Alfred Hitchcock Presents – Bottle of Wine (S2E19)

ahbabysitter03My God, the talking!  This is a talkie one.  This  one has more chit-chat than a season 4 Twilight Zone.

Grace Connor has come by to pick up her clothes.  She had been married to Judge Connors for 10 years.  He says he met Grace when he was 54.   If we use the actors’ birth dates, she is 41 years younger than him.  Hmmmm.

While she is packing, The Judge invites her new fella Wallace into the house.  He opens a bottle of sherry, and proposes a toast to Grace.   The Judge drones on about his old schoolmates Socrates and Aristotle.  No wonder Grace is bailing on him.

After a few drinks, The Judge convinces Wallace that he has been poisoned and locks him in a room.  He makes a point of saying the sherry is an Amontillado.  I suppose getting him drunk and confining him in the room is a nod to the Poe short story.  But this time, Fortunato is pissed!

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Yikes!!!

As Wallace panics, The Judge uses his pleas to show Grace that she is leaving him for a coward — a 40 years younger, muscular, better dressed, handsomer, more interesting coward with a full head of hair.

Panicky Wallace then shoots his way out, hitting The Judge.  He tells Grace The Judge poisoned him, but she points a couple of circumstantial reasons why that is unlikely.  He accepts this flimsy evidence a little too easily when a stomach pumping would have been prudent.  He realizes that Grace now sees him as a coward.

Post-Post:

  • AHP Deathwatch:  Congrats to Robert Horton, still hanging in there at 90 years old.
  • AHP Proximity Alert:  This is Robert Horton’s 3rd appearance this season.
  • Sterling Silliphant wrote 11 AHPs as well as the screenplay for The Poseidon Adventure.

Alfred Hitchcock Presents – Momentum (S1E39)

ahmomentum01Richard Hertz, er I mean Paine begins the episode with a semi-voiceover. That is, he is narrating, but appears as a translucent ghost over scenes of the big city rat-race that he is bemoaning.

Having just been passed over for yet another sales job, he goes home to wife Beth.  She insists that he go to see his former boss who owes him $450 in back-wages.  He decides a better course of action is to hit a bartender up for a loan.  Sadly, this rock-solid source of capital lost it on the ponies.  So he goes to see his ex-boss.

When he gets there, he sees that Mr. Burroughs has company and doesn’t wish to embarrass him by asking for his wages.  He’s not above peeking in his window, however, where he sees Burroughs pull out a wad of cash and hand it to his unseen guest.

ahmomentum02After the guest leaves, and the lights are turned out, Paine lifts up a window and crawls inside to get his $450.  As he is counting out the exact amount, because he has told us he will only take that amount, Burroughs enters with a gun.  There is a struggle as Burroughs is calling the police and he is shot.

Paine heads back to Beth.  Because this couple has the communication skills of Oceanic 815 passengers, there is more death. As always in AHP-world, justice is eventually served.

This was the final episode of season one and it is suitably nasty as far as the censors would allow at the time.  Justice is served, but after 2 even more senseless than usual deaths. Good stuff.

Post-Post:

  • AHP Deathwatch:  We’ve got a couple of live ones!  Skip Homeier and Joanne Woodward are still with us.  Possibly a couple of others, or their obscurity just means their deaths were overlooked by IMDb.
  • AHP Proximity Alert: Harry Taylor was in 6 episodes this season, including one just 2 weeks earlier.  Give somebody else a chance!
  • The apartment hunter was just in Decoy 2 weeks ago.
  • Joanne Woodward = Mrs. Paul Newman for 50 years.
  • Skip Homeier is famous for 2 iconic roles – both of them in Star Trek:  Melakon the Nazi and Dr. Sevrin the space hippie with the designer ears.

Grand Piano (2013)

grandpiano00Holy crap will I be recommending this to people tomorrow!  And real people, not the imaginary ones that visit this blog.  You can nitpick this to death, and many already have, or you can just accept it as some great, fun entertainment.

Elijah Wood is Tom Selznick, a concert pianist whose career has been derailed by stage-fright since making a mistake in a complex piece five years ago.  Apparently these classical music dweebs hold grudges like a Muslim.

Finally his wife has has persuaded him to make a comeback.  As he is playing from the sheet music, he begins to see arrows and notes.  He has also been provided with an earpiece that enables him to speak to his tormenter.  A man with a laser-sighted rifle will kill his wife if he does not play every note in the same complex piece correctly tonight.

grandpiano01At this point, it is much like Phone Booth, but better.  Or Season 1 of 24, but worse. Great as Grand Piano is, nobody puts Jack Bauer in a corner.

