Alfred Hitchcock Presents – The Greatest Monster of Them All (02/14/61)

Movie producer Hal Ballew is looking through a book on entomology to get ideas for a new monster movie.  He and his screenwriter Fred Logan are unable to come up with a bug that hasn’t been used before.  The crafty Ballew switches gears and tells Logan, “Think you can come up with a high school background?  All those kidddds, full of liiiife!”  Before Ballew can suggest Cuties, Logan blurts out, “Ernst von Croft, the [titular] greatest monster of them all!”  And that’s how Cuties spent 59 years in Development Hell.

Ernst von Croft was an actor in 1930s movies who appeared as hideous, nightmare-inducing characters on-screen just like Bela Lugosi, Boris Karloff, and Bette Davis.

Ballew brings von Croft into the office and introduces him to his director Morty Lenton.  The actor is perfectly cast — an old cadaverous gent that would have fit right in with the Universal monster classics.  Lenton warns him that this is only a low budget joint.  Von Croft tells him that it can still be a very good picture. “Great films are not made with money.  They are made with love, with care, with integrity.”  I hope the hacks in Hollywood get that because most screenings I’ve seen on Fandango have sold zero tickets lately.

Von Croft still believes they can make a great picture, even after Ballew tells him the writer is no Edgar Albert Poe.  He goes into character, draping his jacket over his shoulders like a cape, wrestling Lenton to the ground, and going for his neck.  Just finding a neck on the tubby Lenton was a feat in itself.  Ballew gives him the job and von Croft even volunteers to do his own make-up.

Blah, blah, blah.  The rest of the episode is confusing and tedious.

  • When Lenton suggests von Croft play the vampire with no teeth, what does that even mean?
  • How is the movie playing in theaters without the producer ever having seen it?
  • But wait, Ballew tells Logan that Lenton did a great job.  So did he see it?  Did he approve of the changes?  Surely not, because he would not have risked damaging the film’s success.
  • Von Croft and Logan are in the theater.  The young audience is digging the suspense and horror.  However, when von Croft’s character speaks for the first time, the audience begins laughing bigly.  Lenton has dubbed in a voice that is identical to Bugs Bunny.  Why?  Was it because von Croft knocked him down?  If so, there was zero indication of his desire for revenge.
  • Von Croft and Logan are humiliated.  Logan gets drunk that night and visits von Croft.  VC (because I’m tired of typing von Croft) angrily makes a point that the director kept insisting on close-ups and that Logan was complicit.  What do close-ups have to do with the cartoon voice?  If anything, wouldn’t you want long shots so the dubbing as less obvious?
  • Later that night, at the studio, the writer finds Lenton dead with two puncture marks in his neck.  But when we see VC, he has a knife.  Did he bite Lenton or stab him?  The bite was not bloody enough to kill him, so maybe it was both.
  • VC dies leaping from some scaffolding.  Did he actually think he was a vampire?  Did he always, or did the humiliation of the film and paying $8 for popcorn trigger him?
  • Logan finds Ballew injured but alive.  Logan explains VC’s actions, “We should have remembered . . . he was the greatest monster of them all.”  Hunh?  There was no history of violence with the actor.  He seemed like a good guy.  Is Logan confusing the actor with his roles?

So I am just baffled by the motivations and some of the dialog.  Jack at bare*bones seems to like this episode, which always makes me conclude that I’ve missed something.

Really an off night for AHP.  I rate this episode a Phantom of the Opera out of the Universal Classic Monsters box set. [1]

Other Stuff:

  • [1]  Actually, Phantom might be great, I just haven’t gotten around to watching it . . . in the 6 years I’ve owned the box set.
  • The appearance of Robert H. Harris here is jarring.  I have previously pointed out how this bald, dumpy, middle-aged guy always seemed to be a hit with the ladies in other AHP episodes.  Typically, he would be in a suit with a bow-tie, and a snazzy hat.  Here, however, he is wearing a golf shirt.  Whether this is due to him being a care-free Hollywood producer or due to the general degradation of society in the early 1960’s, I couldn’t say.  But I think we know the answer.
  • One bright spot is Meri Welles. Her brief performance is an aloof dimwit actress is fun.  She was last seen playing another dimwit actress in Madame Mystery.  Not so funny, she died at 36.
  • William Redfield went on to 2 noted roles:  Felix’s brother in one episode of The Odd Couple [2] and Harding in One Flew over the Cuckoo’s Nest [3] (great, now I have to stay up and watch that on Netflix).
  • [2]  He only gets a mention in that episode.  But, holy crap, has there ever been a better written and acted show?
  • [3]  Wow, now that I’m older, Nurse Ratched was actually pretty hot.  No, I’m not watching the series.
  • Why are the AHP aspect ratios always screwed up on dailymotion?  That means I have to walk alllllll the way across the room and put a disk in the DVD player to get some pictures.  No wonder COVID has turned me into Robert H. Harris.

 

3 thoughts on “Alfred Hitchcock Presents – The Greatest Monster of Them All (02/14/61)

  1. There’s another episode of The Odd Couple where Floyd Unger has a big role, when Felix gets hired by his company to write bubble gum cards in Buffalo. It’s great.

  2. Interestingly, Meri Welles supposedly auditioned for a role in A House is Not aa Home, playing a prostitute, by coming in with nothing on except a sweater, coming down to her mid-thighs and nothing else underneath..She got the role..

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