Night Gallery – Clean Kills and Other Trophies (S1E4)

ngclean01Colonel Dittman leads his son Archie Jr. and lawyer Jeffrey Pierce into his trophy room. Sadly, he is not a bowler, so the trophies are the heads of animals that he has killed.  He points out his servant Tom who he says is an Ibo, son of a tribal chief.  But he’s OK because he was highly educated in England.  So now he is a servant.

“Quite a specimen, isn’t he,” the Colonel says proudly.  He tells the Pierce not to be misled by the Oxford accent and tailored clothes.  He has never really left the jungle, still carries amulets, and believes in black magic.  “A pagan savage, like all of his breed.”  Thank God MSNBC was not alive to see this.

The Colonel tells Pierce that hunting is his life, there is no game he hasn’t stalked and killed.  Pierce finally brings Archie Jr. into conversation mentioning that he just graduated from college.  The Colonel says it is Jr’s. one achievement in life other than swilling copious amounts of brandy.  He is clearly disappointed by his son and steers the conversation back to his trophies.

ngclean03Pierce asks Archie Jr. if he hunts and his father mocks him as being a “dish of jellied consomme”, also a waste of space, lacking character and guts; a “pallid hand-wringer” who the colonel fears will take his inheritance and give it to one of his causes:  “Senegalese Unwed Mothers, Pickaninny’s Free Lunch Program or the Women’s Liberation Movement.”

This episode originally aired on January 7, 1971 — six days before the debut of All in the Family.  The template is similar, though.  The Colonel is Archie Bunker and Archie Jr. is Mike Stivic with better hair (but unlikely to marry a busty blonde).

The Colonel taunts Archie Jr. about the trust fund he is due to receive.  He wants to add a codicil that his son must kill an animal within 15 days or the trust will be dissolved.  The Colonel even mocks Archie Jr’s. passive reaction to this threat.

If Archie Jr. does not come through, the Colonel will take his $2 million and purposely squander it on risky investments.  Archie finally lashes out and asks his father if it is really so inconceivable that he could kill something.  The Colonel says it is inconceivable that he “sired such a mewling, sniveling, self-indulgent milksop.”  This guy is priceless!

Archie mans up and points a rifle at the Colonel, but Tom intercedes, taking the rifle.  The Colonel tells Tom to see Archie Jr. to bed and leave a light on as “he’s probably afraid of the dark, too.”  Zing!

Archie Jr. admits his father is a 20th century man, probably closer to the norm than himself.  He will try to shoot a deer tomorrow.

That night the Colonel finds Tom in the trophy room praying.  Despite Serling’s best liberal intentions, he turns Tom into the amulet-wearing believer in pagan gods that the bigoted Colonel accused him of being.

The next day in the woods, Archie Jr. and the Colonel spot a deer.  Archie Jr. raises the rifle and lines up the shot. But he hesitates.  The Colonel swats the rifle and the shot goes awry enabling the deer to escape.

ngclean04

Does no one care about composition? The antlers have to go right into his forehead?

As Pierce is leaving, Tom says the Colonel has been punished for making Archie Jr. fire at the deer.  Last night Tom prayed to his gods that “the hunter should know what it is like to be the victim.”

The Colonel was so over-the-top nasty that he was pretty fun to watch.  Serling did not give him a worthy adversary, though.  Archie Jr. is supposed to be a much more passive, sensitive soul than his old man.  Unfortunately, Serling attempts to achieve this by giving him nothing to do.  He has very few lines despite being present in nearly every scene.  When he does let loose, it is in an effeminate, high-pitched screech.

And the peace button is a nice touch.

Post:Post:

  • Twilight Zone Legacy:  None.
  • Ironically, Archie Jr. (Barry Brown) shot himself at age 27.
  • Tom went on to play Boomer in Battlestar Gallactica.

No, the one in the 1970’s.

Night Gallery – Make Me Laugh (S1E4)

The first original tale by Rod Serling and it is a turd.  Well, it is credited as an original, but it should say “Based on a story by Charles Beaumont” as it shares the same exact twist as A Nice Place to Visit from The Twilight Zone.

Godfrey Cambridge plays a comedian and it is excruciating to watch.  OK, his character is supposed to be bad, but this is just painful.  It is inconceivable that he is making a living at it.  After his act, he talks to his manger Tom Bosley who has managed him for 16 years, also inconceivable.  The club owner played by Grandpa Munster Al Lewis comes in and fires him — conceivable.