Much has been written about Grand Piano as being being in the vein of Hitchcock and DePalma (although I’m not sure what represents DePalma except maybe a split screen shot).  It is hard to mistake the Hitchcockian elements — a man in over his head, a timeless theater set, paranoia, inventive camera angles, classical score.  I think either one of them would have been proud of how this shot plays out:

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Must see to appreciate.

The great cast features Allen Leech, Tom Branson from Downton Abbey (who was a little bit of a distraction as he really resembles Samwise Gamgee sitting in the audience).  Don McManus is as over-the-top as you would imagine a great conductor to be (or Don McManus to be, for that matter).  It is nice to see Alex Winter (who was either Bill or Ted and made the underrated Freaked) as a conspirator.  And, of course, Elijah Wood was great, continuing his recent streak.  His, er, not-classic looks are perfect for an emotionally scarred concert pianist.  John Cusack, heard but not seen for most of the movie, gives his usual competent performance.  The only weak point was his wife Emma, played by Kerry Bishe; but maybe only because her on-screen sister was so much hotter than her.

There is a lot of chatter online about the ridiculousness of the plot, and of the ending.  Most, however, do not deny that there is a great style to the movie and that it is successful in generating suspenseful.  So why would you quibble on minor points?

I rate it 84 out of 88 keys.

Post-Post:

  • Thanks to the filmmakers for giving us 12 minutes of end credits rather than padding out the story.  But really, would an 85 minute run time have been that terrible?
  • I’m shocked, shocked! that on Rotten Tomatoes, this has an 82 from critics, but only a 50 from normal humans.  I would have strong expected the exact opposite.
  • I patted myself on the back for getting an obscure Edie Sedgwick reference when Bishe was standing in front of a poster blocking out all but E_____ick.  In retrospect, I was full of crap.

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Alfred Hitchcock Presents – The Creeper (S1E38)

ahbabysitter03The episode gets off to a good start with Reta Shaw as Mrs. Stone.  Anyone who has watched too much 1970s TV will recognize her from usually playing a bulldog of a cleaning woman.

Mrs. Grant has been waiting for the locksmith to install a chain on her door.  Her idiot lout of a husband berates her for being afraid of a strangler — the titular Creeper — that has been terrorizing the neighborhood.

Shaw and the new janitor are discussing the Creeper and Shaw opines that the women were probably asking for it: “Decent women don’t get themselves murdered.”

ahpcreeperwomen06Mrs. Grant’s husband is a surly jerk and they appear to live in the Kramdens’ old apartment. He has just been passed over for a raise, and is currently working nights like the husbands of the murdered women. When she asks if he can switch to the day shift, he berates her.  There is never any insinuation that he is the strangler, although it seems they are about equal in their respect for women.

Mr. Grant stops off for a beer before work, maybe explaining why he didn’t get that raise, and talks to his friend Ed who had once dated Mrs. Grant.  Ed does come off as a possible suspect.  When Ed points out that the victims had both been blondes home alone, it finally occurs to Mr. Grant that maybe his wife is legitimately scared.

Ed drops by the Grant home, appearing suddenly, to Mrs. Grant’s shock.  He says he came to keep her company but won’t say how he got in.  Mrs. Grant does not believe his story that her husband asked him to keep her company.  For good reason — Mr. Grant does not strike me as a guy who would send a former boyfriend to keep an eye on his property, er, woman.

ahpcreeperwomen03Plus Ed is pretty creepy, and does try to force himself on Mrs. Grant until some neighbors complain about the noise.  She uses that opportunity to ask him to leave.  Seeing the man, Shaw wastes no time accusing Mrs. Grant of being a tart who will get what she deserves in the end, just like those other two victims.

Finally the locksmith arrives as Mr. Grant calls to apologize.  Unfortunately, he does not apologize for sending Ed to keep her company.  She tells him the locksmith has arrived and he tells her the police are saying the Creeper has been pretending to be a locksmith.

ahpcreeperellen05Hands come into frame to choke her.

So, for the ladies, another love song of J Alfred Hitchcock.

 

 

 

Post-Post:

  • AHP Deathwatch:  All dead.
  • Christ!  Reta Shaw was only 43 in this?
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To be fair, I’m sure he considers rape a close second

Almost Human (2013)

almosthumanposter0179 minutes, including 8 minutes of credits.  That’s the reason I chose this.

