Tales from the Crypt – Death of Some Salesmen (10/02/93)

tftcdeathofsome02After we see Ed Begley Jr. humping some floozy in a hotel, he is up early the next morning to check the newspaper obituaries; presumably to see if my appetite is listed. Actually, we were fortunate enough to see very little of him, but did get some swell nudity from the girl — in a show hosted by a puppet. That still baffles me.[1]

Apparently he made her promises about rescuing her from her lousy job and that dirtwater burg.  She accuses, “But you said you loved me” and he responds, “Yes, and you dropped your little panties.  It’s called salesmanship.”  No, it’s called lying.  Sharknado / Sharknoddo.

He drives out to a farm where Yvonne DeCarlo answers the door.  Asking for her husband, she tells him her husband died a few days ago.  Unlike her first husband, this one ain’t coming back — not even on TFTC.

tftcdeathofsome07He pretends to be shocked and does a variation of a gag that Chevy Chase did so much better in Fletch. He explains that just last week her husband had made a down-payment on a cemetery plot. He says it is too bad he died before paying the balance because the plot package covered funeral expenses plus $10,000 cash.  “Reluctantly” Ed agrees to bend the rules so Yvonne doesn’t lose out on the bennies (i.e. he bilks her out of $250 cash).

Having ungilded the Lilly (see what I did there?), he arrives at another farmhouse.  In a bizarre but fairly pointless bit of casting [2], the door is answered by the always welcome Tim Curry, but playing a woman (an actual woman — Ma Brackett — not just a sweet transvestite).  Although he went to the wrong address, and there was no obituary to lay the groundwork, Ma is still interested in what he is selling and calls out Pa Brackett — also played by Tim Curry. Very strangely, Ma looks like Tim Curry, but I can detect no resemblance in Pa.

tftcdeathofsome10They are very impressed by the brochures he has had printed up. He generously offers them a package deal for $750 that will provide $20,000 in death benefits.  Sounds like a good deal to them, but Pa is pretty shrewd and says they will have to see the plot in person.  Ed is able to stall them for a day and they go down stairs to get the cash.

While alone, Ed sees several of his predecessors — salesmen who have been decapitated, gutted with vacuum cleaner hoses, stuffed into TV consoles, etc.  He heads for the door, but is locked in and Pa clubs him to unconsciousness.

They rouse him, handcuffed,  and introduce him to their daughter Winona (also played by Tim Curry).  Despite all manner of hideousness, he tells her she is beautiful.  She takes him upstairs and rides him cowgirl style, although more cow than girl.  During pillow talk, she says she wants to get married so they can take her dowry and get away from her parents.  The dowry is money from all the dead salesmen and Winona estimates it at $40 – $50,000.

tftcdeathofsome08Begley shoots Winona and digs down about 4 feet in the basement where he finds a box with a piece of paper in it.  He unrolls the document to see one of his own contracts for a Restful Hill Cemetery plot — that is the dowry. This is where things go awry.

The contract is a mess.  I guess they figured that no one would notice in state of the art 1993 low-rez TV. Why were Mr. Jones and Begley filled in the Witness line rather than as the active parties?

And why was it buried under 4 feet of dirt?  Did one of the family dig the hole that night? And then fill it in?  For what purpose?  OK, the microwave salesman’s head was in the microwave, the TV salesman’s body was stuffed in the console, so it makes sense that Begley would be buried.  But irony shouldn’t require that much work.  In fact, irony should require no work  — the universe does the heavy lifting.

tftcdeathofsome06Turns out Begley was shooting blanks (with the pistol, presumably not in bed).  Winona is not dead, and Pa blows Begley away just before telling him that this is salesmanship — a phrase that sort of worked in the beginning, but makes little sense at the end.

If you overlook the nonsense at the end, it is a fun episode with great performances from Begley and especially Curry.  It was nice to see Lilly Munster again even though she had put on a lot of pounds and years (but haven’t we all).

