Twilight Zone – Wordplay (10/04/85)

tzwordplay10Comedian’s comedian [1] Robert Klein is trying to learn about his company’s 67 new products in one week.  To be fair, one of the new medical products is a sphyg-momanometer.  OK, that’s a mouthful, but are they saying that a medical equipment vendor did not already sell sphygmomanometers? That and malpractice insurance would seem to be the first two items on a doctor’s shopping list.  OK, it really is too perfect a word not to be used in the script.

He was up until 2 am studying and even had his manual in front of him as he shaved. The first hint of things to come is when his wife refers to their child’s doctor as Dr. Bumper.  This is a great introduction into the story as it is unusual and jarring, but is a conceivable surname.[2]  Also it reminds me of Dr. Beeper.

Klein goes out to his car.  Oddly, he walks past the sports car in the driveway and goes to the family truckster station wagon to drive to work.  His neighbor tells him his dog just had five puppies.  He adds, “That’s quite a few for a small dog like an encyclopedia.” Klein calls him out for using the word encyclopedia, but his neighbor is just as confused that Klein doesn’t seem to know that the dog is an encyclopedia.

tzwordplay24At the office, a few individual words are randomly replaced with other unrelated words.  Experience becomes mayonnaise, anniversary becomes throw-rug, lunch becomes dinosaur.  He goes home for dinosaur and his wife asks him to look in on their son whose cold is getting worse.  She then actually says dinosaur and Klein accuses her of being in cahoots with people from the office.  He presses her to define lunch.  She is getting concerned, but tells him that lunch is a color — sort of light red.

Back at the office, the word replacements are becoming more frequent.  Soon, people are speaking in entire sentences of random words.  I was happy to see they followed the logic and people could no longer understand Klein either.  Although since from their POV, he is the only one acting strangely, you might think they’d be concerned he was having a stroke.

Even his name has been replaced — awesomely, he is now Hinge Thunder.  Finally arriving at his desk, he is surrounded by people speaking these randomly replaced words and understanding each other.  His isolation is perfectly captured by his phone ringing.  It is very easy to empathize with him and his dread of answering this call which he knows will be incomprehensible to him.  When the caller begins, “Timber, Hinge . . . ” and continues on, Klein flees the office.  He doesn’t even use the restroom because he doesn’t know whether to identify as an oven-mitt or a baklava. [4]

tzwordplay29At home, his wife is very upset but her husband can’t understand what she is saying, just like men everywhere.[3]   Upstairs, he finds his son is very sick, so they rush him to the hospital.  The emergency room has no idea what he is saying, but his wife is able to get help for the boy.  Klein feels helpless as he awaits an update.  He couldn’t help his son, now he can’t comfort his wife.  The doctor comes back with good news — at least judging by his wife’s reaction.

That night he begins leafing through his son’s picture book realizing that he will have to start over.

I love the concept, and the execution was great.  I would have liked a few more throw-away gags like the Fasten Step-Dad warning light in Klein’s car, but that’s just looking for trouble. That said, it would have been nice if it went to another level.  There is really no effort to tie his new vocabulary at work to this phenomena.  His age gets a mention, but only as aside — he’s only 42, after all.  Certainly he would like to be better understood at the hospital to help his son, but his wife is right there so there is no real tension or danger.

tzwordplay31So, there really was no irony, nothing learned, no twist, no comeuppance, no cruel fate.  I really enjoyed the episode, but if they have dumped most of the original series’s tropes by the 2nd episode, it does not bode well for the future.

I rate it & out of #*.

Post-Post:

  • [1] Definition:  A comedian that no one thinks is funny.  See also Colin Quinn, Lenny Bruce, Jonathan Winters, etc.  Note that the late Garry Shandling was labeled a comedian’s comedian’s comedian thus circling around to be funny again.
  • Hey, look at me — I’m a blogger’s blogger!
  • [2] One site says there are 46 people named Bumper in the US, but I’m dubious.  In fact, I’m Joe Dubious.
  • [3] I had to identify as a woman for a few seconds to type that.  Back now.
  • [4] It’s hard to distinguish the jokes in such  wacky episode.  Of course, it’s probably difficult in the non-wacky episodes, too.
  • The neighbor is played by Robert Downey Jr’s father, Efram Zimbalist Sr.
  • TZ Legacy:  Feels like there is something, but I just can’t place it.
  • IMDb and YouTube (clip only)

The Shallows (2016)

shallows1The Shallows almost immediately lost me when the main character apologized for being an American. It remained iffy with some out-of-place choppy editing (intermittent slo-mo) in an early surfing sequence — just jarringly awful.  However, the film quickly recomposed itself to be visually stunning and suspenseful.