On the oddly specific date of October 13, 1987, Seth Hampton frantically arrives at the home of his friend Mark with a story of their friend Rob being abducted by aliens. Understandably Mark and his out-of-his-league wife Jen are skeptical.

There is a lot to like about this movie, but also some minor irritations that arise almost immediately.  Either writer Joe Begos or actor Graham Skipper have made the rookie mistake of thinking that constantly saying “fuck” is interesting or intense or edgy or funny or real.  In fact, it is exponentially more boring each time it is used (unless it is on The Sopranos).  Of course, Martin Scorsese is still making this mistake, so it isn’t purely rookie.  In his case, it seems more like an old man giggling at his own naughtiness when his nurse isn’t looking.

almosthumanmark01Also, Mark has a manly-man beard that is so obviously fake that it must be real.  Begos proves himself a good enough director that he would not have allowed his make-up person to get away with this beard job.

Seth excitedly tells them about the abduction when suddenly the lights go out, and there are crazy ear-piercing sounds.  Mark goes outside, is hit by a beam of light a la Travis Walton and abducted.
Two years later, on the day Seth wakes up with a nosebleed, hunters find Mark nekkid in the woods.  Begos smartly skips this two year stretch, only cutting into the opening credits with a few news reports.

One of the hunters nudges Mark with the rifle, and he springs to life.  After letting out a Godzilla-like scream, he kills both of them and steals their clothes — this despite one of them being a bro in the manly-man beard club.  Begos again shows his skill, having Mark then do something mostly off camera.  Only later do we know what the growl and the hunter’s shaking foot signifies.  Good stuff

almosthumanmark02Seth goes to see Jen who doesn’t remember anything, and says he believes Mark is coming back.  He is pretty forgiving considering Jen had told everyone that he had killed Mark and Rob.

Mark walks into gas station, knifes a gas-pumper, shoots the clerk — both really well executed; so to speak.  He throws the one that still has a head in the back of the gas-pumper’s truck and heads to his old house.

At the ol’ homestead he sees the circular still-charred patch of grass where he was abducted.  Good times.  He peeks in a window and sees a woman vacuuming.  The phone is ringing, but is almost inaudible under the noise of the vacuum.  So when the woman picks it up, it seems like it is in response to Mark cutting the phone line — I had to rewind a couple of times to get what was happening.

The current man o’ the house, another member of the manly-man beard fraternity, is chainsawing some logs.  Mark shoots him and finishes him off with a beautiful axe to the head.  His wife screams, runs back indoors, and we get a short, nicely choreographed chase involving the house, the car, and a slashing.

Mark lines his victims up in the cellar and and impregnates them by giving the growl, shooting a tube from his mouth to the victim’s mouth, and passing an eggy lump through the tube.

He then goes to Jen’s new house and, in a great switcheroo, her fiance Clyde kicks Mark’s ass.  However, this is Mark’s story, so he does his growl, disables the guy, and breaks his neck.  Clyde has one of those pencil-thin strings of beard with no mustache, so really this can’t be much of a loss.  There’s a reason no one ever wrote a song about a pencil-thin beard.

The story is pretty well set up at this point and follows Mark as he pursues Jen.  She and Seth both put up a good fight.

I was shocked by how well done this movie was.  The score was great, with simple but effective stingers.  The kills were well-done.  And the acting was about as good as you can expect from a small production.

If I had to make a criticism, it would be the portrayal of Mark.  Josh Ethier just did not impart a sense of “otherness”.  While he didn’t come off as a regular garden variety serial killer, there really was nothing to suggest a possession or alien influence.  Maybe it was the beard — In the history of movies, has there ever been an alien with a beard?

I rate it 75 minutes out of 79 minutes.

Post-Post:

  • IMDb says this takes place in Derry, Maine, site of many Stephen King stories. Derry gets a mention, but the action seems to be in Patten, Maine (a real city unlike the fictional Derry).
  • I am not a fan of after-credits scenes.  What is going on?  Is that Rob?
  • Other goodness not mentioned above: Podpeople, and a hacksaw.
  • The reveal of the last kill actually got a verbal “Oh shit” from me, it was so well done.  Just to be non-spoilery clear — the last kill / impregnation made by a possessed human.
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Manly-Man Beard Club. Not so fast there, Clyde.