Post-Post:

  • [1] It never occurred to me before that there really aren’t any cute Muppets. Granted, there aren’t that many humans among them, but — again, just occurring to me — they are almost all male. In fact, the only female I can think of is Janice — a groovy chick, but with a mouth that goes half-way around her head.  Just because it works — awesomely, BTW — for Anne Hathaway, doesn’t mean everybody can pull it off.
  • [2] Maybe I was wrong about the pointless casting.  The IMDb also cites his Emmy nomination for playing mother/father/sister/daughter, but he only portrayed 3 characters.  Sister and daughter don’t count as two people — this ain’t Chinatown, Jake.  Maybe this is why they all look so similar and the daughter is a little off.
  • The ugly daughter is named Winona.  Begley’s name is Judd.  Coincidence?  Just as an aside, PC I am not, but I never call real people ugly.
  • Title Analysis:  Inevitable, I suppose.  But shouldn’t it be “Deaths” since there were several killed?  Maybe “Death of Another Salesman” would have been a better choice grammatically and parody-wise.

Hide and Creep (2004)

hideandcreep0120 Horror Movies for $7.50 — Part XVII.

Wow did this movie jump the proverbial shark in about 2 minutes.  We get off to a fun start with Chuck, the owner of a video store (yeah, VHS) talking to a customer on a land-line phone about zombie movies and why they all seem to be rented out.  Nice, amusing start.

Cut to a guy sleeping in a tree, who then falls and hits the — of course — ground.  Lying on his back, he is wearing only a t-shirt and his junk is hanging right the f*** out there. Or maybe it was standing right the f*** out there.  I didn’t look too closely, but that’ll take about 3 letter grades off a movie right there.

Another group of yahoos is watching the Spice Channel when it suddenly cuts out.  One of the hicks treks a ridiculously long way to check on the generator and finds that the electrical cable has been cut.  The next time he is seen, several fairly well-dressed hideandcreep08zombies are chowing down on him.  More freakishly well-dressed zombies appear (did God allow another church roof to collapse?), and here his mulletted hick friends have gone off without their rifles.  So the head mullet calls for them to “split up and meet back at the house.”  My question: In such a situation, when splitting up, which idiots are not going to choose the direction of the house?

Chuck wakes up on the floor of his store, being hassled by a customer banging on the door.  The film regains a lot of its humor and momentum as both the clerk and the customer are not naked.  Despite some stunningly cheap zombie make-up, Hide and Creep gets off to a solid 2nd start.

Multiple colorful characters enter the movie . . . naked guy Michael who claims he was abducted by aliens, the girl at the diner, secretary Barbara at the police station, Chris the deputy she apparently has the authority to fire, Reverend Smith who is attacked in his church, Mullet’s gun-toting teen daughter, a doltish agent from the Dept of Homeland Defense (sic) investigating reports of RC — Reanimated Corpses, naked guy Michael’s girlfriend who also shows up naked.

hideandcreep30

DEAD GUY. CALL CHUCK.

Hide and Creep isn’t swinging for the fences.  It takes its time, but keeps the story full of quirky characters and mostly unforced humor.  The characters, in groups or alone, go on their own quests and occasionally cross paths.  There are no massive zombie hordes and no heads are lopped off, although there are plenty of zombie killings — the survivors are just trying to get through the day.  Chuck holes up in the police station, Mullet gathers his family, etc.  It is all very . . . not realistic exactly, but natural.

hideandcreep36It never lags and has surprises in store, even a few in the last minutes.  I was, as always, leery of the comedy / horror genre, but like Zombie Dearest, I was completely won over.  This is a genuinely fun movie.

hideandcreep53

This does NOT make up for her boyfriend’s junk earlier.

Post-Post:

  • I like that the Mulberry Baptist Church has dates for Founded, Built, Moved, Restored, and Rededicated. Even if it is a real sign, I like the quirkiness.
  • The poster is terrible!  What’s with the sepia tones?  It gives no indication of the fun to be had here.  Who is the demon in the back-ground?  This is a zombie movie.  Why is Mullet on the cover and not Chuck?
  • Title Analysis:  Also terrible – no relation to the movie at all.

Thriller – Well of Doom (02/28/61)

twellofdoom01A long-nosed chauffeur is driving two men in suits through a thick fog.  As they are discussing the dangers of the Moors, Penrose laments that they are going to be late to his bachelor party.  The driver slams on the brakes as there is a giant standing in the road.

He has his arms raised menacingly and is wearing one of those tinker-bell jerkins with the little tutu-like ruffles around the waist.  Who decided this was the official uniform for giants? Obviously they are custom-made; there are no Giant and Fat man stores selling them.  If they are custom made — bespoke, if you will — why not order a f***ing pair of proper trousers and a snappy blazer?

twellofdoom02And who decided to start stores that catered only to the Tall and Fat like they were freaks to be segregated from decent — though in need of new clothing — people?  C’mon, #talllivesmatter.  OK, I’m not so worried about the fat ones.  I just lost 65 pounds — it ain’t rocket science; well maybe a little physics.