Blake Lively is returning to the beach where her mother went when she was pregnant with Blake. Having not seen Touristas, Hostel, The Ruins, Jaws or basically any movie ever, Blake goes to the remote beach alone. She does not even have a car which might be spotted or reported missing.

She meets up with two locals and they ride the waves.  The landscape is beautiful and the surfing — awful editing aside — is great.  There is even a fun shot of the shark inside of the cresting wave.  I don’t know if it is aquatically accurate, but it is a nice visual.

The guys leave, but she just has to get one last ride in.  That is when the trouble starts. Without recapping the obvious, she is attacked by a shark.  However, the story does go places I’ve never seen and is never boring.  There is a B-story with her father that seems extraneous, but does give texture and closure to the story.  It might be a little perfunctory and cliche, but there’s a reason some things become perfunctory and cliche — they work.

Is the ending credible?  Is that even an issue?  Were the endings of any of the Jaws movies credible, even the first one?  Only the book had a credible ending and that was a complete bore.

This is Gravity in the water, but I don’t mean that as an insult.  A woman is alone, her companions killed, surrounded by a hostile unbreathable environment, can see home but can’t get to it, makes her way to “islands” of momentary safety grasping at any opportunity to survive, she wins by using her wits, and ends up exhausted on a beach.

Highly recommended.

Bonus points:  Blake Lively’s character is a woman rather than the usual immature Hollywood little girl, she is a medical student, she surfs, she clearly takes care of herself, she helped raise her little sister after their mother died, she is confident enough to go to this remote beach alone, she improvises sutures and bandages on a big-ass shark bite, she survives while the men die, she defeats the shark, and after her ordeal, she returns to surfing.

But some delicate snowflakes are saying it is exploitation because she wears a bikini to the beach, and applies sunscreen.

Fear Itself – Something with Bite (01/03/09)

Veterinarian Wilbur Orwell is watching a news report about the parking garage murder that opened the show.  He is oblivious to the goop squishing out of the donut [1] onto his white shirt.  Should it concern me that there is a nice white bakery carton of pastries on the table?  It is breakfast — did someone go all the way to the bakery and bring them home that morning? [2]

On the plus side, the donuts are well used to a) make a nice transition from the bloody previous scene, 2) provide a little humor, 3) introduce his son, and 4) establish Orwell as a lazy slob.  So it’s nice to watch an episode where someone is using their head.  I could have done without his wife’s twerking in front of the TV.  But to be fair, only about three women in the world can pull that off.

Orwell goes about his day with the soul-crushing ennui of an iPhone assembly line drone:  dog with ear infection, lizard with worms, dog with stomach virus, rabbit with diarrhea, cat with hemorrhoids, dog with erectile dysfunction.  At 2 PM, his day gets more exciting as a trucker brings in something that was hit by a car but not quite roadkilled.

The trucker thinks it is a bear.  But then BJ thought his chimp was a bear.  What is it with truckers and bears?  Orwell tells him it is not a bear; he thinks, maybe a dog? Whatever it is has a name tag that says Michael.  As Orwell is wrestling to hold it on the table, it swats his cute assistant Mikayla away and takes a chunk out of Orwell’s arm. The beast dies but doesn’t turn into a human, so at least we know it isn’t a werewolf.

The next morning, Orwell is baffled by his suddenly heightened sense of smell  He first notices it sniffing his wife; maybe it was all that twerking.  At breakfast, donuts play another pivotal role as their overwhelming sweetness are now disgusting to him.  At the office, he re-examines the thing brought in yesterday.  He notices that it has pierced ears and a filling [3].  An older couple, the Dougdales, come to the office wondering if maybe their uh, Michael, was hit by a car and brought in.  They ask for the body to give it a proper burial.

That night, he checks his arm and finds that the bite has healed already.  He then goes into convulsions and turns into a . . . ohhh, I guess it was a werewolf after all.  The next morning, the TV news is covering another murder.  Well, that seems to be a nightly occurrence, but this time Orwell’s bedroom window is open and he has tracked muddy prints back to his bead.  And his wife says he was a “beast” last night.

