Cash Bentley stumbles through the Riverview Country Club just as I suspect he has many times before. He says to his friend Jim, “The Hudson River is flowing backwards, From New York to Albany. Time’s flowing right along with it.” Save it for The New Yorker, pal! Oh, Mr. Cheever, sorry sir! [1]
His wife Louise stops dancing long enough to come out on the veranda to nag and humiliate her husband. Sadly, they do not come close enough to the railing to make this the shortest AHP in history. As they argue, Jim and some other lushes come out and ask Cash, “Hey Champ! What time’s the race, boy?” This is a thoroughly unpleasant bunch of people. Jim patronizingly mussed Cash’s hair earlier, but I was willing to let it go. The guys try to goad him into having a few drinks. When he refuses, Jim dips his fingers into his Gin and Tonic and again runs his fingers through Cash’s hair saying, “You know what I mean, pure hair tonic!” [pause for laughter]
Cash grabs him and says. “So you make three times the money I do! So you can pay your bills and I can’t! You can’t stand the fact that I was once a champ, that I’m not getting soft like the rest of you!” Jim says he just wanted a hurdle race. Cash inexplicably says he will give them a hurdle race.
The crowd enthusiastically creates make-shift hurdles out of chairs, tables, music stands, broomsticks, velvet ropes, etc. Clearly this is humiliating for Cash, but he does love the attention, and the opportunity to show he is still good at something he was once great at. Cash tells someone to get his gun from the car, by which I hope he means a starter’s pistol. Some boozehound fires the pistol; Cash does 2 impressive laps around the club and everyone cheers him. Then he slugs Jim. The guy who fired the pistol, hands it back to him, “Don’t forget your gun, Cash.” Christ, good timing, bub! Panting, sweaty, humiliated, drunk, angry, just decked a dude — this guy is a mass murder waiting to happen and you hand him a gun!
Back at the Bentley home, we see Cash has a projector set up in his living room to view old films of his glory days as a champion hurdler — this must have been 20 years ago! Well, maybe the projector is there because their babysitter’s boyfriend was just watching them that evening. But why does the screen seem to be a permanent installation in their living room? This ain’t no white-square-on-a-tripod (my nickname in college). Cash reaches up and pulls down a huge theater-quality screen on rollers.
He starts the film, but runs from the room like me at an Amy Schumer movie. In his case, he has set up hurdles out of furniture, much to the despair of Louise. He clears the hurdles and runs out the patio door. When he loops back into the living room, he crashes into the furniture and breaks his leg.
His doctor tells him he’ll be able to run again, but no hurdles. Back at home, his young neighbors are having a party. Cash is jealous of their dancing and partying at this shindig. Is this Cheever being clever with a dig at his injured shin? [Comment timesaver: No, you’re an idiot]. Amusingly, he looks out his window and the party seems be happening about 6 feet from his window. Cash gets into the classic sprinter stance: crouched, one hand touching the ground, cocktail in the other. He complains about the teenagers, but his wife says they’re entitled to some fun.
Their Saturday night takes a turn for the better when Jim calls and invites them back to the club. Naturally, Cash gets liquored up. He hits on a younger woman. And I don’t just mean younger than him, I mean younger than his wife who is already 16 years younger than him. Wait, why is Louise with with this dumbbell anyway? I doubt she was that swept away by his track prowess as she would have been six when he graduated from college. The guys try to goad Cash into another race, but he runs into Louise’s arms and they leave.
Back at casa de Bentley, Cash is still liquored up. He fires up the old projector to replay the best 53 seconds of his life (2nd best accord to Louise). He hands her the pistol and says, “I’m a hurdler, I’m going to hurdle. Now you fire.” He tells her he will say, “On your mark, get set, go” and she should fire. When she protests, he slugs her.
Cash again assumes the position. He says, “On your mark, get set” and she blows him away. Was it on purpose? That is for the jury to decide. She does give him a kiss and looks guiltily at the projector, which baffles me.
Meh. I liked it better than many people, but maybe that’s because we finally had a murder after several bloodless episodes. Or maybe as I get older, I identify with living through past glories, except for the part about having past glories. Gary Merrill (Cash) does make it hard to like the episode. He is at least 10 years too old for the role; and, frankly, it is not great criticism, but I just don’t like his face. There, I said it.
Other Stuff:
- [1] The episode is indeed based on a short story by John Cheever.
- Jack at Bare*Bones notes that Patricia Breslin (Louise) was on AHP and an episode of The Twilight Zone in the same week. Her parents must have been busting!
I don’t understand why they wouldn’t actually use a starter pistol to prevent a bullet going through the ceiling? Also, starter pistols are blocked so projectiles can’t be fired from them.
Another great observation!
I don’t like Merrill’s face either….thought it was just me. He always seems to be cast with much younger, attractive actresses, which is unrealistic and annoying.
This was just a strange, unpleasant episode with unlikable characters.
i always felt the only reason he got into acting was bette davis made it happen. i think they were married at one time. anyway he always got on my nerves… there are much better actors at the time they could of used and also he comes across as hammy. ugh just didnt care for this episode at all.
I Can Relate To Cash! Many Of Us Try To Hold On To Past Glories! Me Included!!!
This episode made ZERO sense. Maybe it would have worked better if the lead actor was 30 years old. Not in his 50s??
One of the men at the country club is played by Dudley Manlove, probably most famous (infamous?) for his role as Eros, one of the space aliens in Plan Nine From Outer Space.
Don’t they usual discourage photographers from being on the track to get a shot of a runner coming right at them? Kinda sloppy work by Norman Lloyd (RIP).
I Still Try To Think And Act Young, But You Can Not Beat Old Man Time!!! I Loved The Episode!!!