Alfred Hitchcock Presents – Cell 227 (06/05/60)

Prisoner [1] De Baca only has 40 minutes left to be a burden on society.  His fellow prisoners are ridiculously supportive.  The multi-ethnic jailbirds try to cheer him up by saying he might get a reprieve from the Governor.  They call on inmate Herbert Morrison to opine on a possible pardon.  He gruffly says, “I wouldn’t count on it.  Chances are you won’t get a stay.”  Other than Mr. Downer, this is the best prison ever!

At 11:56 PM, the guards come to get the hysterical De Baca.  The other prisoners encourage him as he is dragged away.  One says, “Save a place for me, amigo.  I’ll see you soon.”  Another says, “There’s always hope.  Even until the last second!”  He is dragged through some anachronistic Star Trek style sliding doors which lead to the gas chamber conveniently located at the end of the hall.  Wow, this really is the best prison ever!

The next day, Morrison gets a visit from Father McCann.  He complains that there is no hope in a place like this.  “It is a system designed to grind a man down to no longer be human,” he says from on top of his clean taxpayer-supported sheets, after his taxpayer-supported dinner, from death row because he ground the humanity out of another human.  He refuses to play the man’s “games of writs and reprieves and stays.  So when I die, it will be as a man, not as a sheep to the slaughter.”

He even has cross words for Pops Lafferty, the head guard who had just dragged De Baca away.  The other inmates say he is the only one to give them a fair shake, or a decent malted.  He even puts a shot of hooch in their last cup of coffee.  Morrison thinks Pops “enjoys his work too much.”  He wonders what kind of man chooses “a career of leading men to the gas chamber.”

And so on.  As usual, AHP delivers a fine episode.  Will that stop me from complaining?  Of course not.

As an actor, Brian Keith had zero range.  He was always the very low-key, coiled spring of anger that could lash out at any time.  The joke about him on Family Affair was that he was that he and Mr. French were gay.  More likely, he would have tossed French and the kids off the balcony.  However, if that is the specific type you are casting, he is a great choice.  A round peg does just fine in a round hole.  Especially, like here, when in prison.

While that casting worked, the character of Pops was just a complete miss.  Herbert’s disdain for Pop’s was off in two ways.  Pops gave Herbert absolutely no reason to hate him.  That made Herbert seem irrational when being supremely rational was the core of his character.

On the other hand, Pops was a little too jovial with the guys about about to go to the gas chamber.  He didn’t put a whoopee cushion in the electric chair, but he also showed zero indication that he was aware of their fate.  I expected a grimace, or some show of discomfort at having to put on a happy face in that serious time.  He seemed so oblivious as to appear almost “challenged.”

Other Stuff:

  • [1] Hmmmmm . . . why is a prisoner a convict, but a jailer is a guard?
  • Despite the title being Cell 227, we see much more of a sign for 226 which is painted between the two cells.  Sure, 227 is painted on the far end, but it is seen only once at a distance.  Why design it this way?
  • Brian Keith was last seen on AHP in No Pain.  He was trapped in an iron lung in that episode and in a jail cell in this episode.  These roles were appropriate for a guy whose range was similarly constricted.
  • For more info, take a look at bare*bones e-zine .

2 thoughts on “Alfred Hitchcock Presents – Cell 227 (06/05/60)

  1. Mr. French and Brian Keith were rumored to be more than employee and employer? I missed that when I was a kid! I just thought it was a boring sitcom.

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