Orwell discovers that the Dougdales are werewolves and that it was their son Michael who was run over by the truck.  The screenplay was written by Max Landis whose old man wrote and directed An American Werewolf in London.  While that was a fun film, it had one of the most abrupt, underwhelming endings in movie history.[4]  I was worried Max was going to follow in his father’s footsteps.  I should have known from the quality of the episode so far that I was in good hands.

After his cute assistant Mikayla is attacked, Orwell’s new mad olfactory skillz lead him to the real killer.  It is a creative sideways turn, going the extra mile that most TV shows can’t be bothered with.  Aided by an excellent set of performances, this turned out to be a great episode.  The fact that it is rated 8th out of 13 in the IMDb ratings just further taints the credibility of that list.

Post-post:

  • [1] Donuts is in spellcheck, but donut is not.
  • [2] You can tell they didn’t come from Dunkin Donuts because they were not packed upside down with the icing stuck to the bottom of the carton.  You can tell they aren’t from Krispy Kreme because they aren’t glazed.  Enough with the bloody glazed!  Nobody likes glazed donuts!
  • People who bring glazed donuts to an office are the same ones who bring vanilla ice cream to a party.  Sure, no one buys it for themselves, but they are scared to get anything remotely exotic for other people.  So vanilla is the #1 seller and they think it is because people like it.  It is a viscous circle.
  • [3] If that is a silver filling, another standard werewolf trope is ignored.
  • [4] Bang.  Werewolf dead.  The end.
  • Ernest Dickerson directed the 2nd to last episode of Dexter . . . talk about dodging a bullet.

fibite68 fibite69

Message to Morgan – Guy Russell (1937)

sascoverBlonde-bearded” Don Jaime is hanging out with “bright-bandanna-ed Caribs, huge ring-nosed West Indian blacks, and hawk-nosed Spanish soldiery” in a Panama bar where everybody knows your hyphenated name.

He is feeling pretty good that everyone thinks Admiral De Vaca has taken his fleet to Cartagena.  He expects Captain Morgan to attack the town, falling for De Vaca’s ruse.  His scantily-clad serving wench cares only for the jewel Morgan wears in his neckerchief.  Note that the man at the bar, and two men not even on the mainland had names on the first half-page while the wench still does not.

As she wends her way through the crowd, a strap on her blouse is unraveled, so “a firm white curved breast escaped from its flimsy moorings to gleam naked and inviting.” The wench sneaks out the back door to make a name for herself — Rosa; also traitor.   She spills the beans to Roger Blake that De Vaca is just setting a trap for Morgan.  Blake sends a warning to Morgan then bangs Rosa behind the tavern.  Remember boys, Loose tits sink ships.[1]

The fiesta is interrupted by men who bust in and capture Blake as Rosa attempts “to cover her ivory nakedness with two small hands.”  So she is a triple-agent who has ratted out Blake for an unspecified number of pieces of silver.

Blake is hauled back to San Cristobal and chained in the dungeon.  Also in the dungeon is Black Richard — let’s just call him Richard — the man Blake sent to warn Morgan. He got the message through, but returned to town to look for Blake.  Now Rosa and Don Diego are laughing at his predicament.  As they are leaving, Rosa manages to leave behind a knife for Blake — aha, she is a quadruple-agent!

Blake orders Bl . . . er, Richard to try the ol’ sick prisoner routine.  Sure, it’s an oldie now, but maybe this was the first time it was ever used.  However, the sentry comes in and kicks Richard in the ribs.  This gets guard close enough for Blake to over-power him.  He and Richard go up the staircase.

As escapes go, this ain’t the great one.  Richard and Blake are recaptured almost immediately.  Realizing that Rosa gave Blake the knife, Don Diego orders her put into the Iron Maiden.  After being stripped, of course.  Richard explodes in a rage and breaks free of his chains to save the day and free Rosa before the Iron Maiden’s spikes can do much damage.

They head for the wharf so they can swim out to Morgan’s ship to warn him of the true plot.  Rosa is only wearing a cloak which she can’t swim in.  She nudes-up again and swims to the ship of pirates.  The spikes in that Iron Maiden might not seem so bad compared to the penetrations she is about to suffer.