Cambridge tells his manager he would give everything he’s got just to make somebody laugh.  Later in a bar he gets word his manager has bailed on him.  A guru, complete with turban approaches him. He must perform one miracle a month. Cambridge asks the guru to make it so he can make people laugh.

The guru obliges.  Soon Cambridge is hugely successful, but is left unfulfilled as people laugh at everything he says.  His manager even comes back.  When he tries out for a serious dramatic role, they all laugh at him.

This is the same revelation as in TZ’s A Nice Place to Visit — that there can be too much of a good thing.  Actually it makes a little more sense here.  In the TZ version, the small time hood finds himself in the “hell” of always getting the winning hand, always getting the perfect roll of the dice, and never having the dames play hard to get.  OK, the thrill might have gone out of gambling, but did he really get tired of the girls?

In TZ, the character is revealed to be dead and in hell.  In NG, Cambridge is alive, but we experience the hell of watching him.  He begs the swami to give him a new wish — he wants to touch people, to bring a tear to their eye.  That happens as he is hit by car.  A woman selling flowers nearby sheds a tear of sorrow.  The audience sheds tears of joy.

The real shocking twist here is that this episode was directed by Steven Spielberg.  He didn’t write it or cast it, but he sure didn’t do much with what he was handed.  There are stories of turmoil on the set and him being fired, but ultimately most of the scenes were directed by him.

Post-Post:

  • Twilight Zone Legacy:  None.
  • Serling did already have one segment that was an original, the embarrassing Nature of the Enemy.  I am doing his memory a favor by pretending that short “sketch” does not exist.
  • Six years later, Cambridge was dead at 43.  He had a heart attack on-set playing Idi Amin in Victory at Entebbe.  Amin claimed his death was an act of God . . . the actor who replaced him lived to 81.
  • If I knew this was the next act on the bill, I wouldn’t be so quick to boo Cambridge off the stage; I would keep him there like Jerry Lewis on the telethon.  Ladies and gentlemen, the Rocky Mountain Rockettes:
ngmakeme05

Yikes!

ngmakeme06

Again, I say Yikes!

Keepsake (2008)

keepsake0220 horror movies for $5; what could possibly go wrong?  Part XVIII of XX — home stretch.

Well this was unexpected.  Keepsake is actually a pretty good movie.  Had the run time been cut by tightening up the last half, the film’s other assets would have made this a solid film.

Sunny La Rose as Janine is pretty in a non-Hollywood way and is able to carry the movie.  The score is worked to great effect in several scenes.  The director mostly stays out of the way, but that’s not a bad thing.  There might have been one too many plot points which bogged the movie down along the way.  Ultimately, it is a torture / revenge movie and the baggage did not add anything.  It was well intentioned, though, and I found myself appreciating the effort.

Janine Burns is picking out a CD, and it is not clear what happens.  You can’t really see anything, but the windshield looks like a bird hit it — hardly her fault.  If it was a bird, why show the CDs?  Startled, she drives the car off the side of the road.  She is calling a tow truck, so something else must have been damaged.

She calls for a tow, although it is not clear where she got the number.  A couple of nice southern gentlemen in a pickup stop by and gallantly offer their services to a lady in distress.  OK, they were pretty scuzzy.  I can imagine that would be a threatening situation for a woman, but she handles it well, edging back to her truck, but not showing fear.

keepsake03The tow truck shows up soon driven by a mute man with no tongue.  He can’t speak, but his uniform says, “Earl.”  He is credited as TTD which I assume is Tow Truck Driver, or possibly Tongueless Towtruck Driver.  He puts her car on his rig and they leave.  She asks him a few questions, but he has a pad with a pre-written message that says to only ask him yes-or-no questions; a tactic I plan on adopting.

She looks for a pen to sign the bill, and in the glove compartment finds a drivers license with Earl’s picture, but he is a black man.  Realizing this couldn’t be the driver even in a DMV photo, she tries to get out of the truck and he slugs her.  When he stops at a gas station, she bolts from the truck.  He catches her and roughs her up

He throws her in the restroom, and handcuffs her to a urinal as a police car pulls into the station.  Somehow taking off her shirt enables her to disconnect the pipes.  I’m no plumber, but I’m not sure what happened there.  Mind you, I’m not complaining either.  Maybe if she took off the bra, she could have used the pipes as a radio.

