In one of the great opening scenes of the series, JJ Bunce (Dick York) is sitting on a pier. OK, it doesn’t sound like much so far, but stick with me. An elderly fisherman approaches and says York is in his spot. York is an affable guy, so scoots to the side so the 93 year old can sit. York helps him out by pointing out a big fish. The old man leans over the water to check it out. York pushes him into the water. Maybe he had a cement hip because he sinks like a stone.
Dick York was ludacris playing a thug in Vicious Circle. However, in The Dusty Drawer, he seemed to find his niche. He is a smiling sociopath who has no problem ruining or ending people’s lives if it fits his idea of justice or commerce. Or maybe he’s just smiling because he knows he will be playing Elizabeth Montgomery’s husband in a few years.
Bunce walks into the offices of uber that-guy Henry Jones.  This being the exotic future year of 1980, we get a couple of bits of business that aren’t all that far-fetched. Bunce introduces himself as being from the Society for Experimental Gerology. He seems to know every detail of Jones’ life including that he fell madly for Adlai, and has a shrill 82 year old harridan living with him. Even worse, Bunce’s statistics show that with 1980s medical advances, the old shrew  — his mother-in-law — could live another 32 years. Bunce suggests he could make the problem go away. Jones is outraged and throws him out of his office.
After an awful evening at home with his mother-in-law, Jones strides purposefully into his office the next morning. Bunce is waiting for him. He has a plan to knock off the old woman for the low, low price of $2,000 with insanely low APR. He is instructed to leave his mother-in-law for a nice day in the park. Bunce finds her there in her wheel-chair. After a brief conversation about how the old have an obligation to make way for the young — hint, hint, Bill & Hillary — he wheels her right off the pier. Bravo!
Bunce finds Jones fishing in a transparent row-boat. Whether that was a past thing or a future thing, I don’t know. Bunce gives him the good news. However, he suggests that some day Jones might have a “strapping young son-in-law” who will find him a burden. On the other hand, his daughter will finally be somebody else’s problem. 
If I ever used the word delightful, I would use it for this episode. It has great performances from Jones and York. York goes a little overboard with the fluttering eyelashes, but I just take that like Norman Bates’ manic twitchiness. The peeks into the future aren’t particularly prescient, but are pretty amusing and well sprinkled through-out the episode without being jarring. Finally, the callous murders of the old people are so over-the-top that they are just a hoot.
The minorest of minor issues: Jones realizes that he might face this same treatment from his kids. Yeah, but in 30-40 years, so I wouldn’t lose any sleep over it.
-  I guess this is the new Uber that-guy.
-  Well, I threw in the Madly/Adlai part because I liked the sound of it; and being embarrassed about your vote is one thing all Americas can share.
-  The shrew seems fairly amiable as rodents go; it’s not really even a rodent. How did they become synonymous with nasty women?
-  Actually, part of his response — and it is well-handled — is a new self-awareness. He is suddenly aware that his smiling, loving kids might some day have him killed. He was once that respectful younger person, and realizes what an ingrate he has become.
-  His teenage daughter is 29 and living at home. At least they got that prediction right.
- Saying grace before dinner, Jones says, “Our father, who art in space.”
- AHP Deathwatch: Nancy Kilgas is still hanging in there. Of more interest is Elizabeth Patterson who was born just 10 years after the Civil War.