Another story I just could not care less about.

Post-Post:

  • [1] Remembered from National Lampoon circa 1915.
  • First published in March 1937.
  • Admiral De Vaca in the same issue was a story by Jose Vaca?  Coincidence? Vaca is Spanish for cow — who would use that was a nom de plume?

Also seen today: The Break-In (Amazon Prime). Just awful.  Only 110 minutes and not one goddamn thing interesting happens for the first 105 minutes; or in the last five.  Actually, I did like the “twist” but it was not worth the wait; it might been tolerable as a short in a VHS anthology.  Or better yet, ABCs of Death.

Tales of Tomorrow – Plague from Space (04/18/52)

totplaguefmspace03We join Colonel Ward as he is taking a swig of booze at his desk.  He is so drunk he only sees 48 stars on his flag.  He is agonizing over men killed and equipment destroyed. They happened under his watch, so he expects to be relieved of his command when the General arrives.

A flying saucer was picked up on radar a few minutes ago and has now returned.  It is flying at 70,000 feet and going 2,000 MPH [1].  The Colonel’s response is a) do his duty and take a defensive posture to protect the nation in case it is hostile, or b) attempt to peacefully contact it, establishing a friendship which could benefit all mankind, or c) observe it and learn more of its construction and technology, or d) tell his men he ain’t running no planetarium here — in fact anyone reporting it will be busted in rank.

“That’s all I need when the General gets here — my best jets off chasing a meteorite!  No thanks!”  It would be pretty stupid to scramble jets as, by definition, a meteorite would be on the ground.  After being updated that the object is flying in 100 mile arcs [2] and reducing speed, Ward concludes this is no meteorite — he now thinks it is a missile, and maybe even in the air!  When it approaches for a landing, Ward orders that it be taken to hangar 7.

totplaguefmspace04

Captain Stillman was right — this view is awesome!

Wanting to assess the threat, Ward diverts all incoming flights to another base.  This includes the incoming General’s plane.  The General is not amused and immediately orders another officer to the base to take command.  I wonder if Ward will let him land.

The craft is hauled into the hangar and an unimpressive group of soldiers examines it. There is an inscription on the nose and a cryptographer determines that it is Martian.  This is pretty embarrassing even for Tales of Tomorrow — how the hell could they arrive at the conclusion that it was Martian?  Was there a Rosetta Meteorite that I never heard about?

Colonel Ward orders demolition to open up the craft.  Fortunately, they discover a bit of advanced technology known as a door.  On the inside, they discover a Martian.  He is dressed in a silver suit which matches his silver skin and silver head.  It does clash a bit with the shadow of the TV camera as it zooms in, but how could he have foreseen that?

totplaguefmspace18The Martian is taken away to be examined.  Ward receives word that the doctors examining him all dropped to the floor in convulsions. Some of the men from the hangar have been affected as have men all over the base.  The doctors did determine that the Martian is just an silver ape, with no higher brain functions. Ward makes some pretty good deductions that the Martian was sent here as a living host for viruses that would decimate Earth — germ warfare.

Ward explain the threat to his skeptical Lieutenant, “Don’t you get it?  These babies don’t belong to the UN!”  So they might actually be effective.  And, did he really say “babies”?  I played it several times.  It sure sounds like “babies”, but that is some pretty swinging lingo for a military officer in 1952.  Of course, he was tossing back the hooch earlier.

27 more men are infected.  He tells his aid to order an air-drop of “every available concoction here as soon as possible.  Serums, anti-toxin, antibiotics, the works!  Throw the whole medical book at them!”  After meeting with the doctor, Ward deduces that the real Martians are the germs that the silver guy was hosting.  They have now fled the silver ape and invaded the bodies of the humans.

His men continue dying until there are only 13 survivors out of 2,000.  When one tries to flee the quarantined base like Charles Campion, he is shot down.  Seeing no alternative, Ward orders an atomic strike on the base.  Even though he was tossing back the hooch earlier.

Another meh episode, but surprisingly sophisticated for this dopey series.

Post-Post:

  • [1] I guess that was impressive in April 1952 when the record was 670 MPH.
  • [2] Whatever the hell that means.
  • Scotty from Star Trek is in here somewhere, but I could not pick him out.
  • IMDb and YouTube.