TTD jumps the cop, takes his gun, shoot him, and just wails on him.  just as Janine escapes, TTD catches her and injects her with something to knock her out.

keepsake05Title card:  DAY 1

Janine wakes up and TTD puts a metal collar around her neck that he can use to send electrical shocks through her via a remote.  TTD finds something interesting in a notebook in her car which she tries to trade for her freedom, but we don’t learn more for another hour.  He throws her in a pit below the floor of the barn.

Now the hallucinations begin.  They start out promising, on a beach with a topless girl that seems to be Janine’s lover, but turns out to be her sister Alice.  Now to really make this interesting . . . er, but I digress.

She awakens to see dismembered and rotting corpses in the pit.  TTD goes down to check on her and she brains him with a 2 X 4 and tries to run.  He zaps her electric collar ring.

While unconscious, Alice tells her that everything they went through as kids was preparing Janine for this moment.

He gives her a note that says: “30 days.  Show me.”  Thus starts the 2nd series of hallucinations, this set featuring the rotting corpses reanimating.  Frankly, they could have cut out this recurring plot point (or at least have had better looking zombies).

DAY 3

He makes her strip, hoses her down naked.

DAY 15

Another hosing down.  He gives her an extended shock, and then a new dress.  She has another hallucination of the animated bodie, and another hallucination of her sister.  Apparently their father abused them as kids.

He takes her in the house where there is another girl.  they eat, she starts, he slaps her from not waiting for the prayer.  She says she won’t go back in the box, calls him a freak.  He beats her unconscious so she sees her sister again.  Alice is hitchihing and despite Janine’s protests, leaves Janine alone to face her ordeal.

TTD brings home another girl.  We now enter the torture porn portion of the show as he de-tongues her and slices her Achilles tendons.  Presumably so she won’t be running her mouth.  TTD kills her, launching Janine into another hallucination but at least she didn’t have to get knocked out for this one.

Of course, tables are turned, there is a twist, and not everyone lives happily ever after. They could have easily lost the zombie hallucinations and kept this in the real world; and closer to 90 minutes.  Otherwise, I have no complaints.  It looks good, it sounds good, the heroine is a real woman (not gorgeous or performing kung fu).  Easily the best of this collection.  I could imagine it being a hit on the festival circuit.

Post-Post:

  • The title doesn’t really work.  I assume the titular keepsake is the photo Janine takes at the end.  But it is really introduced way too late for that to be used for the title.  Maybe the plural Keepsakes to refer to the entire photo album.
  • Not really sure what happens at the end.  Is that her own car she drives off in? Didn’t it require a tow 30 days earlier?  Did TTD thoughtfully fix it?  The tow truck uniform was stolen, so I am baffled by this.

Tales from the Crypt – For Cryin’ Out Loud (S2E8)

Lee Arenberg living out Al Bundy’s fantasy

Marty Slash is so anxious to get in the electric chair, he runs ahead of the guards and slips into it as quick as Mike Moffitt into George Costanza’s parking space — which makes sense as both characters are played by Lee Arenberg.

Iggy Pop appears as himself showing how cool, hip and edgy he is by dropping about — yawn — 15 F-bombs in 30 seconds.  Between him and anticipating the vastly over-rated Sam Kinison later in the episode, I was ready to jump into Old Sparky myself.

Slash is Iggy Pop’s manager and has been running a scam of benefit concerts to save the Amazon rain forest while pocketing the donations himself.  Now that the receipts have hit $1 million, it is time for him to take off.  He opens up a wall safe hidden behind an Alice Cooper poster and his conscience speaks up in the voice of Sam Kinison.

tftcforcryin03Katey Sagal shows up dressed a goth chick — a 36 year old goth chick.  If Chloe O’Brien couldn’t pull it off, no way Peg Bundy can.  Turns out that was just disguise to enter the club.  She is really a banker — Miss Kielbasa, named after her father no doubt — who is on to Marty’s scam.  She saw Marty withdraw the $1 million that morning and wants half.  As Katey counts out her half, he goes all Pete Townsend on her head and stuffs her in a drum case.  Whether it was a stunt-woman or rubber legs, they looked pretty convincing being stuffed into that case.

As his conscience yells at him, he rebels by pouring medicine in his ear and reaming it out with a giant Q-Tip.  When the Q-Tips don’t work, he threatens to stab his conscience with a sharpened pencil.  He wises up just before puncturing his eardrum.