The giant pulls the chauffeur out of the car.  Fearing a bad Uber passenger rating, the two other men — Penrose and his estranged butler Teal —  gamely get out of the car to help the driver.  It’s only a giant, after all; it’s not Ferguson MO.

Before they have a chance to have their heads ripped off, the giant’s equally creepy boss shows up.  He coyly throws out devilish names they might use for him — Beelzebub, Baal, Moloch.  Moloch seems to stick, and his giant is named Styx.  Presumably still carrying a lot of anger from a childhood where the other kids called him The Stygian Fairy, he kills the chauffeur and drives off with the three men.

twellofdoom03Flashback:  Earlier that day, Teal had dropped in to toast Penrose’s upcoming nuptials, despite some sort of falling out.  Although I’m not sure how you have a falling out with a butler — you just buttle his ass right out the door.  They toast the bride Laura and throw their glasses in the fire.  Laura calls and tries to talk Penrose out of attending the stag party, but he refuses.

Back in the car, Penrose believes this is just a stag party prank.  Moloch is in the front seat pointing a gun at him.  One pothole and he could have ended up like Marvin in Pulp Fiction.  As it is, Moloch puts a slug in the seat next to Penrose just to let him know this is not prank.  Penrose offers him his entire net worth — a little prematurely in my opinion — but Moloch says it is not enough.  In an ill-fated escape attempt, Moloch kills Teal.

twellofdoom05Penrose is locked in a cell with the titular Well of Doom.  He claims that Penrose’s father threw the rightful owners of the castle down the well to their doom and usurped their position; although did not usurp their source of fresh water – idiot!

And Moloch should know because it was he who was killed!  Bwah-ha-ha-ha.  Oh, and Styx has kidnapped Laura and she is in the cell across the hall, gagged and naked — er, bound.

Moloch presents Penrose with a contract to sign over all his possessions.  Penrose refuses, suspecting he and Laura will be killed anyway.  Moloch, in true Bondian style leaves him alone to contemplate his doom.  Penrose rigs an escape plan from the Well involving a device a Bondian device worthy of Q — a rope.

twellofdoom08When Moloch returns, he finally relents in order to save Laura’s life. Of course, after signing, Styx tosses him in the well anyway.  After they leave, Penrose is able to climb up the rope which would have been perfectly visible to Moloch and Styx.

Finding Laura’s cell empty, he goes back up into the castle and finds Moloch and Styx stripping off their make-up.  He also sees that his former butler Teal is still alive and is really the ringleader.  With Penrose dead, he will claim Penrose and his wife are on an extended honeymoon and will enjoy the estate as overseer.  Yeah, that honeymoon story should satisfy the neighbors for years.

He says that document Penrose signed is going to “make up for years of humiliation . . . have you ever thought what it is like to be a man’s man and live in a household where they give you orders day after day?”  Maybe he really is a man’s man, he’s sure never lived with a woman.

twellofdoom09In a nice bit of luck, and by “bit”, I mean a Rock of Gibraltar sized bit of luck, Moloch and Teal shoot and kill each other; and Styx falls from a balcony thinking Penrose is a ghost.

Several reviews give high praise to this episode, but it wasn’t really anything special.  The high point was the make-up on Moloch and Styx.  Its effectiveness is especially obvious when we get a scene of them without it late in the episode.

Penrose, Laura, Teal and the story are only adequate.  But the show really belongs to Moloch, Styx, the make-up department, and the cinematographer — all outstanding.

Thus concludes the ten episode run of the Thriller Fan Favorites Collection.  At first, I thought I had found a show that possibly even trumped The Twilight Zone.  But, like any show, the quality was a bell curve — just seems like the curve would have been a little more subtle if you’re cherry-picking 10 episodes.

On the plus side, the screeching score was effective, there were some good scripts, and it rarely dragged or seemed padded out like the hour-long TZ season.  But Boris Karloff brought nothing to the show except his name, and presumably the 57 remaining episodes would all be lesser efforts.  But they are on You-Tube, so who knows.

