees one of the neighborhood boys out the window and invites him in.

I can’t even work up the enthusiasm to point out how strange it is that these men like to hang out with 13 year old boys.

Kind of a snoozer, unworthy of the polysyllabic title.

Post-Post:

  • Original short story title: Colonel Stonesteel’s Genuine Home-Made Truly Egyptian Mummy.
  • Just a whole lotta nothing.  I thought maybe there was an historical figure named Stonesteel, but I found nothing.  Thought maybe “desperate empties” was a pre-existing phrase, but found nothing again.

Ray Bradbury Theater – The Jar (S5E3)

rbtjar07Tom Carmody pays a visit to the slutty Thedy while her husband is at the carnival.

Her husband Charlie is walking around the exhibits at the carnival and spots a strange item through a slightly parted tent flap.  He enters and finds a jar with, well, something in it.  Is it a head?  A deformed baby?  It looks a little like the bottled alien that lunged at Paul Reiser in Aliens.

A carnie joins him and says he’d be willing to part with this thing for $40.  Charlie takes it and shows it off to the local yokels, then home to his wife.  He watches as she rides off with Carmody.

Yada yada . . . .

Post-Post:

Really, this covers this episode better than anything I could write:

Ray Bradbury Theater – Zero Hour (S5E2)

bradbury02Memory: Read as a kid and remember being disappointed at the unsatisfying conclusion.

It is morning in a sunny cul-de-sac dotted with McMansions and a poorly placed park where the kids play, but is impossible to get to without crossing a street.

Pinked-hatted ten (?) year old Mink (Katharine Isabelle (Torment, American Mary, and the almost homonymic Ginger Snaps)), is elated when she finds what the kids have been searching for.

Inside, Mink’s mother Mary Morris is having a work-at-home Saturday.  She gets a call on her futuristic (in 1992) 27-inch picture-phone from her husband — a great technology allowing people on opposite sides of the earth to communicate visually in real-time.  He is calling her from the kitchen, though, so not really a great use of the tech.  He too has to work, and goes to his office.

rbtzerohour17The kids huddle around a spot in the park.  All at once, they scatter to their homes and begin collecting a seemingly random pile of items — spoons, colanders, camera tripods, cheese graters, pliers, etc.  Mink’s mom asks what kind of game these items are for and Mink says, “Invasion!” as she runs out.

The kids reassemble in the park and Mink takes the lead in putting the parts together.  A couple of older boys, maybe 13, start to be dicks in the way only 13 year old boys can be.  And 13 year old girls.  Also older boys and girls.  And most grown-ups too, for that matter.  Mink tells them they are too big to understand and they should beat it.

MInk’s mother has the TV on and the big news is that no country now has possession of any nuclear weapons.  They are all being held by an organization called Earth Mutual Defense.  Meanwhile her daughter is outside telepathically receiving instructions, words and formulas that she doesn’t comprehend.

rbtzerohour14Mink is called in for lunch.  She runs in, grabs a hexagonal cookie cutter, and runs out again.  She says it is for her new friend Drill.  Her mother is impressed at all the big words Drill seems to know.  Mink, not exactly tight-lipped tells her mother that Drill has a plan to use kids to invade earth because adults are too busy to notice.

Mary gets another call on the picture phone, from her sister on the other coast.  Her little boy is also looking for a hexagon and mentions his friend Drill.  Mary hears a scream and goes outside to check on the kids.  Apparently one of the girls has gotten to old for the game during lunch, and starts crying as she realizes what is happening.

Mink starts a gyroscope spinning on her hand, and in a few seconds, it just disappears. After seeing that, Mary starts to worry and runs back inside.  When her husband gets home, she frantically drags him up to the attic and locks the door.  He naturally thinks his wife is crazy — and not just from the insane hair-do she has had the whole episode — until he hears a lot of footsteps downstairs.

Footsteps.  A little humming sound.  The attic lock melted.  The door opened.  Mink peered inside, tall blue shadows behind her.  “Peekaboo,” said Mink.

rbtzerohour33That is the end of the short story which underwhelmed me long ago.

It worked much better for me this time around as I absorbed the entire story and not just the last three words.  The episode follows the short story almost exactly, a rarity with no padding and nothing significant left out.  One of RBT’s best.

Post-Post:

  • First published in Planet Stories, Fall 1947.

Ray Bradbury Theater – The Earthmen (S5E1)

rbtearthmen03The third expedition has arrived at Mars.  Although, for some reason, in the published Martian Chronicles, the third expedition was the basis for Mars is Heaven.  And the earlier episode And the Moon Be Still as Bright was about the fourth expedition.

This is the first episode of the fifth season, and they seem to have gotten a few bucks for special effects.  It ain’t Avatar, but it is a step up from the usual quality.  The ship lands and the four crewmen start across the desert looking like Reservoir Dogs, except they are all Mr. Orange.  And with about the same life expectancy.

rbtearthmen05The men find an appropriately alien-looking house.  Captain Williams knocks and an appropriately alien-looking woman answers the door.  She has a strange purple/bronze skin which doesn’t seem quite right, but it could be the lousy transfer.  Her manner of speaking, however, is very effective — very manic and halting. Kudos to whoever came up with it.

She tells Williams that Mr. T is very busy, and it is Mr. A at the next farmhouse that they should see although she pities the fool who bothers him.  She then gives them a metallic card for A and slams the door on them.  Mr. A is not thrilled to see them.  He pulls out a gun and says he is going to kill Mr. T.  In the mean time, he tells Williams that the man he really needs to see is Mr. I.

rbtearthmen15Mr. I is a little calmer than his neighbors (or neighbor, if Mr. A has already killed Mr. T).  He at least invites them into his house.  Mr. I uses telepathy to learn about Williams and Earth.  He gives Williams a paper to sign.  Williams asks if his men should sign, and Mr. I gets a laugh.  He gives them a smile, a handshake, and a room for the night.  And a chance to meet Mr. X in the morning.

When they open the room, it is already filled with people although there are apparently only 26 families on the planet.  Mr. U welcomes them, and the crowd hoists the men on their shoulders in celebration.  After introductions, Mr. U claims to be from Earth.  From the crazy reaction of the crowd, it is clear that they have been put into a “lunatic asylum.”

One of the inmates tells Williams he can open the door with his mind.  Sure enough, he can, but Mr. X is waiting for him.  He has judged Williams to be insane and that his three crewman are illusions, projections that Williams has manifested.

They take Mr. X to the ship to prove that they are all real and that the ship is real.  Mr. X is very complimentary of the illusion and proclaims Williams a “psychotic genius.”  He then shoots Williams and his crew with a very cheesy laser.  He is baffled that the crew and the ship did not disappear as Williams died.

rbtearthmen33Then Mr. X kills himself with a laser blast to the head.

As the men lay dead, the ship’s radio says, “What’s going on there?  Come on guys, stop horsing around.”

Post-Post:

  •  First published in Thrilling Wonder Stories, August 1948.
  • Mrs. T really stole the show as the first alien we see. The others just aren’t in her league.