As he goes out in the club, his conscience, doing what Sam Kinison does best, begins screaming.  It screams to the waitress that Marty killed his banker and taunts Marty that she heard him.  He is so sweaty and manic that their reaction to him makes him wonder if they really did hear his “confession.”

He turns the music up in the club to drown out his conscience.  That brings in the cops.  Convinced that his conscience has screamed his secret, he busts the sound system and says, “I didn’t mean to kill my banker.”  He opens his briefcase, spilling the money into the crowd which is strangely subdued at the sight of $1 million cash.

Turns out the looks people were giving him were not reactions to the screams of his conscience, but to the bloody pencil still protruding from his ear.  A more reasonable reaction might have been to say, “Dude there’s a bloody pencil in your ear.”  His conscience taunts him that if he had kept his mouth shut, he could have gotten away with it.  For 2 years on death row, his conscience torments him until he is begging for the chair.

Lee Arenberg was made for TFTC.  His hammy, over-the-top acting and rubber face brought campy humor back to the series.  Sam Kinison was great in the small dose and, as a bonus, we didn’t have to look at him.  Iggy Pop just came off as an asshole.  The Stooges were strangely absent.

Post-Post:

 

Outer Limits – The New Breed (S1E14)

Good news: Director Mario Azzopardi worked on 21 Outer Limits episodes, so he should have this down pat.  Bad news:  This was the first.

olnewbreed01

The secret of my nanobots is to make them look like tanks.

John-Boy Walton is giving a presentation of his revolutionary nano-technology which will clean everything from polluted rivers, to cancerous livers, to grass stains on your kid’s clothes.  By attacking problems at the molecular lever, he can cure everything from cancer to dandruff.  When asked if he is playing God, he responds, “Let’s just say God created a flaw in man — I think I can do better.”  So you know he’s screwed.

John-Boy’s friend Andy shows up in the lab and tells him that he is going to marry his sister — John-Boy’s, not his own.  30 seconds later, he finds out that he has pelvic cancer.  Chemo and surgery are not promising options.  So naturally Andy breaks into John-Boy’s lab; because a sociologist would totally know how to navigate the equipment and administer the nanobots.

Three days later, his cancer is almost completely gone.  And he gives his fiancee a real pounding.  Like Spiderman, his vision has even been corrected.  He tells John-Boy that he injected the nanobots; John-Boy is furious and wants to deactivate them.  Andy will not allow that, so they begin testing the effects on him.

After the sex gets too rough, Andy’s fiancee walks out; but not in a straight line.  The next morning, he rushes to the lab and shows John-Boy that the nanobots have started constructing gills on his neck, having interpreted his inability to breathe underwater as a “defect.”  Andy finally agrees to have the nanobots deactivated even though the new ability to breathe through his neck might have won his fiancee back.

The flush-and-deactivate command does not work.  He sends Andy home for a good night’s sleep.  The next morning, John-Boy goes to Andy’s apartment.  He is complaining of a pain on the back of his head.  John-Boy checks it out and discovers that the nanobots have taken Andy’s inability to parallel park without a mirror as another “defect” and have now given him perfect 20/20/20/20 vision like Lolac of Twilo.

John-Boy concludes the only way to kill the nanobots is to electrocute them.  He sends three surges through Andy which have the slight side effect of killing him. John-Boy is able to CPR him back to life.  Over the next few days, the nanobots do more renovation on Andy,  They have covered his chest with jellyfish type stingers and reinforced his chest cavity to make him invulnerable to attack, or from treatment by John-Boy.

Andy stabs himself rather than go through life as a freak.  After he collapses, the nanobots slowly slide the scalpel out of his gut.  He awakens, and realizes they will not let hem die.

olnewbreed08Andy asks John-Boy to electrify him again, but really turn it up so he and the nanobots are both fried.  John-Boy takes all the vials of his serum and smashes them on the floor which seems like exactly the wrong thing to do.  But then he turns on all the gas jets and sets fire to his papers.  As he leaves the lab, it explodes in the background.

As Andy’s fiancee is packing, she cuts her finger on a broken picture.  When she goes to get a band-aid, it has already healed.

Another good episode.

Post-Post:

  • Writer Grant Rosenberg was responsible for the  Start Trek TNG episode that introduced Brian Bonsall as Worf’s son.  I’m sure it wasn’t his idea, but what a cross to bear.
  • Andy and his fiancee in the episode were actually married 5 years later.