Post-Post:

  • Richard Kiel (Styx) was best known as Jaws in a couple of James Bond joints.
  • Thriller filled the Outer Limits slot after the rest of the episodes went behind the paywall.  The question now is do I want to shell out for Hulu.
  • Hulu sucks.

The Cry (2007)

Can it be an Urban Legend if it started in 1500 AD?

Can it be an Urban Legend if it started in 1500 AD?

20 Horror Movies for $7.50 — Part XVI.  

Title Card:  La Llorona is based on a Mexican legend of a woman who drowned her kids in the river after her husband left her for a younger woman [1].

You lost me at the title sequence.  First we get the preceding on-screen explanation which is generally not necessary in a good movie.  It is followed my by a montage of poorly composed pictures and cacophonous music.  However, it is quite brief, so I was relieved to quickly see an opening shot labelled as Mexico circa 1500 AD; although it really had a 1510 AD vibe to it.

We a hear a titular cry as a young child is — I’m guessing here — drowned. Unfortunately, due to more godawful camera work behind the credits, I couldn’t say for sure.  In the pre-title sequence there are even a couple of shots of kids swimming away — why would those shots have been chosen for a film whose entire premise is based on kids being drowned?  Again, it is mercifully quick; for both us and hopefully the child.

thecry02The next scene is showing the presumably present day (2007 AD) New York skyline.   We can, at least, be confident in saying it is later than 2001 AD.  After an interminable flyover of Manhattan, we end up in an apartment where a woman is frantically making charcoal drawings, the latest of a boy with a red ball. Minutes later, the boy with the red ball is attacked by something with bad eyesight in the park.

This is the 9th kid that has gone missing in the last 3 weeks in Spanish Harlem.  But this was a white kid, so things get serious.

thecry03

Trivia: All evil entities have poor eyesight.

The wooden Detective Scott is listening to the radio about the case, but turns it off — because why would a detective be interested in hearing about the cases?

Distracted, he nearly hits the artist-woman pushing her kid in a stroller across a cross-walk.  After the fright, the woman stops — in the middle of the crosswalk — to give her kid a hit off his inhaler.  So neither of these two lead characters are particularly likable or smart, but at least one of them does look hot in a wife-beater.  For some reason — possibly lack of talent — the detective just stares her down as she does this.  No apology, no remorse, just a dead-eye stare.

thecry04A woman jogging in the park hears some ominous whispers and her eyes get all red.  She goes home to her 9-month old baby and hears more whispers.  She calmly turns on the bath, carries the baby off-screen and drowns it.  To her credit, she does go straight to the police and confesses.

Perez and Scott go to a fortune teller to get the scoop on La Llorona.  Her extensive answers in Spanish with no subtitles do not help the film. We do learn that La Llorona is now stalking New York because the artist’s son is the reincarnation of of he child La Llorona drowned.  Finally, we get a little meat to the movie.

The artist has asked to see Detective Scott at the park.  Meanwhile, La Llorona is on quite a spree in the park.  She kills Scott’s partner.  We get a blurry POV of him pointing a gun and firing at this . . . what, ghost?  This clod could be chief security officer on the USS Enterprise 1701-D.  Then she kills off a couple of yahoos who try to help Maria and her son.

We finally learn through flashbacks that Scott was a stockbroker whose son was drowned by his ex-wife (grounds for the divorce are not mentioned).  So apparently, Scott quit stockbroking, went to the police academy, made detective, and was lucky enough to be assigned to the unit that would get this case.  La LLorona had been on a bloody rampage lately, but where was she during the 10 years it must have taken Scott to make this career change?

Literally the creepiest shot and best performance in the movie.

The artist loses track of her child after Scott insists at gunpoint that she put him down. She finds later him in the lake, but drops him as her eyes go all red.  Scott saves the boy, but the artist for some reason jams two branches into her eye sockets, leaving bloody holes.

How did the kid survive underwater?  Why did his mother blind herself?  Is La Llorona still out there?  Why did she kill the other kids if they weren’t the reincarnation of her son?  We’ll never know, but at 83 minutes, I think we’ve put enough time into the investigation.

Just really a nothing of a movie with some terrible performances and camerawork  There was the germ of a good idea in the screenplay, but it was squandered with dull characters, coincidences and unanswered questions.

Post-Post:

  • [1] In the legend, the ghost of La LLorona searches the earth killing other children to take the place of her own when she is judged at the Pearly Gates.  Wouldn’t she get more satisfaction killing off married men who cheat with younger women?  Does she not have access to the Ashley Madison list?
  • It is interesting that the movie ties its theme into real cases like Andrea Yates and Susan Smith.  It would have been more acceptable in a better movie — here it just seems exploitative.
  • I would never have guessed that Detective Scott played Dexter’s brother.  So he can act; he just chose not to do so here.
  • Carlos Leon knocked up Madonna.

Ray Bradbury Theater – Silent Towns (10/10/92)

We open on a rocky red landscape but we know this is Mars because there are blue skies and this is Ray Bradbury Theater.  The barren Martian desert gives way to a small frontier town.  It has been deserted, and we know this because a lone newspaper sheet is blowing down the street.

The camera stops at the Mars Irrigation Board.  Employee Walter Grip is calling in to complain that no one has come to relieve him in 2 weeks.  He tells the answering machine he’s coming in to town to rip somebody a new one.  We see him hustling through sewers and treatment plants and up ladders, finally exiting on the side of a red mountain.  Whether this is a real location or a model, it is one of the most impressive things seen in this series.

Image 021In a car that seems to be made from corrugated Quonset hut surplus metal, he tears through some rugged terrain to get to the town.  The art direction on this episode really is a step up.  Along the way, he notices that, like NASA, there is not a single rocket left at the base.

Seeing the town completely empty and with newspapers frequently blowing by, he pulls over to the curb. Getting out, he notices a sign that says MARS EVACUATION DEADLINE SET, and decides he needs a drink.  He has quite a few and begins a conversation with himself like Nicholson in The Shining, about how beautiful his girl Clara is.  Although, to be fair, Nicholson did not have such a conversation about Shelley Duvall.

Image 024After making himself a salami sandwich with meat that has been sitting out for God knows how long, he goes back out into the street, where the newspapers continue to blow by.  Wouldn’t they all eventually be on the other side of town?  They are not a renewable eyesore like tumbleweeds.

Trudging past some Mars tract housing, he hears a phone ringing.  By the time he gets to it, it is dead.  He hears another phone down the street, several houses down.  He breaks a window to get in, but again just misses the connection.  Apparently star-69 is not a thing on Mars; but phones that can be heard a quarter-mile away are huge.  A few more houses down, another call.  It is a recorded message about the last rocket leaving Mars.  I wonder if the politicians would have carved out an exemption for this in the Do Not Call Registry?  Sure, it would save lives, but there’s no real opportunity for graft.

Grip decides to be proactive and goes to some sort of station where he is able to scroll through the names and numbers of all of the rImage 037esidents.  It sounds much more daunting than it really is — the phone numbers on the screen appear to only have 3 digits.

He is desperate to find his beautiful girlfriend Clara, but strangely never seems to call her number.  He gives up before he is out of the A’s and thinks to himself, “Where would Clara go?  Where would she be?” Despite all his big talk about how beautiful she is, his bright idea is to begin calling beauty salons.

He gets several recorded messages — just to let patrons know the shop will be closed. You know, what with the planet being evacuated.  However, he does miraculously reach a live woman, the last one on Mars.

The other big face on Mars.

The woman is thrilled to hear him. He is happy to hear that she is named Genevieve because all Genevieves are hot.  Also Heathers — you could look it up.  Walter immediately forgets Clara and sets out on the 900 mile journey to meet Genevieve.

He leaps from the car and enters the Martian Mystery Beauty Salon.  He calls for Genevieve and . . . well, apparently the hot-Genevieve rule only applies on earth.  It is interesting that they didn’t make her grotesque or morbidly obese, but she would definitely be a disappointment to any blind date.

She leads him to a cafe where she has set up a little dinner for two, although I suspect she was having a dinner for 2 every night before she met him.  She asks him to wait, and she returns a few minutes later wearing a wedding gown.

Gripp, not one to settle, high-tails it back to his Quonset car and speeds back home leaving her standing in the street in her wedding gown.

Post-Post:

  • An unusually cruel story from Bradbury who is usually so naïve and goodhearted that it’s like he was born in another century.  I mean millennium.  I mean . . .aw crap.
  • Kudos for the local newspaper being called The Martian Chronicle.
  • Walter Gripp also gets a mention in short story The Long Years, but oddly, no connection is made to his actions here.